Wah Nu

Last updated

Wah Nu
ဝါနု
Born1977 (age 4647)
NationalityBurmese
OccupationArtist

Wah Nu is a contemporary artist from Myanmar. [1] [2]

Contents

Early life and education

Wah Nu was born in 1977 in Yangon, Myanmar. In 1998, she graduated from the University of Culture, Yangon where she majored in music.

Career

After graduating, she launched herself on an artistic career. Since then, she has developed a personal expression by mainly adopting painting and video as media.

In 2004, she was held her first solo exhibition “Cloud Department” in Yangon and showed in group exhibitions including Bangladesh Biennale. She was also showed her second solo exhibition “Self-Identity” in the Art-U room gallery, Tokyo, Japan and participated at group exhibitions, Fukuoka Triennale in 2005.

At 2008, she participated group exhibition in Another Seven Artists in Yangon. In 2009, she participate with her husband, artist, Tun Win Aung in The 6th Asia Pacific Triennial of Contemporary Art in Brisbane . [3] [4]

Selected exhibitions

Selected solo exhibitions

Selected group exhibitions

Selected collective solo exhibitions

Selected collective group exhibitions

Public collections

Personal life

Wah Nu married to artist Tun Win Aung, who works in multimedia installations and performance arts.

Related Research Articles

Rashid Rana is a Pakistani artist. He participated in numerous exhibitions, both in Pakistan and abroad while working on themes like urbanization, faith, and tradition on canvas, billboards, digital media and more.

<span class="mw-page-title-main">PHUNK</span> Singapore-based art and design collective

PHUNK is a Singapore-based contemporary art and design collective founded by Alvin Tan, Melvin Chee, Jackson Tan, and William Chan in 1994. They have exhibited and collaborated with artists, designers and fashion brands around the world, producing work across a diverse range of mediums.

Ivan Sagita was born in Malang 1957 and studied at the Indonesian Art Institute in Yogyakarta from 1979 to 1985. He is known as an introvert and mysterious artist, but his work of art is well known in the world of art.

Thavibu Gallery is an art gallery and art book publisher in Bangkok, Thailand.

<span class="mw-page-title-main">Ba Nyan</span> Burmese painter (1897–1945)

Ba Nyan was a Burmese painter who has been called the greatest name in modern painting in Myanmar. His oil paintings were quiet and academic in their style, but display occasional flashes of virtuosity and brilliance in bold, impasto brushstroke and skillful handling of the medium.

<span class="mw-page-title-main">Aung Khin</span> Burmese painter

Aung Khin was a Burmese painter who became prominent in the Mandalay art world. He is well known as one of the foremost and earliest of modernistic painters in Burma.

Bogalay Kyaw Hlaing was a Burmese artist. Due to his mastery of the technique of painting clouds, he was sometimes called "Cloudy Kyaw Hlaing".

Aung Myint is a Burmese painter and performance artist. He is considered a pioneer in experimental art, rejecting traditional romanticism and confronting social and critical issues through a range of distinctive styles and media.

Po Po is a Burmese installation and performance artist. His work has been exhibited in Japan, South Korea and Berlin.

Aung Aung Taik is a Burmese artist.

<span class="mw-page-title-main">Vũ Dân Tân</span>

Vũ Dân Tân was a Vietnamese artist who produced works in various media but was better known for his art objects and installation art. Most of his life he lived in Hanoi, where in 1990, together with his Russian wife Natalia Kraevskaia he co-founded Salon Natasha, the first private space for contemporary art and independent forum for creative people. He is considered one of the first protagonists of contemporary art in Vietnam.

