Widrich works on a large number of films and multimedia projects, which have received a total of 290 film awards. Widrich works on a large number of films and multimedia projects, sometimes as part of a creative team. He is known especially for his numerous short films and multimedia works.
He grew up in a 500-year-old house on the Mönchsberg, surrounded by artists and filmmakers such as Peter Handke and Wim Wenders, who were frequent visitors. At the age of 13 he received his first Super 8 film camera and began making short films, including My Homelife, Gebratenes Fleisch and 3 mal Ulf (1980). This was followed by Auch Farbe kann träumen (1981) and Monster in Salzburg (1982), his first project involving actors and stop motion animation.
After finishing school at the Akademisches Gymnasium in Salzburg, Widrich briefly attended the Vienna Film Academy before working as assistant to cinematographer and director John Bailey. In 1990 he went to Hollywood to collaborate with Bailey on the science-fiction comedy The Search for Intelligent Life in the Universe. In 1993 he co-organized a new festival for Austrian film, later known as the Diagonale.
From 1997 onwards he concentrated on his own projects again. His short film tx-transform, co-directed with Martin Reinhart, was presented at Ars Electronica. He then wrote and directed his feature film Heller als der Mond ("Brighter than the Moon", 1999), followed by the internationally acclaimed short Copy Shop (2001), which received 43 awards and an Oscar nomination. His next short, Fast Film (2003), was screened at over 500 festivals and received more than 35 international prizes.
In 2001 Widrich founded the multimedia company checkpointmedia GmbH, which develops installations and digital media for museums and cultural institutions. Among his early large-scale projects was the redesign of over 100 interactive media stations for the Technical Museum Vienna (1999). He later co-founded the production company Amour Fou Film (shareholder until 2007) and served as chairman of the Austrian Film Directors’ Association from 2004 to 2007.
2006: Virgil Widrich created computer-animated installations for the refurbished Mozarthaus Vienna.
2008: 13 works by Virgil Widrich and his students of “digital arts” were displayed at the “Essence08” in the Museum für angewandte Kunst Wien.
2009: Virgil Widrich took on the role as art director for the exhibition "Linz. City in Luck" at the museum Nordico, that formed part of the city's year as European Capital of Culture.
2009: "Alias in Wonderland" took place from 25 June to 12 July in the Freiraum/quartier 21 in the Museumsquartier in Vienna, a project carried out with his students.
2009: 10 works by his students of “digital arts” were displayed at the “Essence09” in the Expositur Vordere Zollamtsstraße Vienna.
2010: 15 works by his students of “digital arts” were displayed at the “Essence10” in the Vienna Künstlerhaus.
2010: Widrich was artistic director of the exhibition “90 Jahre Salzburger Festspiele” (90 years of the Salzburg Festival) at the Salzburg Museum.
2011: Artistic director for the exhibition “parameter{world} - parameters for every or no thing” of the master “Art and Science” at the University of Applied Arts Vienna.
2012: Works by his students of “Art & Science” were displayed at the “Essence12” in the Vienna Künstlerhaus.
2013: "Crucial Experiments": exhibition of University of Applied Arts Vienna on behalf of Vienna Art Week 2013, MuseumsQuartier Wien/Ovalhalle, direction: Bernd Kräftner, Virgil Widrich
2014: 2 works by his students of “Art & Science” were displayed at the “Essence14” in the Vienna Künstlerhaus.
2015: "Parallaxis" – media installation for the exhibition "A Rush of Color" at Leopold Museum.
