Villa Romeo Faccanoni is an Liberty style house located on Via Michelangelo Buonarroti #48 in the city of Milan, region of Lombardy, Italy. The three-story house, surrounded by a small garden, was designed by Giuseppe Sommaruga and built between 1912 and 1914. The expanded building now serves as the offices of the Clinica Columbus, with added surrounding clinic buildings erected in the former gardens.
The small villa or villino was commissioned by the engineer Luigi Faccannoni. The architect Sommaruga employed the decorators Eugenio Quarti and Alessandro Mazzucotelli to complete respectively the interior and exterior ornamentation. Also of note are two naked statues of women, sculpted by Ernesto Bazzaro, that had been installed at the entrance of the Sommaruga-designed Palazzo Castiglioni, but removed due to controversy. In 1919, the house was sold to the engineer-entrepreneur and car company founder Nicola Romeo. The home was converted under the direction of the architect Gio Ponti and the surgeon Mario Donati into a medical clinic in 1938-1940. Damaged by the bombardment of 1943, the clinic was inaugurated only in 1949.[1]
The facade facing Via Michelangelo is rich with elaborate grills and metalwork by Mazzucotelli, who embellished light fixtures, garbage cans, and grills in balconies in vaguely floral designs. A four-story tower rises to the left of the entrance. The asymmetries of the design create a mannerist dynamism, almost fluid appearance, although the elements respect vertical and horizontal lines. The widening stairs at the entrance are marked in the center by two awkwardly rising dark stone column-monoliths that are barely linked to a second floor balcony. The facades is peppered by a mosaic of bas-reliefs depicting either floral elements or cherubs playfully arranging garlands. The asymmetric and staggered arrangement dispels their recognition as a frieze. The stone progresses from a darker and more rusticated base to a finer and but more polished stone brick work pattern, with rectangular stones of different sizes. The
A balcony is a platform projecting from the wall of a building, supported by columns or console brackets, and enclosed with a balustrade, usually above the ground floor. They are commonly found on multi-level houses, apartments and Cruise Ships.
Palazzo Farnese or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
The Villa Giulia is a villa in Rome, Italy. It was built by Pope Julius III in 1551–1553 on what was then the edge of the city. Today it is publicly owned, and houses the Museo Nazionale Etrusco, a collection of Etruscan art and artifacts.
The Villa Farnese, also known as Villa Caprarola, is a pentagonal mansion in the town of Caprarola in the province of Viterbo, Northern Lazio, Italy, approximately 50 kilometres (31 mi) north-west of Rome, originally commissioned and owned by the House of Farnese. A property of the Republic of Italy, Villa Farnese is run by the Polo Museale del Lazio. This villa is not to be confused with two similarly-named properties of the family, the Palazzo Farnese and the Villa Farnesina, both in Rome.
Bauhaus was a dominant architectural tendency in Budapest, the capital of Hungary, between 1930 and 1948. Large residential buildings, cinemas, churches and even an airport was built in this style, in particular in Újlipótváros in the XIII district, and Városmajor and Pasarét in the II district of the city.
Palazzo Borghese is a palace in Rome, Italy, the main seat of the Borghese family. It was nicknamed il Cembalo due to its unusual trapezoidal groundplan; its narrowest facade faces the River Tiber. The entrance at the opposite end of the building, the "keyboard" of the cembalo, faces onto the Fontanella di Borghese, with another in a great flanking facade to the Piazza Borghese that is extended by a slightly angled facade leading down Via Borghese towards the river. Both these entrances lead into a large courtyard on one side of which is a two level open arcade, with paired Doric and Ionic columns, that frames the garden beyond.
Jules Aimé Lavirotte was a French architect who is best known for the Art Nouveau buildings he created in the 7th arrondissement in Paris. His buildings were known for his imaginative and exuberant decoration, and particularly for his use of sculpture and glazed ceramic tiles on the facades, made in collaboration with leading sculptors and the ceramic manufacturer Alexandre Bigot. He was three times awarded prizes by the city of Paris for the most original facades, for the Lavirotte Building at 29 Avenue Rapp (1901), for the Ceramic hotel, 34 Avenue de Wagram (1904), and for the building at 23 avenue de Messine in 1907.
