 | This article needs additional citations for verification .(September 2014) |
Vincenzo Consani | |
|---|---|
 | |
| Born | April 24, 1818 |
| Died | June 29, 1887 (aged 69) |
| Nationality | Italian |
| Occupation | Sculptor |
Vincenzo Consani (1818-1888) was an Italian sculptor from the Canova school. Consani's marble masterpiece statue Vittoria (1859) is in the Pitti Palace in Florence.
Consani was born in Lucca, Italy on April 24, 1818. He was a student of Luigi Pampaloni as well as a professor at the Academy of Fine Arts in Florence. Vincenzo Consani also fought in a Tuscan battalion in 1848.
As a young man, he had the favor of the Ducal family of Lucca, for whom he created numerous works including an image of the Immaculate Conception in the gable of a side door at the church of St Alexander.
For the portico of the Uffizi in 1856, he sculpted the statue of Father Antonio Micheli. In the Florentine exhibition of 1861, he exhibited a bust of Sappho which is still in the Pitti Palace and the Wounded Amazon which is at the Quirinale. The Hall of Jupiter at the Pitti Palace hosts one of his masterpieces that the government of Tuscany donated to Vittorio Emanuele II in 1867. In 1870, Consani made the monument to the Marquis Antonio Mazzarosa in Santa Maria Forisportam in Lucca. In 1873 he produced the statue of Antonio Rosmini in Rovereto and the almost-contemporary sarcophagus with the recumbent figure of Countess Matilda in San Giovanni di Lucca.
His last works were the statue of the naturalist, Paolo Savi, situated in the cemetery of Pisa, one of Eugene IV in the facade of the cathedral of Florence and the bust of the architect Emilio De Fabris in the interior of the same cathedral. [1]
Consani died in Florence on June 29, 1887. [2]
Bartolomeo Ammannati was an Italian architect and sculptor, born at Settignano, near Florence, Italy. He studied under Baccio Bandinelli and Jacopo Sansovino and closely imitated the style of Michelangelo.
Florence is the capital city of the Italian region of Tuscany. It is also the most populated city in Tuscany, with 364,073 inhabitants in 2024, and 990,527 in its metropolitan area.
Lucca is a city and comune in Tuscany, Central Italy, on the Serchio River, in a fertile plain near the Ligurian Sea. The city has a population of about 89,000, while its province has a population of 383,957.
Jacopo della Quercia, also known as Jacopo di Pietro d'Agnolo di Guarnieri, was an Italian sculptor of the Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelangelo.
Pompeo Girolamo Batoni was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits.
The Boboli Gardens is a historical park of the city of Florence that was opened to the public in 1766. Originally designed for the Medici, it represents one of the first and most important examples of the Italian garden, which later served as inspiration for many European courts. Statues of various styles and periods, ancient and Renaissance, dot the garden. It also has large fountains and artificial caves, notably a grotto built by the artist, architect, and sculptor Bernardo Buontalenti between 1536 and 1608.
The Palazzo Vecchio is the town hall of Florence, Italy. It overlooks the Piazza della Signoria, which holds a copy of Michelangelo's David statue, and the gallery of statues in the adjacent Loggia dei Lanzi.
The Palazzo Pitti, in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker.
The Bargello, also known as the Palazzo del Bargello or Palazzo del Popolo, is a former barracks and prison in Florence, Italy. Since 1865, it has housed the Museo Nazionale del Bargello, a national art museum.
Leopoldo de' Medici was an Italian cardinal, scholar, patron of the arts and Governor of Siena. He was the brother of Ferdinando II de' Medici, Grand Duke of Tuscany.
Aristodemo Costoli (1803–1871) was an Italian sculptor who spent his entire career in the city of Florence. He is also known for attempting in 1843 to clean and conserve the famed Renaissance-era sculpture David by Michelangelo; unfortunately his hydrochloric acid cleaning solution removed the stone's waxy protective coating and left the surface pitted and porous. His students included Emilio Zocchi, Girolamo Masini, Augusto Rivalta and his son Leopoldo Costoli.
Innocenzo Spinazzi (1726–1798) was an Italian sculptor of the Rococo period active in Rome and Florence.
Luigi Sabatelli was an Italian painter of the Neoclassic period; active in Milan, Rome, and Florence.
Giovanni Dupré was an Italian sculptor, of distant French stock long settled in Tuscany, who developed a reputation second only to that of his contemporary Lorenzo Bartolini.
The historic centre of Florence is part of quartiere 1 of the Italian city of Florence. This quarter was named a World Heritage Site by UNESCO in 1982.
Santo Varni was an Italian sculptor active mainly in Liguria.
Augusto Passaglia was an Italian sculptor.
Emilio Santarelli was an Italian sculptor active mainly in Florence.
Renaissance sculpture is understood as a process of recovery of the sculpture of classical antiquity. Sculptors found in the artistic remains and in the discoveries of sites of that bygone era the perfect inspiration for their works. They were also inspired by nature. In this context we must take into account the exception of the Flemish artists in northern Europe, who, in addition to overcoming the figurative style of the Gothic, promoted a Renaissance foreign to the Italian one, especially in the field of painting. The rebirth of antiquity with the abandonment of the medieval, which for Giorgio Vasari "had been a world of Goths", and the recognition of the classics with all their variants and nuances was a phenomenon that developed almost exclusively in Italian Renaissance sculpture. Renaissance art succeeded in interpreting Nature and translating it with freedom and knowledge into a multitude of masterpieces.
| International | |
|---|---|
| National | |
| Artists | |
| People | |
3. http://www.treccani.it/enciclopedia/vincenzo-consani/
 | This article about an Italian sculptor is a stub. You can help Wikipedia by expanding it. |
