Vincenzo Panormo

Last updated • 1 min readFrom Wikipedia, The Free Encyclopedia

Vincenzo Trusiano Panormo (17341813) was an Italian luthier of Irish and English violins. Panormo is thought to have been born in Palermo, Sicily (Panormo is the Latin version of Palermo). He studied violin making in Naples with the Gagliano family of luthiers. From 1753 to 1789, Panormo worked in Paris as a violin craftsman. At the start of the French Revolution, he moved to Dublin, where he worked with Thomas Perry, [1] and then to London where he crafted instruments until his death in 1813. Panormo's violins are considered English with influences by Stradavarius and Amati. Historians note Panormo as one of the finest English violin makers. [2]

Many of the traditional accounts of Panormo's life say that he spent some time working in Cremona for the Bergonzi family. Although no documentary evidence has been found, there is a strong stylistic link between them. The influence of this great master on the London makers of the time, and those that followed, is enormous. Panormo was responsible for introducing the Cremonese style into London. [3] He is also the father of Joseph, George, and Louis Panormo.

Related Research Articles

<span class="mw-page-title-main">Antonio Stradivari</span> Italian luthier (1644–1737)

Antonio Stradivari was an Italian luthier and a craftsman of string instruments such as violins, cellos, guitars, violas and harps. The Latinized form of his surname, Stradivarius, as well as the colloquial Strad are terms often used to refer to his instruments. It is estimated that Stradivari produced 1,116 instruments, of which 960 were violins. Around 650 instruments survive, including 450 to 512 violins. His instruments are considered some of the finest ever made, and are extremely valuable collector's items.

<span class="mw-page-title-main">Luthier</span> Craftsman of stringed musical instruments

A luthier is a craftsperson who builds or repairs string instruments.

The Guarneri, often referred to in the Latinized form Guarnerius, is the family name of a group of distinguished luthiers from Cremona in Italy in the 17th and 18th centuries, whose standing is considered comparable to those of the Amati and Stradivari families.

<span class="mw-page-title-main">Jean-Baptiste Vuillaume</span> French luthier and inventor (1798–1875)

Jean-Baptiste Vuillaume was a French luthier, businessman, inventor and winner of many awards. His workshop made over 3,000 instruments.

Jacob Stainer was the earliest and best known Austrian and Germanic luthier. His violins were sought after by famous 17th- and 18th-century musicians and composers including Johann Sebastian Bach, Wolfgang Amadeus Mozart and George Simon-Lohein. Arcangelo Corelli was one of many who played a Stainer violin.

A person who is specialized in the making of stringed instruments such as guitars, lutes and violins is called a luthier.

Francesco Rugeri, also known as Ruger, Rugier, Rugeri, Ruggeri, Ruggieri, Ruggerius, was the first of an important family of luthiers, the Casa Rugeri in Cremona, Italy. His instruments are masterfully constructed. His violins are inspired by Nicolò Amati's "Grand Amati" pattern. Francesco was the first to develop a smaller cello design, which has become the standard for modern cello dimensions. Today, Rugeri's instruments are nearly as renowned as Nicolò Amati's instruments.

<span class="mw-page-title-main">Nicolas Lupot</span> French luthier (1758 - 1824)

Nicolas Lupot was one of the most illustrious French luthiers of his time.

François-Xavier Bazin was an important French archetier and master bow maker, and was first of the Bazin dynasty.

<span class="mw-page-title-main">Bazin family</span> French family of archetiers / bow makers

The Bazin family is a highly esteemed family of bowmakers operating in Mirecourt, France from around 1840 throughout most of the 1900s.

<span class="mw-page-title-main">Thomas Perry (luthier)</span> Irish luthier

Thomas Perry was an Irish luthier who introduced a type of bowed psaltery known as the cither viol or sultana. He is regarded as one of Ireland's most influential violin makers and is often referred to as 'The Irish Stradivari'. Perry's output was quite prolific and his shop has been credited with making over 4,000 instruments. His violins are usually numbered on the button and inscribed just below the button "PERRY DUBLIN".

<span class="mw-page-title-main">Nicola Amati</span> Italian master luthier (1596–1684)

Nicola Amati, Nicolò Amati or Nicolao Amati was an Italian master luthier from Cremona, Italy. Amati is one of the most well-known luthiers from the Casa Amati. He was the teacher of illustrious Cremonese School luthiers such as Andrea Guarneri and Giovanni Battista Rogeri. While no clear documentation exists for their being apprentices in his shop, Amati may also have apprenticed Antonio Stradivari, Francesco Rugeri, and Jacob Stainer, as their work is heavily influenced by Amati.

<span class="mw-page-title-main">Roy Courtnall Summerfield</span>

Roy Courtnall (born Roy Shapiro) artist (painter and sculptor), luthier, author, teacher and lecturer in musical instrument technology.

<span class="mw-page-title-main">Richard Tobin (luthier)</span> Irish luthier

Richard Tobin was an Irish luthier and maker of violins, violas, cellos and pochettes. Tobin's work was largely uncredited, often branded under the names of his employers and other shops that enlisted him for his sought-after workmanship. As a luthier, he has been described as "a genius". As well as being known for the quality of his instruments, Tobin is famous for the workmanship of his scrolls, of which it has been said "never did Antonio Stradivari cut better".

<span class="mw-page-title-main">John Delany (luthier)</span> Irish luthier

John William Delany was an Irish luthier and maker of violins and violas from Dublin. His instruments have become known for their unusual labels, often expressing his support for liberty and racial equality. Two of Delany's violins are preserved as part of a collection in the National Museum of Ireland, Dublin.

<span class="mw-page-title-main">George Ward (luthier)</span> Irish luthier

George Ward was an Irish luthier and maker of violins and cellos from Dublin. His instruments are considered original in style with some resemblances to the Stradivari model. One of his violins is preserved as part of a collection at the National Museum of Ireland, Dublin.

<span class="mw-page-title-main">Thomas Molineux (luthier)</span> Irish luthier

Thomas Molineux or Thomas Molyneux was an Irish luthier and maker of violins from Dublin. His instruments are some of the oldest surviving Irish violins, one of which is housed as part of a collection in the National Museum of Ireland, Dublin.

<span class="mw-page-title-main">John Mackintosh (luthier)</span> Irish luthier

John Mackintosh was a luthier, author and maker of violins from Dublin. Towards the end of his career, he wrote a short publication on violin making and the Cremonese school, where he claims to have rediscovered their forgotten technique of wood preservation. One of his violins is preserved as part of a collection at the National Museum of Ireland, Dublin.

<span class="mw-page-title-main">James Perry (luthier)</span> Irish luthier

James Perry was an Irish luthier from Dublin, known for making violins, violas and cellos. His workshop was based in Kilkenny and also produced instruments such as guitars, German flutes, fifes and tenors. Perry is credited with having made over 1000 instruments. He was a brother and apprentice to Dublin luthier, Thomas Perry, and a protégé of the Ormonde family of Kilkenny Castle.

<span class="mw-page-title-main">William Ringwood</span> Irish luthier

William Ringwood was an Irish luthier and professor from Dublin. He was a apprentice and associate of the firm Perry & Wilkinson, before setting up his own business with John Wheatley, and later his son, Arthur Ringwood. The style of his instruments were based on the Amati and Stradivari models.

References

  1. Irish Times, William Galland Stuart, 21 September 1973
  2. Tim Ingles, Four Centuries of Violin Making - Fine Instruments from the Sotheby's Archive, Cozio Pub., 2006 ISBN   0-9764431-1-2
  3. The Strad, October, (1996)

Further reading