Violence | |
---|---|
Directed by | Jack Bernhard |
Written by | Louis Lantz Stanley Rubin |
Produced by | Jack Bernhard Bernard Brandt |
Starring | Nancy Coleman Michael O'Shea Sheldon Leonard |
Cinematography | Henry Sharp |
Edited by | Jason H. Bernie |
Music by | Edward J. Kay |
Production company | Bernhard-Brandt Productions |
Distributed by | Monogram Pictures |
Release date |
|
Running time | 72 minutes |
Country | United States |
Language | English |
Violence is a 1947 American drama film noir starring Nancy Coleman, Michael O'Shea, and Sheldon Leonard, and directed by Jack Bernhard.
The film opens in the Los Angeles basement of the United Defenders (UD), a fascist organization for veterans. Fred Stalk and another goon are interrogating Joe Donahue, who wants to leave the group after discovering it is a scam. Stalk kills Donahue. UD leader True Dawson is just concluding a meeting. As attendees leave, UD secretary Ann Mason covertly photographs them with her watch.
Stalk privately tells Dawson that Donahue has been killed. Dawson expounds on their ruse to rile up veterans and bilk them with UD dues and Defender novelties. Dawson is confident he can make people angry enough to keep taking their money.
Ann is really an investigative reporter for a muckraking magazine in Chicago, working undercover in L.A. At her apartment she reads a letter from her editor suggesting she has enough material on the UD to return home and file her story. Claiming she is taking a personal trip to Chicago, she says farewell to her colleagues.
In Chicago, Ann is tailed by Steve Fuller from the UD. She urges her driver to lose him. He crashes the cab. Steve locates her in the hospital where she is unharmed but suffering from amnesia. He convinces her that they are engaged and takes her back to Los Angeles.
Remembering nothing, Ann resumes her work at the UD, even joining Dawson in one of his fundraising pitches. Sally Donahue looks for her husband at the UD. Steve finds some of the letters Sally wrote to Joe stashed in Stalk's room at the headquarters. He suspects the UD killed Donahue.
Ann reports Steve's allegations to Dawson, but the seeds of doubt grow in her. As she questions Stalk about Donahue, he slaps her, reviving her memory. She ends up in the basement tied to Steve, who reveals he is an undercover L.A. detective.
The UD is part of a network of anti-union strongarm activity. A shadowy overseer, Mr. X, instructs Dawson to rough up a group of veterans protesting for affordable housing. Dawson plans to use the resulting melee as a cover for murdering Ann and Steve.
They escape from the basement and warn the protestors of the trap. Anne and Steve force Dawson to take them to Stalk, who is now convinced that Dawson will pin the rap on him. The two men shoot each other. The UD is exposed, but the shadowy Mr. X behind it escapes detection and capture.
The Columbian Workers Movement was a neo-Nazi group based in Atlanta. A hatred of African-Americans, Jews, and $3 were the only requirements for entry. [1] The group had national ambitions, and it was widely understood to be a front for the Ku Klux Klan. The Non-Sectarian Anti-Nazi League infiltrated the organization with several operatives, most notably Stetson Kennedy. [2] One of the operatives was Renee Forrest who posed as a secretary for the Columbians. [3] In December 1946, Jack Bernhard publicized a revision of the screenplay to emulate the Anti-Nazi League's sting. [4]
Louis Lantz was a member of the U.S. Communist Party when he met future Violence co-screenwriter Stanley Rubin in 1941. He encouraged Rubin to attend some Communist discussions. After attending a few, Rubin realized they were diatribes instead of discussions, and he lost all interest. In 1953, six years after the film was made, the House Un-American Activities Committee interviewed Rubin about his attendance at Communist Party meetings in the early 1940s. Since they were still friends, Rubin asked Lantz to appear with him. Even though Lantz was no longer a Communist, he refused to participate in the Red Scare. [5]
In July 1946, the Los Angeles Times reported that B&B Pictures bought the rights to John W. Stearn's novel Violence. Jack Bernhard planned on traveling to Chicago to talk with Stearn about the film and then on to New York to persuade Melville Cooper to star in it. [6]
Later that year, the paper hailed the casting of Nancy Coleman as a welcome return to the screen after leaving Warner Bros. They also praised the "astuteness" of hiring Michael O'Shea. [7] Walter Tetley was also reported to have joined the cast. [8]
Violence was one of several noir films that dealt with veterans' issues after WWII, such as Crossfire and Boomerang! . The acute anxiety and proneness to manipulation of some returning GIs is exploited by Dawson who boasts, "We can make the vets behave any way we want...We'll prime them with hate...for labor...management...the party that's in...the party that's out." There was a general public fear about some returning soldiers being violent and a threat to social order. The screenplay also addresses the housing shortage that veterans faced after the war. One of the protestors argues, "We fought for our country...Give us a chance to live in it." [9]
Leonard Maltin describes the film's material as "juicy" but "bungled by clumsy storytelling and some terrible performances". [10]
Eddie Muller has shown Violence on Turner Classic Movies's Noir Alley. [11]
Dressed to Kill is a 1980 American erotic psychological thriller film written and directed by Brian De Palma, and starring Michael Caine, Angie Dickinson and Nancy Allen. It depicts the events leading up to the brutal murder of a New York City housewife (Dickinson) before following a prostitute (Allen) who witnesses the crime, and her attempts to solve it with the help of the victim's son. It contains several direct references to Alfred Hitchcock's 1960 film Psycho.
