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Victoria Lautman | |
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Education | George Washington University University of New Mexico Merton College at Oxford University |
Occupation(s) | Journalist, writer, and lecturer |
Victoria Lautman is an American journalist, writer, and lecturer. She is based in Los Angeles and she focuses on art and culture, including architecture, design, and literature, particularly those of India.
Lautman received a master's degree in Art History from George Washington University and a bachelor's degree in Anthropology and Art History from the University of New Mexico. [1] She attended Merton College at Oxford University for archaeological field training. [2] Following graduate school, Lautman was employed by the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden. [3]
Lautman started her career as a weekly arts reviewer in 1984 on WBEZ, a National Public Radio outlet in Chicago. During the next two decades, she founded and published a long-running arts and culture magazine, Artistic License, and then went on to be an interviewer and contributor to the station. [4] In 2004, she moved to WFMT radio and created the Chicago author-interview series, Writers on the Record with Victoria Lautman, with authors including Junot Diaz, Edward P. Jones, Elizabeth Strout, Louise Erdrich, Frank McCourt, Michael Cunningham, Augusten Burroughs, Edwidge Danticat, Peter Carey, Anne Lamott, Martin Amis, Russell Banks, Richard Price, and Mary Gaitskill. [5] Lautman's interviews with Jonathan Lethem, Lady Antonia Fraser, Amitav Ghosh, and others have also been heard at the Chicago Humanities Festival. [6]
As a print journalist, Lautman has written for a wide array of publications and was formerly the Chicago editor for the magazines Metropolitan Home, Art+Auction , Architectural Record, and House & Garden. [7]
Lautman became fascinated with the ancient subterranean step-wells of India after encountering one on her first trip to the country in the early 1980s. [8] Decades later she pursued her interest in earnest, spending several months each year finding and photographing the dilapidated structures throughout the country. This collection of research culminated in the release of The Vanishing Stepwells of India by Merrell Publishers in 2017. Subsequent exhibitions of her stepwell photographs were mounted at the Fowler Museum at UCLA in 2019 and at the RMIT University Gallery in Melbourne in 2018. [9] Lautman has lectured widely on the topic throughout the United States and India. [8] [10] [11] [12] [13] [14]
Lautman's earlier non-fiction book, The New Tattoo, was published by Abbeville Press in 1994 and included photography by Vicki Berndt. [15]
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Stepwells are wells, cisterns or ponds with a long corridor of steps that descend to the water level. Stepwells played a significant role in defining subterranean architecture in western India from 7th to 19th century. Some stepwells are multi-storeyed and can be accessed by a Persian wheel which is pulled by a bull to bring water to the first or second floor. They are most common in western India and are also found in the other more arid regions of the Indian subcontinent, extending into Pakistan. The construction of stepwells is mainly utilitarian, though they may include embellishments of architectural significance, and be temple tanks.
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Temple tanks are wells or reservoirs built as part of the temple complex near Indian temples. They are called pushkarini, kalyani, kunda, sarovara, tirtha, talab, pukhuri, ambalakkuḷam, etc. in different languages and regions of India. Some tanks are said to cure various diseases and maladies when bathed in. It is possible that these are cultural remnants of structures such as the Great Bath of Mohenjo-daro or Dholavira, which was part of the Indus Valley civilization. Some are stepwells with many steps at the sides.
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