Visible Cloaks | |
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Origin | Portland, Oregon, United States |
Genres | Electronic, new age, ambient |
Years active | 2010–present |
Labels | RVNG Intl. |
Website | http://www.visiblecloaks.com/ |
Members |
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Visible Cloaks are an American electronic musical duo based in Portland, Oregon, consisting of Spencer Doran and Ryan Carlile. [1] The duo originally emerged in 2010 as Doran's solo project, in which he explored rare groove new age music and ambient music from Japan. Carlile joined the project in 2014. [2] Scott Wilson of Fact describes their music as "shattering the idea of “fourth world music.” [1]
The duo's 2017 album Reassemblage , released on RVNG Intl., introduced the duo's cross-influenced sound, taking inspiration from new age music, Italian minimalism and Japanese ambient music. [3] The record received the "Best New Music" accolade from Pitchfork , [4] and was named an "Album Pick" by AllMusic. [5] The duo's subsequent release Lex (2017) used software programmes to create electronic tranquil melodies, similarly to Reassemblage. [3]
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. A form of instrumental music, it may lack net composition, beat, or structured melody. It uses textural layers of sound which can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer.
Amber is the second studio album by English electronic music duo Autechre, released on 7 November 1994 by Warp. It was the first Autechre album to be composed entirely of new material, as their debut album Incunabula (1993) was a compilation of older tracks.
Drexciya was an American electronic music duo from Detroit, Michigan, consisting of James Stinson (1969–2002) and Gerald Donald.
Zuckerzeit is the third studio album by German band Cluster, released in 1974 on Brain Records. It was co-produced by Michael Rother, their bandmate in side-project Harmonia. The music on Zuckerzeit marks a shift from Cluster's abrasive early work toward a more rhythmic, pop-oriented sound. Pitchfork ranked the album at number 63 on its list of the top 100 albums of the 1970s, while writer and musician Julian Cope included Zuckerzeit in his "Krautrock Top 50" list.
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Lex is a mini-album and partial soundtrack by Portland, Oregon duo Visible Cloaks, consisting of Spencer Doran and Ryan Carlile. Continuing the experimental electronic music stylings and East and West relationship ideas of their previous work Reassemblage (2017), the album takes place in a future utopian world with aliens talking in a hybrid of several languages to the point of speaking a "non-language." The speech sounds on the album were made by Doran feeding dialects and accents to the language translation program Infovox Voice Manager.
No Geography is the ninth studio album by English electronic music duo The Chemical Brothers, released on 12 April 2019 by Virgin EMI Records in the United Kingdom and by Astralwerks in the United States. It is the duo's first album in four years. The album features vocals by Aurora and Japanese rapper Nene. The album won the Grammy Award for Best Electronic/Dance Album at the 62nd Annual Grammy Awards.
Takahide Higuchi is a Japanese electronic producer, disc jockey and painter who works under the pseudonym Foodman. He has been releasing music since 2011 and is based in Yokohama. His work first gained traction in the early 2010s when he was recognised as a leading name in Japan's footwork and juke scene; the producer has continued to see his work as rooted in footwork. According to Resident Advisor, the musician's work blends different electronic genres, including juke and footwork but also ambient, techno, house and noise music, yet dissecting these styles and morphing them together "then driven to extreme without giving you a second to come up with a definitive genre." The Vinyl Factory consider him to be an experimental musician.
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