The Villa Majorelle is a house located at 1 rue Louis-Majorielle in the city of Nancy, France, which was the home and studio of the furniture designer Louis Majorelle. It was designed and built by the architect Henri Sauvage in 1901-1902. The villa is one of the first and most influential examples of the Art Nouveau architectural style in France. It served as a showcase for Majorelle's furniture and the work of other noted decorative artists of the period, including ceramist Alexandre Bigot and stained glass artist Jacques Gruber. It is now owned by the city of Nancy, and is open to the public certain days for tours by reservation.
Palazzo Castiglioni is an Art Nouveau palace of Milan, northern Italy. It was designed by Giuseppe Sommaruga in the Liberty style and built between 1901 and 1903. The rusticated blocks of the basement imitate a natural rocky shape, while the rest of the decorations are inspired by 18th century stuccos. The building is now used as the seat of the Unione Commercianti di Milano.
Heathcote is a Neoclassical-style villa in Ilkley, West Yorkshire, England. Designed by architect Edwin Lutyens, it was his first comprehensive use of that style, making it the precursor of his later public buildings in Edwardian Baroque style and those of New Delhi. It was completed in 1908.
20 Stycznia 1920 Street is located in downtown district, in Bydgoszcz, Poland. Many of the buildings along this axis are either registered on the Kuyavian-Pomeranian Voivodeship heritage list, or part of a historical ensemble of Eclectic and Art Nouveau architecture in the city.
The Palau Baró de Quadras is a small modernista palace located in Barcelona on Avinguda Diagonal, equidistant from La Pedrera and Casa de les Punxes. It was built by the Catalan architect Josep Puig i Cadafalch between 1904 and 1906. In 1976 it was designated as Nacional National Historical Monument of Artistic Interest. Currently houses the main offices of the Institut Ramon Llull.
The Art Nouveau movement of architecture and design first appeared in Brussels, Belgium, in the early 1890s, and quickly spread to France and to the rest of Europe. It began as a reaction against the formal vocabulary of European academic art, eclecticism and historicism of the 19th century, and was based upon an innovative use of new materials, such as iron and glass, to open larger interior spaces and provide maximum light; curving lines such as the whiplash line; and other designs inspired by plants and other natural forms.
Gustavo Romeo Vincenti was a Maltese architect and developer. Born into a wealthy and business oriented family in Valletta and Floriana, he was able to purchase land and design and build buildings which he would then sell to clients. He was interested in architecture from a young age, and he graduated as an architect from the University of Malta in 1911, at the age of 23.
The Hankar House is a historic town house in Brussels, Belgium. It was designed by the architect Paul Hankar, and built in 1893, in Art Nouveau style. It is generally considered one of the first buildings in that style, along with the Hôtel Tassel by Victor Horta, built at the same time, because of its highly innovative plan and its ground-breaking use of materials and decoration.
Villa Pianciani is a complex situated a hill that overlooking the Spoleto Valley in Umbria, Italy. The complex is the work of architect Giuseppe Valadier and comprises five buildings and a historical park.
Alessandro Mazzucotelli was an Italian craftsman, particularly known as a master ironworker and decorator. A specialist in wrought iron, Mazzucotelli linked his fame to the decorations of the works of the major exponents of Art Nouveau in Italy and abroad.
Villa Bernasconi is a typical example of an independent villa with a turret in the Art Nouveau style. Located in Cernobbio, it was commissioned by the textile manufacturer Davide Bernasconi to the Milanese architect Alfredo Campanini.
Art Nouveau in Milan indicates the spread of such artistic style in the city of Milan between the early years of the 20th century and the outbreak of the First World War. In the Lombard capital, art nouveau, called StileLiberty in Italian, found—thanks to its close relationship with the rampant industrial bourgeoisie of the time—a fertile ground for its rapid development, during which it oscillated between the influences of French Art Nouveau, German Jugendstil and eclecticism.
The Villa Scott is a historic house located in a prestigious hillside location in the Cavoretto district in the larger Borgo Crimea east of central Turin, Piedmont, Italy. Built in 1902, it is considered to be a masterful example of Liberty Style architecture in Turin, one of the major works of the architect, engineer, and businessman Pietro Fenoglio.
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