The Guggenheim UBS MAP Global Art Initiative was a five-year program, supported by Swiss bank UBS in which the Solomon R. Guggenheim Foundation identified and works with artists, curators and educators from South and Southeast Asia, Latin America, and the Middle East and North Africa to expand its reach in the international art world. For each of the three phases of the project, the museum invited one curator from the chosen region to the Solomon R Guggenheim Museum in New York City for a two-year curatorial residency, where they worked with a team of Guggenheim staff to identify new artworks that reflect the range of talents in their parts of the world. The resident curators organized international touring exhibitions that highlight these artworks and help organize educational activities. The Foundation acquired these artworks for its permanent collection and included them as the focus of exhibitions that open at the museum in New York and subsequently traveled to two other cultural institutions or other venues around the world. The Foundation supplemented the exhibitions with a series of public and online programs, and supported cross-cultural exchange and collaboration between staff members of the institutions hosting the exhibitions. UBS reportedly contributied more than $40 million to the project to pay for its activities and the art acquisitions. Foundation director Richard Armstrong commented: "We are hoping to challenge our Western-centric view of art history."

<span class="mw-page-title-main">Firoz Mahmud</span>

Firoz Mahmud is a Bangladeshi visual artist based in Japan. He was the first Bangladeshi fellow artist in research at Rijksakademie Van Beeldende Kunsten in Amsterdam. Mahmud's work has been exhibited at the following biennales: Sharjah Biennale, the first Bangkok Art Biennale, at the Dhaka Art Summit, Setouchi Triennale (BDP), the first Aichi Triennial, the Congo Biennale, the first Lahore Biennale, the Cairo Biennale, the Echigo-Tsumari Triennial, and the Asian Biennale.

<span class="mw-page-title-main">Sopheap Pich</span> American sculptor

Sopheap Pich is a Cambodian American contemporary artist. His sculptures utilize traditional Cambodian materials, which reflect the history of the nation and the artist's relation to his identity.

<span class="mw-page-title-main">Art of Myanmar</span>

Art of Myanmar refers to visual art created in Myanmar (Burma). Ancient Burmese art was influenced by India and China, and was often religious in nature, ranging from Hindu sculptures in the Thaton Kingdom to Theravada Buddhist images in the Sri Ksetra Kingdom. The Bagan period saw significant developments in many art forms from wall paintings and sculptures to stucco and wood carving. After a dearth of surviving art between the 14th and 16th century, artists created paintings and sculptures that reflect the Burmese culture. Burmese artists have been subjected to government interference and censorship, hindering the development of art in Myanmar. Burmese art reflects the central Buddhist elements including the mudra, Jataka tales, the pagoda, and Bodhisattva.

Kiri Dalena is a visual artist, filmmaker and human rights activist who lives and works in the Philippines. Her work deals with issues of political and social injustice, drawing from events in Philippine history.

Nyein Chan Su, known as NCS is a Burmese painter. He showcases works inspired by nats, the spirits worshipped in central Burma alongside Buddhism. His paintings are eclectic and versatile. He is a co-founder of an artist-run space, Studio Square Art Gallery.

Uuriintuya Dagvasambuu is a Mongolian artist. As a "contemporary master of Mongol Zurag", she incorporates traditional patterns and Buddhist motifs in her paintings and draws on experiences of Mongolian women and the everyday lives of post-nomadic Mongolia.

<span class="mw-page-title-main">James Jack (artist)</span> James Jack. Contemporary artist in Singapore

James Jack is a contemporary artist based in Japan.

Yee I-Lann is a Malaysian contemporary artist known for her works using photography, collage, film, collaborative weaving, and everyday objects. Her practice examines power, colonialism, and neocolonialism in Southeast Asia to explore the impact of historic memory on social experience. Since 2018, Yee has been working collaboratively with sea-based and land-based indigenous communities in Sabah, Malaysia. Yee currently lives and works in Kota Kinabalu, Sabah, Malaysia.

References

  1. "Myanmar art gaining purchase".
  2. "Myanmar's artistic palette".
  3. Wah Nu Archived 2010-03-12 at the Wayback Machine , Art-U room.
  4. 3rd Fukuoka Triennale 2005, Fukuoka, Japan, 2005.