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In Hindustani music, a gharānā is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style.
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Veena Sahasrabuddhe was a leading Indian vocalist and composer of Hindustani classical music from Kanpur. Her singing style had its roots in Gwalior gharana, but it also borrowed from Jaipur and Kirana gharanas. Sahasrabuddhe was known as a singer of khyal and bhajan.
Ramesh Narayan is an Indian classical vocalist, composer and music producer who works predominantly in Malayalam cinema. He belongs to the Mewati gharana of Hindustani classical music. Narayan began his initial training in Carnatic music and later mastered the classical Hindustani style under the renowned Pandit Jasraj.
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Bhaskar Raghunath Bakhale was a Hindustani classical vocalist, a composer, and a teacher.
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Damodar Hota is an Indian classical vocalist, musicologist, composer, and guru based in Odisha, India. He is an exponent of Hindustani classical music as well as Odissi classical music.
Chintaman Raghunath Vyas, popularly known as C. R. Vyas, was an Indian classical singer. He was known for singing khyal style.
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Ramchandra Purushottam Marathe, also known as Pandit Ram Marathe, was a Marathi music director, singer, and actor on stage and in films. As a child actor, he performed the title role of Krishna in Prabhat Film Company's 1938 film, Gopal Krishna. He was disciple of Vilayat Hussain Khan, the maestro of Agra gharana of Hindustani classical music., Master Krishnarao Phulambrikar and others. Through Master krishnarao, he developed his Khayal style which had elements of different gharanas such as Jaipur, Gwalior and Agra.
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Krishnarao Shankar Pandit (1893–1989) was an Indian musician, considered by many as one of the leading vocalists of the Gwalior gharana. He authored several articles and 8 books on music and was the founder of Shankar Gandharva Mahavidyalaya, a music college based in Gwalior. The Government of India awarded him the third highest civilian honour of the Padma Bhushan, in 1973, for his contributions to music. He was also a recipient of several other honors, including the 1959 Sangeet Natak Akademi Award and the 1980 Tansen Award of the Government of Madhya Pradesh.
Pandit Damodar Keshav Datar, popular as D. K. Datar, was an Indian violinist. He was born in Kurundwad, Kolhapur district, Maharashtra. His brother Narayanrao introduced him to music and he took early lessons in violin from Pandit Vighneshwar Shastri, who used to teach at the Deodhar School of Indian Music, Mumbai. Datar completed his Bachelor's Degree but took music as full time profession. He was nephew of Hindustani classical vocalist D. V. Paluskar, under whom he later on studied music. Influenced by Paluskar, Datar adjusted his violin playing technique to vocal dominated style and played violin according to the khyal style of Gwalior gharana. Apart from khyal, he popularly also played on bhajan, thumri and natya sangeet styles. Among various countries, he toured Europe, the United States, Canada, and Japan. He was also employed by Films Division of India and regularly provided background score for various documentary films. He received Sangeet Natak Akademi Award in Hindustani Music in 1995 and in 2004 was conferred with Padma Shri, India's 4th highest civilian honour. he died on 10 October 2018 of old age at his residing home in Goregaon, Mumbai.
Vinayak Ramchandra Athavale, better known as V. R. Athavale or Vi. Ra. Athavale, was a Hindustani classical vocalist and one of the foremost Hindustani classical musicologists of the 20th Century, alongside Vamanrao Deshpande and Sharadchandra Arolkar. He composed using the pen name "Naad Piya". He is known for his critique of traditional ideas and modern aesthetics. He was trained primarily by Vinayakrao Patwardhan and Vilayat Hussain Khan and is considered a representative of Gwalior and Agra traditions.
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