Victor Rangel-Ribeiro (born 1925) is an Indian writer, former journalist, music conductor and editor. His is most noted as the author of Tivolem (1998), whose writing was funded by a New York Foundation for the Arts Fiction Fellowship (awarded 1991), and which was awarded the Milkweed National Fiction Prize and shortlisted for the Crossword Book Award.
Born in Goa, counting Konkani, Portuguese, and English as his three mother tongues, [1] [ failed verification ] he moved to Mumbai in 1939 and took his BA from St. Xavier's College, Mumbai in 1945. After a short spell teaching at high school, he moved into journalism. The 1940s already saw a number of his English-language short stories appearing in British Indian publications.
After Indian independence in 1947, Rangel-Ribeiro became assistant editor and music critic of the National Standard, Sunday editor for the Calcutta edition of the Times of India (1953), and a literary editor for The Illustrated Weekly. He was the first Indian to be appointed Copy Chief at the advertising giant J Walter Thompson's Bombay office, but migrated to the US just months later.
In 1956 emigrated to the United States, along with his wife, Lea, and worked part-time as a music critic for the New York Times From 1964 to 1973 he ran a music antiquariat in New York City, became director of the New York Beethoven Society (overseeing its entry into the Lincoln Center for the Performing Arts). [2]
In 1983 he took an MA from Teachers College, Columbia University, taught for a time in private and public schools, and then became involved in coordinating adult literacy teaching. [2]
He and his musician-educationist wife Lea (d.2011) [3] have two children. [2]
This is a partial bibliography.
Impressionism in music was a movement among various composers in Western classical music whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". "Impressionism" is a philosophical and aesthetic term borrowed from late 19th-century French painting after Monet's Impression, Sunrise. Composers were labeled Impressionists by analogy to the Impressionist painters who use starkly contrasting colors, effect of light on an object, blurry foreground and background, flattening perspective, etc. to make the observer focus their attention on the overall impression.
The Konkan, also Concan or Kokan, is a stretch of land by the western coast of India, running from Damaon in the north to Anjediva in the south; with the Arabian Sea to the west and the Deccan plateau in the east. The hinterland east of the coast has numerous river valleys and riverine islands among the hilly slopes leading up into the tablelands of the Deccan. The region has been recognised by name, since at least the time of Strabo in the third century C.E., and was a thriving mercantile port with Arab tradesmen from the 10th century. The best-known islands of Konkan are Ilhas de Goa, the site of the Goa state's capital at Panjim, and the seven islands of Bombay, on which lies the capital of the state of Maharashtra. The main parts of Konkan start from Alibag and end with Goa.
Bastora is a village in North Goa, India. It is located on the outskirts of Mapusa town. Green and still scenic, this is one of the many communities and villages that makes up mainly-rural, but fast-urbanising Goa.
Siolim is a village in Bardez taluka, and a census town on the central west coast of India, in the North Goa district of Goa. The 2001 population was 10,311, and 10,936 in 2011. Siolim is also the name of a constituency in the Goa assembly, which includes Assagao, Anjuna and Oxel, in addition to Siolim. A person from Siolim is known as a Siolcar or even as Shivalkar.
Goan Catholics are an ethno-religious community of Indian Christians belonging to the Latin Church of the Catholic Church from the Goa state, in the southern part of the Konkan region along the west coast of India. They are Konkani people and speak the Konkani language.
Francis Newton Souza was an Indian-American British Asian artist. He was a founding member of the Progressive Artists' Group of Bombay. Souza's style exhibited both decadence and primitivism.
Ranjit Hoskote is an Indian poet, art critic, cultural theorist and independent curator. He has been honoured by the Sahitya Akademi, India's National Academy of Letters, with the Sahitya Akademi Golden Jubilee Award and the Sahitya Akademi Prize for Translation. In 2022, Hoskote received the 7th JLF-Mahakavi Kanhaiyalal Sethia Award for Poetry.
Valerian Gracias was an Indian Cardinal of the Roman Catholic Church. He served as Archbishop of Bombay from 1950 until his death and was elevated to the rank of cardinal in 1953 by Pope Pius XII.
Tiatr is a type of musical theatre popular in the state of Goa on the west coast of India as well as in Mumbai and with expatriate communities in the Middle East, United Kingdom and other cities where Konkani speakers have a considerable presence. The dramas are performed mainly in the Roman Konkani dialects and include music, dancing and singing. Tiatr performers are called tiatrists.
The indigenous population of the erstwhile Portuguese colony of Goa, Daman and Diu underwent Christianisation following the Portuguese conquest of Goa in 1510, which was followed by the Goa Inquisition from 1560 onwards. The converts in the Velhas Conquistas to Roman Catholicism were then granted full Portuguese citizenship. Almost all present-day Goan Catholics are descendants of these native converts; they constitute the largest Indian Christian community of Goa state and account for 25 percent of the population.
The Premier Menuet is a Neoclassical piano piece by Erik Satie. Written in June 1920, it was his last composition for solo piano. It was published by Les Éditions de La Sirène in 1921.
La belle excentrique is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet. Satie gave it the whimsical subtitle "fantaisie sérieuse". It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.
Laxman Pai was an Indian artist and painter. He was a principal of the Goa College of Art, a post he held from 1977 to 1987. Pai was a recipient of several awards including India's third highest civilian honour of Padma Bhushan, awarded by the Government of India.
The Pièces froides are two sets of piano pieces composed in March 1897 by Erik Satie. Unpublished until 1912, they marked Satie's break from the mystical-religious music of his "Rosicrucian" period (1891–95), and were a harbinger of his humoristic piano suites of the 1910s.
Luis Jose De Souza is an Indian surgical oncologist and the founder of Shanti Avedna Ashram, a charitable trust which runs a network of hospices in Mumbai and Goa. He has also contributed to the establishment of Indian Cancer Cell, an educational program co-sponsored by Tata Memorial Centre, Union for International Cancer Control (UICC) and Indian Cancer Society, for creating cancer awareness in schools. The Government of India awarded him the fourth-highest civilian honour of the Padma Shri in 1992.
Sports et divertissements is a cycle of 21 short piano pieces composed in 1914 by Erik Satie. The set consists of a prefatory chorale and 20 musical vignettes depicting various sports and leisure activities. First published in 1923, it has long been considered one of his finest achievements.
The Trois poèmes d'amour is a 1914 song cycle for voice and piano by Erik Satie. It is the only set of mélodies Satie composed to his own texts. In performance the set lasts between 2 and 3 minutes.
The Prélude d'Eginhard is an 1893 composition for solo piano by Erik Satie. It is a notable example of his "Rosicrucian" or "mystic" period. Unpublished during his lifetime, it was issued posthumously in 1929. A typical performance lasts under 3 minutes.
Heures séculaires et instantanées is a 1914 piano composition by Erik Satie. One of his humoristic keyboard suites of the 1910s, it features Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his scores. In performance it lasts about 4 minutes.
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