Voices of the Children | |
---|---|
Directed by | Zuzana Justman |
Written by | Zuzana Justman |
Produced by | Jiří Ježek Robert Kanter |
Cinematography | Ervin Sanders Austin de Besche |
Edited by | David Charap |
Music by | Peter Fish |
Production companies | The Terezin Foundation Space Films |
Distributed by | The Cinema Guild Ergo Media, Inc |
Release date |
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Running time | 56 minutes |
Countries | USA Czech Republic |
Language | English |
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Voices of the Children is a 1999 Emmy-Award winning documentary film [1] written and directed by Zuzana Justman. It tells the story of three people who were imprisoned as children in the Terezin concentration camp. [2] It was produced and shown on television in the United States. [3]
The American made-for-TV documentary of 1999 tells the story of three people who were imprisoned during World War II as children in Terezín. The small Czech fortress and garrison town was adapted by the Nazis. Known under the German name Theresienstadt; it served as a concentration camp for Jews. More than 150,000 Jews were processed there; less than 20,000 survived the war.
The filmmaker, who spent two years in Terezín, traces the survivors' war experiences, with the help of their personal journals and drawings. She follows their stories through the difficult postwar years into the present, filming the survivors with their families in the countries in which they settled – the United States, Austria and the Czech Republic. In the film, parents and children question the need to talk about the past and they explore the effect of the Holocaust on their lives. The daughter of one survivor confronts her father for the first time, saying, "You cannot pretend it did not affect us."
In their efforts to use Terezin for propaganda purposes, the Nazis permitted inmates to stage a children's opera called Brundibár. The survivors attend a performance of Brundibar in Prague and recall the special significance it had for them fifty years ago. Today the opera symbolizes the lost world of the Terezin children. [4]
A concentration camp primarily for Central European Jews, Theresienstadt also accepted tens of thousands of Jews from Germany and Austria, with hundreds from the Netherlands and Denmark.
Later in the war, the Nazis used this so-called “model ghetto” for propaganda purposes. In June 1944, after a frenzied period of superficial improvements, they turned parts of the camp into a fake town and agreed to let the International Red Cross inspect it. The uniformed Jewish ghetto police and the Cultural Council elders were to convey the impression that the camp was governed by Jews.
The prisoners endured continual hunger, disease, and overcrowding. Of the 150,000 people who passed through Theresienstadt, 33,000 died there, mostly of starvation and illness. The inmates lived with the constant threat of deportation; thousands were regularly selected for transports to Auschwitz and other Nazi death camps in German-occupied Poland.
Between transports, some of the well-known musicians and performers among the prisoners were allowed to stage operas, plays, concerts and cabarets. Their theatrical productions were often freer of censorship than those in the rest of Nazi-occupied Europe, as the Nazis did not generally bother to censor the inmates, whom they considered doomed.
"Brundibár, tells the story of Pepíček and his sister Aninka, whose ailing mother desperately needs milk. But they are poor, and the village milkman will not give it to them. Pepíček and Aninka try to earn money by singing for the town’s people, but the greedy organ grinder, Brundibár ("bumblebee" in Czech), drowns out their song. When three animals help rally the town's children to help Pepicek and Aninka, the nasty Brundibár is vanquished.
Just before its premiere in 1942 at the Jewish boys' orphanage in Prague, its composer, Hans Krása, was sent to Terezín. Rudolph Freudenfeld, who was to conduct the premiere performances, took the score with him when he and the orphan boys were also sent to Terezin. The opera was performed 55 times at the camp The Nazis used its production as an example of the rich cultural life of the "model community." Ultimately, Krása, most of his collaborators on the project and nearly all of the children who performed in it were killed at Auschwitz.
"an important contribution to the cinematic and historical record ... a significant addition to our understanding of one of the darkest chapters of the 20th century." – Variety [5]
" 'Voices of the Children' achieves its powerful emotional force" – Tulsa World [6]
"Intimate without being intrusive, sensitive without a jot of sentimentality." – New York Jewish Week [7]
Terezín is a town in Litoměřice District in the Ústí nad Labem Region of the Czech Republic. It has about 2,900 inhabitants. It is a former military fortress composed of the citadel and adjacent walled garrison town. The town centre is well preserved and is protected by law as an urban monument reservation. Terezin is most infamously the location of the Nazis' notorious Theresienstadt Ghetto.
Brundibár is a children's opera by Jewish Czech composer Hans Krása with a libretto by Adolf Hoffmeister, made most famous by performances by the children of Theresienstadt concentration camp (Terezín) in occupied Czechoslovakia. The name comes from a Czech colloquialism for a bumblebee.
Theresienstadt Ghetto was established by the SS during World War II in the fortress town of Terezín, in the Protectorate of Bohemia and Moravia. Theresienstadt served as a waystation to the extermination camps. Its conditions were deliberately engineered to hasten the death of its prisoners, and the ghetto also served a propaganda role. Unlike other ghettos, the exploitation of forced labor was not economically significant.
Hans Krása was a Czech composer. He was killed during the Holocaust at Auschwitz-Birkenau. He helped to organize cultural life in Theresienstadt concentration camp.
Richard Glazar was a Czech-Jewish inmate of the Treblinka extermination camp in German-occupied Poland during the Holocaust. One of a small group of survivors of the camp's prisoner revolt in August 1943, Glazar described his experiences in an autobiographical book, Trap with a Green Fence: Survival in Treblinka (1992).