2016: [dis]placement – Information through Sound - of "Art & Science", Citygate Shopping, 1210 Vienna
2017: "Circuit Training", 6 June to 17 June 2017, the white house, 1010 Vienna
2017: Exhibition and retrospective "analog_digital - Die Dichotomie des Kinos", 3.10.2017 to 28.1. 2018, METRO Kinokulturhaus, 1010 Vienna: Film selection retrospective, participation in exhibition with two works
2017: Exhibition contribution "Panzerschrank Potemkin" at the Vienna Design Week
2017: Co-creation of the exhibition "Aesthetics of change – 150 years of the University of Applied Arts Vienna" at the MAK, Vienna
2018: Co-creation of "Sound of Music World", Salzburg
2018: Exhibition contribution "Voyage around my room" at the Vienna Design Week
2019: Sconarium visitor centre in Bad Schönau: artistic direction of the exhibition
2020: "Music Everywhere!", DomQuartier Salzburg: artistic direction
2025: "Klimt. Pigment & Pixel – Rediscovering Art Through Technology", Lower Belvedere: exhibition design in collaboration with Marc Schuran
2025: "IN-SIGHT: Gustav Klimt – The Bride", Upper Belvedere: exhibition design in collaboration with Marc Schuran
Stage works
2012: Concept (in collaboration with Martin Haselböck and Frank Hoffmann), stage, visuals and film projections for "New Angels", which premiered on November 19, 2012 at the Théâtre National du Luxembourg.
In addition to his work in film and multimedia, Widrich is also active in artistic research.
His main research projects include:
Liquid Things (2011–2014): a research project exploring active materials and metamorphic matter. Project leader: Roman Kirschner; artistic research: Yunchul Kim; organizational lead: Virgil Widrich. Funded by the Austrian Science Fund (FWF) within the PEEK program at the University of Applied Arts Vienna.[2]
Alias in Wonderland. Exhibition catalogue, 25 June – 12 July 2009, Freiraum/quartier21, Vienna; works by students of the Department of Digital Art. Authors: Bernhard Faiss, Institute of Fine and Media Arts (Vienna); editor: Virgil Widrich. Vienna: University of Applied Arts, 2009, ISBN 978-3-85211-152-0.
Inszenierung und neue Medien / Presentation and New Media: 10 Jahre checkpointmedia – Konzepte, Wege, Visionen / 10 Years checkpointmedia: Concepts, Paths, Visions. Editors: Virgil Widrich, Stefan Reiter, Stefan Unger. Vienna: Springer Vienna, 2011, ISBN 978-3-7091-0980-9.
Edition Angewandte: An Envelope for Arts, Sciences, Politics and Us. Editors: Valerie Deifel, Bernd Kräftner, Virgil Widrich. Vienna: Springer Vienna, 2012, ISBN 978-3-7091-0989-2.
Bei den Fischottern in der Ebene und auf den Bergen. By Hans Widrich; editor: Virgil Widrich. Salzburg: self-published, 2016.
The Future of Museums. Edited by Gerald Bast, Elias G. Carayannis and David F. J. Campbell. Contribution by Virgil Widrich: “Transforming Education and Labor in a Museum as a Model of the Future: Vacancies in the Future Museum.” Springer International Publishing, 2019, ISBN 978-3-319-93954-4.
Expanded Animation – Mapping an Unlimited Landscape. Contribution by Virgil Widrich: “Images between Digital Realism and Analog Believability.” Springer International Publishing, 2020, ISBN 978-3-030-22352-3.
