Location | Vidisha |
---|---|
Coordinates | 23°31′11″N77°48′59″E / 23.519738°N 77.816497°E |
Type | Archaeological museum |
Collection size | Jain, Buddhist and Hindu art, sculpture, antiquities |
Vidisha Museum or Vidisha District Museum is the main museum of the city of Vidisha, ancient Besnagar. [1] [2] [3]
The museum has many sculptures, terracottas and coins, especially from the 9th to the 10 th century CE, as well as Harappan art. [2]
A statue of a Yaksha, usually dated to the time of the Mauryan Empire or the Sunga Empire, can be seen. [1] [4] [5]
23.479223°N 77.739683°ESanchi is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the State of Madhya Pradesh, India. It is located, about 23 kilometers from Raisen town, district headquarter and 46 kilometres (29 mi) north-east of Bhopal, capital of Madhya Pradesh.
Vidisha is a city in central Madhya Pradesh, India. It is located 62.5 km northeast of the state capital, Bhopal. The name "Vidisha" is derived from the nearby river "Bais", mentioned in the Puranas.
The Heliodorus pillar is a stone column that was erected around 113 BCE in central India in Besnagar. The pillar was called the Garuda-standard by Heliodorus, referring to the deity Garuda. The pillar is commonly named after Heliodorus, who was an ambassador of the Indo-Greek king Antialcidas from Taxila, and was sent to the Indian ruler Bhagabhadra. A dedication written in Brahmi script was inscribed on the pillar, venerating Vāsudeva, the Deva deva the "God of Gods" and the Supreme Deity. The pillar also glorifies the Indian ruler as "Bhagabhadra the savior". The pillar is a stambha which symbolizes joining earth, space and heaven, and is thought to connote the "cosmic axis" and express the cosmic totality of the Deity.
The pillars of Ashoka are a series of monolithic columns dispersed throughout the Indian subcontinent, erected or at least inscribed with edicts by the 3rd Mauryan Emperor Ashoka The Great who reigned from c. 268 to 232 BCE. Ashoka used the expression Dhaṃma thaṃbhā, i.e. "pillars of the Dharma" to describe his own pillars. These pillars constitute important monuments of the architecture of India, most of them exhibiting the characteristic Mauryan polish. Of the pillars erected by Ashoka, twenty still survive including those with inscriptions of his edicts. Only a few with animal capitals survive of which seven complete specimens are known. Two pillars were relocated by Firuz Shah Tughlaq to Delhi. Several pillars were relocated later by Mughal Empire rulers, the animal capitals being removed. Averaging between 12 and 15 m in height, and weighing up to 50 tons each, the pillars were dragged, sometimes hundreds of miles, to where they were erected.
The Udayagiri Caves are twenty rock-cut caves near Vidisha, Madhya Pradesh primarily denoted to Hindu gods Vishnu and Shiva from the early years of the 5th century CE. They contain some of the oldest surviving Hindu temples and iconography in India. They are the only site that can be verifiably associated with a Gupta period monarch from its inscriptions. One of India's most important archaeological sites, the Udayagiri hills and its caves are protected monuments managed by the Archaeological Survey of India.
The Western Satraps, or Western Kshatrapas were Indo-Scythian (Saka) rulers of the western and central part of India, between 35 and 415 CE. The Western Satraps were contemporaneous with the Kushans who ruled the northern part of the Indian subcontinent, and were possibly vassals of the Kushans. They were also contemporaneous with the Satavahana (Andhra) who ruled in Central India. They are called "Western Satraps" in modern historiography in order to differentiate them from the "Northern Satraps", who ruled in Punjab and Mathura until the 2nd century CE.
Guna district is one of the 52 districts of Madhya Pradesh in central India. Its administrative headquarters is Guna. The district has a population of 1,241,519. It has an area of 6390 km², and is bounded on the northeast by Shivpuri District, on the east by Ashoknagar District, on the southeast by Vidisha District, on the southwest by Rajgarh District, on the west and northwest by Jhalawar and Baran districts of Rajasthan state. The Sindh River flows northward along the eastern edge of the district, forming part of the boundary with Ashoknagar District, and the Parvati River flows northwestward through the southern portion of the district, forming part of the boundary with Baran District before flowing into Rajasthan.
Vidisha District (विदिशा) is in Madhya Pradesh state, in central India. The city of Vidisha is the administrative headquarters of the district.
Panchakuta Basadi is a temple complex located in the Kambadahalli village of the Mandya district, Karnataka state, in southwestern India. It is one of the finest examples of South Indian Dravidian architecture of the Western Ganga variety, related to the Jain faith and iconography.
Eran is an ancient town and archaeological site in the Sagar district of Madhya Pradesh, India. It was one of the ancient mints for Indian dynasties as evidenced by the diverse coins excavated here. The site has 5th and 6th-century Gupta era temples and monuments, particularly the colossal stone boar with sages and scholars depicted on the body of the sculpture. The inscription stones found at Eran are important to reconstructing the chronology of Gupta Empire history. Eran or Erakina was the capital of Erakina (Airikina) Pradesha or Airkina Vishaya, an administrative division of the Gupta empire.
Government Museum, Mathura, commonly referred to as Mathura museum, is an archaeological museum in Mathura city of Uttar Pradesh state in India. The museum was founded by then collector of the Mathura district, Sir F. S. Growse in 1874. Initially, it was known as Curzon Museum of Archaeology, then Archaeology Museum, Mathura, and finally changed to the Government Museum, Mathura.
Mangla Devi Temple is a ruined Hindu temple in the Kagpur village of Vidisha District, Madhya Pradesh, India. It is located on the State Highway 19, 33 km from Vidisha.
The Naga dynasty ruled parts of north-central India during the 3rd and the 4th centuries, after the decline of the Kushan Empire and before the rise of the Gupta Empire. Its capital was located at Padmavati, which is identified with modern Pawaya in Madhya Pradesh. Modern historians identify it with the family that is called Bharashiva in the records of the Vakataka dynasty.
Kankali Tila is a mound located at Mathura in the Indian state of Uttar Pradesh. The name of the mound is derived from a modern temple of Hindu goddess Kankali. The famous Jain stupa was excavated here in 1890-91 by Alois Anton Führer.
Jain Basadi complex in Halebidu, Hassan district consists of three Jain Basadis dedicated to the Jain Tirthankars Parshvanatha, Shantinatha and Adinatha. The complex is situated near Kedareshwara temple and Dwarasamudra lake. These temples were constructed in the 12th century during the reign of Hoysala Empire along with Kedareshwara temple and Hoysaleswara Temple have been proposed to be listed under UNESCO World Heritage Site. The temple complex also includes a step well called Hulikere Kalyani.
30.5180°N 77.8482°E
Vidisha is considered to be Puranakshetras Jain tirtha. The Jain temples are located in Vidisha district in state of Madhya Pradesh, India. According to Jain belief, Vidisha is the birthplace of Shitalanatha, the tenth tirthankar. Here the first 108 feet elevated temple with all Tirthankaras with Shitalanatha as the principal deity is under construction.
Maladevi Temple is a Jain temple located in Gyaraspur town of Vidisha in state of Madhya Pradesh, India.
Bajramath Temple is a Jain temple located in Gyaraspur town of Vidisha in state of Madhya Pradesh, India.
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".