Theresienstadt. Ein Dokumentarfilm aus dem jüdischen Siedlungsgebiet, unofficially Der Führer schenkt den Juden eine Stadt, was a black-and-white projected Nazi propaganda film. It was directed by the German Jewish prisoner Kurt Gerron and the Czech filmmaker Karel Pečený under close SS supervision in the Theresienstadt concentration camp, and edited by Pečený's company, Aktualita. Filmed mostly in the autumn of 1944, it was completed on 28 March 1945 and screened privately four times. After the war, the film was lost but about twenty minutes of footage was later rediscovered in various archives.
I Never Saw Another Butterfly: Children's Drawings and Poems from Terezin Concentration Camp, 1942–1944 is a collection of works of art and poetry by Jewish children who lived in the concentration camp Theresienstadt. They were created at the camp in secret art classes taught by Austrian artist and educator Friedl Dicker-Brandeis. The book takes its title from a poem by Pavel Friedmann, a young man born in 1921 who was incarcerated at Theresienstadt and was later killed at Auschwitz. The works were compiled after World War II by Czech art historian Hana Volavková, the only curator of the Jewish Museum in Prague to survive the Holocaust. Where known, the fate of each young author is listed. Most died prior to the camp being liberated. The original Czech edition was published in 1959 for the State Jewish Museum in Prague; the first English edition was published in 1964 by the McGraw-Hill Book Company.
Paradise Camp is a 1986 documentary film about Theresienstadt concentration camp in Czechoslovakia, written and directed by Australians Paul Rea and Frank Heimans, respectively. Czechoslovakian Jews were first told that Theresienstadt was a community established for their safety. They quickly recognized it as a ghetto and concentration camp.
Josef "Joža" Karas was a Polish-born, Czech-American musician and teacher who located and made public music composed by inmates who worked at the Nazi concentration camp Theresienstadt during World War II. He was the author of Music in Terezín 1941-1945 (1985).
University over the Abyss is a book about the educational and cultural life in the Terezín ghetto. Authors Elena Makarova, Sergei Makarov and Viktor Kuperman have searched available archives, interviewed survivors worldwide and compiled the definitive summary of this nominally illegal but extensive phenomenon that included formal lectures, poetry readings, concerts, storytelling sessions and theatrical and opera performances, all in a setting that was a holding place for prisoners who were ultimately on their way to the Auschwitz-Birkenau extermination camp.
Fritz Weiss was a Czech jazz musician and arranger, active in the first half of the 20th century. He was an organizer of jazz performances and an important participant in the musical life of the Theresienstadt concentration camp. Weiss was murdered in the Holocaust.
Erich Kulka was a Czech-Israeli writer, historian and journalist who survived the Holocaust. After World War II, he made it his life's mission to research the Holocaust and publicize facts about it.
Benjamin Israel Murmelstein was an Austrian rabbi. He was one of 17 community rabbis in Vienna in 1938 and the only one remaining in Vienna by late 1939. An important figure and board member of the Jewish group in Vienna during the early stages of the war, he was also an "Ältester" of the Judenrat in the Theresienstadt concentration camp after 1943. He was the only "Judenältester" to survive the Holocaust and has been credited with saving the lives of thousands of Jews by assisting in their emigration, while also being accused of being a Nazi collaborator.
Alfred Hirsch was a German-Jewish athlete, sports teacher and Zionist youth movement leader, notable for helping thousands of Jewish children during the German occupation of Czechoslovakia in Prague, Theresienstadt concentration camp, and Auschwitz. Hirsch was the deputy supervisor of children at Theresienstadt and the supervisor of the children's block at the Theresienstadt family camp at Auschwitz II-Birkenau.
The Theresienstadt family camp, also known as the Czech family camp, consisted of a group of Jewish inmates from the Theresienstadt ghetto in Czechoslovakia, who were held in the BIIb section of the Auschwitz II-Birkenau concentration camp from 8 September 1943 to 12 July 1944. The Germans created the camp to mislead the outside world about the Final Solution.
Theresienstadt was originally designated as a model community for middle-class Jews from Germany, Czechoslovakia, and Austria. Many educated Jews were inmates of Theresienstadt. In a propaganda effort designed to fool the western allies, the Nazis publicised the camp for its rich cultural life. In reality, according to a Holocaust survivor, "during the early period there were no [musical] instruments whatsoever, and the cultural life came to develop itself only ... when the whole management of Theresienstadt was steered into an organized course."
During World War II, the Theresienstadt Ghetto was used by the Nazi SS as a "model ghetto" for deceiving International Committee of the Red Cross representatives about the ongoing Holocaust and the Nazi plan to murder all Jews. The Nazified German Red Cross visited the ghetto in 1943 and filed the only accurate report on the ghetto, describing overcrowding and undernourishment. In 1944, the ghetto was "beautified" in preparation for a delegation from the International Committee of the Red Cross (ICRC) and the Danish government. The delegation visited on 23 June; ICRC delegate Maurice Rossel wrote a favorable report on the ghetto and claimed that no one was deported from Theresienstadt. In April 1945, another ICRC delegation was allowed to visit the ghetto; despite the contemporaneous liberation of other concentration camps, it continued to repeat Rossel's erroneous findings. The SS turned over the ghetto to the ICRC on 2 May, several days before the end of the war.
Beit Terezin or Beit Theresienstadt is a research and educational institution that opened in 1975 in Kibbutz Givat Haim (Ihud), a museum and a place of remembrance of the victims of Nazi Germany persecution at the Theresienstadt concentration camp.
Ela Stein-Weissberger was a Czech Holocaust survivor who became well known for her roles as a contemporary witness and intelligence officer for the Israel Defense Forces. In her later years she traveled the world discussing her time in concentration camps during World War II. She even wrote about her experiences in a book titled The Cat with the Yellow Star: Coming of Age in Terezin.