Wild Rice, founded in 2000 by Ivan Heng, is a professional theatre company in Singapore. [1] In 2019, the company established a permanent performance venue at Funan Mall.
The first show by Wild Rice was held at Jubilee Hall in Raffles Hotel. [2] Since then, the company has operated out of a studio space in Little India. [2] Productions have been held in rented venues such as the Victoria Theatre. [2]
In 2017, Wild Rice kickstarted the process to acquire a permanent venue to hold productions, after seven failed attempts. [2] [3] The permanent venue would contain a theatre within the new Funan Mall and would cost S$15 million. [2] The construction was funded through a fundraising strategy that included calls for donations, a gala dinner, and government grant. [4] [3] The 20,000 sq ft (1,900 m2) venue spans across three levels and comprises a 60-seat performance studio, rehearsal rooms, Wild Rice’s office, and its 358-seat Ngee Ann Kongsi Theatre. [3] The theatre features Singapore's only thrust stage, where the performance space is in the middle of the auditorium with the audience seated on three sides, based on the Royal Shakespeare Company’s Swan Theatre in Stratford-Upon-Avon, England. [3] It has a stage and seating configuration that allows for minimum usage of microphones. [3] The theatre was officially opened on 8 August 2019 with Thomas Lim’s Supervision, [5] with a grand opening season of four productions between 4 September to 22 December. [6]
The Importance of Being Earnest, a Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage and the resulting satire of Victorian conformity. Some contemporary reviews praised the play's humour as the culmination of Wilde's artistic career, while others were cautious about its lack of social messages. Its high farce and witty dialogue have helped make The Importance of Being Earnest a very popular play.
Dame Margaret Taylor Rutherford, was an English actress of stage, film and television.
In theatre, a thrust stage is one that extends into the audience on three sides and is connected to the backstage area by its upstage end. A thrust has the benefit of greater intimacy between performers and the audience than a proscenium, while retaining the utility of a backstage area. This is in contrast to a theatre in the round, which is exposed on all sides to the audience, is without a backstage, and relies entirely on entrances in the auditorium or from under the stage. Entrances onto a thrust are most readily made from backstage, although some theatres provide for performers to enter through the audience using vomitory entrances. As with an arena, the audience in a thrust stage theatre may view the stage from three or more sides. Because the audience can view the performance from a variety of perspectives, it is usual for the blocking, props and scenery to receive thorough consideration to ensure that no perspective is blocked from view. A high-backed chair, for instance, when placed stage right, could create a blind spot in the stage left action.
Sir Peter Reginald Frederick Hall CBE was an English theatre, opera and film director. His obituary in The Times declared him "the most important figure in British theatre for half a century" and on his death, a Royal National Theatre statement declared that Hall's "influence on the artistic life of Britain in the 20th century was unparalleled". In 2018, the Laurence Olivier Awards, recognising achievements in London theatre, changed the award for Best Director to the Sir Peter Hall Award for Best Director.
Malay Singaporeans are Singaporeans with general ancestry from the Malay world. They constitute approximately 13.5% of the country's citizens, making them the second largest ethnic group in Singapore. Under the Constitution of Singapore, they are recognised by the government as the indigenous people of the country, with Malay as the de jure national language of Singapore.
Ivan Heng is a Singaporean actor and theatre director of Peranakan descent. He is the founding artistic director of W!LD RICE, a theatre company in Singapore, and an outspoken advocate for respect for diversity and freedom of expression.
The following lists events that happened during 1963 in Singapore.
Funan is a mixed-use development comprising a retail mall, two office towers and a serviced apartment tower in the Civic District in Singapore. The new development was built on the site of the former building known as Funan DigitaLife Mall.
Singapore Theatre Company (STC), formerly known as Singapore Repertory Theatre (SRT), is a non-profit professional theatre company founded in 1993. It is located at the KC Arts Centre – Home of SRT at 20 Merbau Road, Singapore. The current artistic director is Gaurav Kripalani while its managing director is Charlotte Nors.
Seow Poh Leng one of the first few Peranakan Babas at Emerald Hill, was a prominent and successful Singaporean banker, founding member of the Ho Hong Bank, member of the committee of the Straits Settlement, philanthropist and benefactor of public development works. He was a strong advocate of limited liability trading and promoted the advantages of the Limited Liability Company system.
The National Arts Council (NAC) is a statutory board established on 15 October 1991 to oversee the development of arts in Singapore. It is under the purview of the Ministry of Culture, Community and Youth. The NAC provides grants, scholarships, awards and platforms for arts practitioners, as well as arts education and programmes for the general public.
Emily Barclay Ward is an English-born New Zealand and Australian AFI award winning actress.
Boeing-Boeing is a farce written by the French playwright Marc Camoletti. The English-language adaptation, translated by Beverley Cross, was first staged in London at the Apollo Theatre in 1962 and transferred to the Duchess Theatre in 1965, running for seven years. In 1991, the play was listed in the Guinness Book of Records as the most performed French play throughout the world.
Nelson Chia is a Singaporean theatre director, actor and lecturer. He is the co-founder of Nine Years Theatre.
Glen Goei is one of Singapore's leading film and theatre directors. His broad ranging body of work embraces the full gamut of the performing and visual arts and includes film, theatre, musicals, large scale shows, World Expos, dance, music, and architectural design.
Chua Enlai is a Singaporean actor, comedian and host, best known for his work on the Mediacorp Channel 5 sitcom The Noose.
Marc Goldberg is a French theatre director, playwright, actor, and translator.
The Kingdom of Singapura was a Malay Hindu-Buddhist kingdom thought to have been established during the early history of Singapore upon its main island Temasek from 1299 until its fall sometime between 1396 and 1398. Conventional view marks c. 1299 as the founding year of the kingdom by Sang Nila Utama, whose father is Sang Sapurba, a semi-divine figure who according to legend is the ancestor of several Malay monarchs in the Malay World.
The Worcester Repertory Company(WRC) is a regional theatre company based in Worcester, UK. The company was founded in 1967 by John Hole, David Wood and Sam Walters.
Emily of Emerald Hill (Emily) is a play by Singaporean playwright Stella Kon. The play won the Singapore National Playwriting Competition in 1983.