Filmography
1980: My Homelife (A) 6 mins. (Documentary about an old house)
1980: Gebratenes Fleisch (A) 11 mins. (Crime thriller about the murder of a woman in a restaurant)
1980: 3 mal Ulf (A) 12 mins. (Documentary about Arnulf Komposch)
1981: Auch Farbe kann träumen (A) 12 mins. (Animated cartoon in which a worm and a little man flee from the destruction of the environment)
1982: Monster in Salzburg (A) 12 mins. (Animated film in which a monster goes on the rampage in Salzburg)
1983-85: Vom Geist der Zeit (A) 112 mins. (An assortment of many different genres)
1998: tx-transform (A) 5 mins. (Experimental animated film using intriguing techniques, co-directed by Martin Reinhart)
2000: Heller als der Mond (Brighter than the Moon) (Europe) 88 mins. (Comedy about being a foreigner in Vienna)
2001: Copy Shop (A) 12 mins. (A man copies himself until he fills the entire world)
2001: LinksRechts (A, F) 4 mins. (Interviews on the subject of "Left and right in film and politics")
2003: Fast Film (A, LUX) 14 mins. (animated film with printed scraps of other films telling the story of a chase)
2010: make/real (A), 5 mins. (Found-footage film for the exhibition "Robot Dreams" which was being staged at the Museum Tinguely in Basel and the Kunsthaus Graz
2011: warning triangle (A), 6 mins. (Found-footage film for the exhibition “Fetisch Auto. Ich fahre, also bin ich.” which was being staged at the Museum Tinguely in Basel
2015: back track (A), 7 mins. (Found-footage film in 3D)
2016: Vienna table trip (A), 1 min. 22 sec. (found-footage animated film)
2016: Night of a 1000 Hours (feature film)
2018: Icon Island – a live battle of pictures and sounds (AUT), 70 min. (Film and Music live-performance)
2018: Nena & Dave Stewart: Be my Rebel (D), 3 min. 45 sek., music video
2018: Light Matter (A), 5 min, experimental film
2019: tx-reverse (A, D), 5 min, experimental film, co-directed by Martin Reinhart
2021: There is exactly enough time (A), 1 min, animated film, together with Oskar Salomonowitz
Mindfield Film Festival – Los Angeles – USA – Best Music Video: Platinum Award
UNDO Divergent Film Awards – Arlington – USA – Best Music Video
Mindfield Film Festival – Albuquerque – USA – Best Music Video: Platinum Award
EIFA – European Independent Film Award – Paris – Best Music Video – Bronze Award
Snowdance Film Awards – Los Angeles – USA – Best Visual VX
Fort Worth Indie Film Showcase – USA – Best International Music Video
NYC Indie Film Awards – USA – Best Music Video
Hollywood Sun Awards – USA – Best Music Video
Cosmic Film Festival – Florida – USA – Best Music Video
Rosarito International Film Festival – Los Angeles – USA – Best Music Video
Eurasia International Monthly Film Festival – Moskau – Best Music Video
Royal Wolf Film Awards – Los Angeles – USA – Winner: Best FX, Best Director, Best Music Video: Gold Award
Top Indie Film Awards – Online Festival – Winner: Best director, Best FX
Enginuity Film Awards – Shepherdstown – USA – Winner: Best New Media Director
West Wing Film Competition – Los Angeles – USA – Music Video: 1st Place Winner
Lake View International Film Festival – Punjab – Indien – May 2018 Best Music Video of the Month
Jaipur International Film Festival – JIFF – Indien – Top 2nd Music Video/Song
LA Edge Film Awards – Los Angeles – USA – Best Music Video, Best Editing, Best Visual FX
Silicon Beach Film Festival – Los Angeles – USA – Best Music Video
Berlin Flash Film Festival – Monthly category winner April 2018 – Music Video
SFAAF – South Film and Arts Academy Festival – Chile – Winner: best fx in a short film
Mediterranean Film Festival (MedFF) – Siracusa, Italien – Music Video Competition: Best Music Video
for tx-reverse (2019):
Best Experimental Short Film – Eden International Film Festival, online (5 September 2022)
Best Experimental Short Film – Black Mountain Film Festival, online (27 August 2022)
Best Experimental Short Film – Edison International Film Festival, Chennai, India (20 August 2022)
for There is exactly enough time (2021):
Best Animation – Harlem International Film Festival, New York, USA (18 May 2023)
Best Drama – MicroShort – Panther City Film Festival, USA (13 July 2023)
Best Editing – Monza Film Fest, Italy (6 September 2023)
Honorable Mention – British Indie Festival Film & Music, London, UK (19 December 2023)
Award Winner – Blow-Up Arthouse Filmfest, Chicago, USA (14 January 2024)
for checkpointmedia:
September 2006: National Award for the “Mozarthouse Vienna” in the category "culture and entertainment" and an award in the category "Public information and services" for the “Visitor Center of the Austrian Parliament”.
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