Out of the Past is a 1947 American film noir directed by Jacques Tourneur and starring Robert Mitchum, Jane Greer, and Kirk Douglas. The film was adapted by Daniel Mainwaring from his 1946 novel Build My Gallows High, with uncredited revisions by Frank Fenton and James M. Cain.
Walter Benjamin Lantz was an American cartoonist, animator, producer and director best known for founding Walter Lantz Productions and creating Woody Woodpecker.
Margaret Alexis Smith was a Canadian-born American actress, pin-up girl and singer. She appeared in several major Hollywood films in the 1940s and had a notable career on Broadway in the 1970s, winning a Tony Award in 1972 for the Stephen Sondheim-James Goldman musical Follies.
The Narrow Margin is a 1952 American film noir starring Charles McGraw and Marie Windsor. Directed by Richard Fleischer, the RKO picture was written by Earl Felton, based on an unpublished story written by Martin Goldsmith and Jack Leonard. The screenplay by Earl Felton was nominated for an Academy Award.
Ralph Meeker was an American film, stage, and television actor. He first rose to prominence for his roles in the Broadway productions of Mister Roberts (1948–1951) and Picnic (1953), the former of which earned him a Theatre World Award for his performance. In film, Meeker is known for his portrayal of Mike Hammer in Robert Aldrich's 1955 Kiss Me Deadly and as condemned infantryman Cpl. Philippe Paris in Stanley Kubrick’s Paths of Glory.
The Brasher Doubloon is a 1947 American crime film noir directed by John Brahm and starring George Montgomery and Nancy Guild. It is based on the 1942 novel The High Window by Raymond Chandler.
The Reincarnation of Peter Proud is a 1975 American psychological horror film directed by J. Lee Thompson, and starring Michael Sarrazin, Margot Kidder, and Jennifer O'Neill. It follows a university professor who, after experiencing a series of bizarre nightmares, comes to believe he is the reincarnation of someone else. It is based on the 1973 novel of the same title by Max Ehrlich, who adapted the screenplay and is also the final film production from Cinerama Releasing Corporation.
The John Brown Anti-Klan Committee (JBAKC) was an anti-racist organization based in the United States. The group protested against the Ku Klux Klan (KKK) and other white supremacist organizations and published anti-racist literature. Members of the JBAKC were involved in a string of bombings of military, government, and corporate targets in the 1980s. The JBAKC viewed themselves as anti-imperialists and considered African Americans, Native Americans, Puerto Ricans, and Mexicans to be oppressed colonial peoples.
Not of This Earth is a 1988 American science fiction horror comedy film, directed by Jim Wynorski and starring Traci Lords in her first mainstream role after her departure from the adult film industry. It is a remake of Roger Corman's 1957 film of the same name, written by Charles B. Griffith and Mark Hanna.
Made in Paris is a 1966 American romantic-comedy film starring Ann-Margret, Louis Jourdan, Richard Crenna, Edie Adams, and Chad Everett. The film was written by Stanley Roberts and directed by Boris Sagal.
Nancy Lou Saunders was an American actress of film, television and the stage.
Don't Answer the Phone! is a 1980 American psychological horror film co-written and directed by Robert Hammer. While not prosecuted for obscenity, the film was seized and confiscated in the UK under Section 3 of the Obscene Publications Act 1959 during the video nasty panic.
Cry Terror! is a 1958 American crime thriller film starring James Mason, Inger Stevens, and Rod Steiger. The story was written and directed by Andrew L. Stone. The film also features Neville Brand, Jack Klugman and Angie Dickinson in supporting roles.
Istanbul is a 1957 American CinemaScope film noir crime film directed by Joseph Pevney, and starring Errol Flynn and Cornell Borchers. It is a remake of the film Singapore, with the location of the action moved to Turkey. The plot involves an American pilot who becomes mixed up with various criminal activities in Istanbul.
Deadly Hero is a 1975 American neo noir thriller film starring Don Murray, Diahn Williams, James Earl Jones, Lilia Skala and Treat Williams in his film debut. It was directed by Ivan Nagy from a screenplay by George Wislocki and Don Petersen. Released in limited locales in 1975 with an R rating from the Motion Picture Association of America, it was distributed by AVCO Embassy. It opened to mixed, mostly negative reviews, and was considered a commercial failure.
The Lone Wolf in London is a 1947 American mystery crime film directed by Leslie Goodwins and starring Gerald Mohr, Nancy Saunders and Eric Blore. The picture features the fictional Scotland Yard detective the Lone Wolf who travels to London, and solves the mystery of some missing jewels. It was the penultimate Lone Wolf film, followed by The Lone Wolf and His Lady in 1949, and the last for Mohr in the lead role.
The Crowded Sky is a 1960 American Technicolor drama film distributed by Warner Bros., produced by Michael Garrison, directed by Joseph Pevney and starring Dana Andrews, Rhonda Fleming and Efrem Zimbalist Jr. The film is based on the 1960 novel of the same name by Hank Searls.
Her Sister's Secret is a 1946 American drama film directed by Edgar G. Ulmer and starring Nancy Coleman, Margaret Lindsay, Phillip Reed, and Regis Toomey. It centers around a woman who falls in love with a soldier. Believing she has been abandoned, she gives her baby to her married sister. The picture was produced and distributed by Producers Releasing Corporation. The screenplay was by Anne Green from the novel Dark Angel by Gina Kaus.
Zuma Beach is a 1978 TV movie written by John Carpenter and William Schwartz, directed by Lee H. Katzin and starring Suzanne Somers.