Author | Kelley Armstrong |
---|---|
Language | English |
Series | Women of the Otherworld |
Genre | Urban fantasy |
Publisher | Dutton Penguin |
Publication date | July 27, 2010 |
Publication place | United States |
Media type | Print (hardcover) |
Pages | 320 pp |
ISBN | 978-0-525-95178-0 |
Preceded by | Frostbitten |
Followed by | Spellbound |
Waking the Witch is the eleventh novel in Women of the Otherworld series by Kelley Armstrong. [1]
Savannah, eager to prove her worth, volunteers to investigate the mysterious deaths of three young women in a nearby factory town. The initial findings point to mundane causes, but Savannah senses something amiss. Savannah discovers strange markings and ritualistic elements surrounding the victims, indicating otherworldly involvement. Her investigation leads her to a hidden underground cult practicing voodoo-infused rituals. While investigating, Savannah experiences strange interruptions and unsettling occurrences, including unsettling dreams and visions. The Shadow's presence intensifies, leaving chilling messages and objects. Leah O'Donnell, the sister of one of the victims, approaches Savannah for help, believing something more sinister is at play. Leah’s determination and insight prove invaluable to Savannah's investigation.
Savannah's powers become erratic and unstable, seemingly influenced by the Shadow's presence. Her control over her magic weakens, threatening her safety and the investigation. Jesse Aanes, the brother of another victim, is murdered while pursuing his own investigation, raising the stakes and intensifying the danger. Savannah suspects the Shadow is responsible. Savannah and Adam uncover a connection between the cult and a powerful shaman who seeks to harness the town's ancient magic for his own twisted purposes. The shaman intends to use the victims' souls as fuel for a ritual that will grant him immense power.
Haunted by the shadow, Savannah seeks guidance and support from Paige and Lucas. They reveal the truth about her parents and the source of her unstable magic, warning her of the dangers she faces. Savannah, Adam, and Leah confront the shaman at his ritual site, a hidden location within the factory town. A fierce battle ensues, with Savannah struggling to control her erratic magic and ward off the Shadow's influence. The Shadow's true identity is revealed, a powerful demon, bound to the shaman and seeking to exploit his ritual for their own gain. The demon was the one responsible for the deaths and had been tormenting Savannah to weaken her.
Faced with the demon's power, Savannah realizes that relying solely on her own strength will not suffice. She must learn to trust and rely on others, particularly Adam and Leah, to truly defeat the threat. Savannah, Adam, and Leah join forces, using their combined skills and courage to overcome the demon. Savannah learns to control her magic, harnessing its full potential to defeat the demon and protect the town from further harm. The shaman is apprehended, and the town is safe. Savannah realizes the importance of working with others and relying on her guardians' guidance. She decides to remain with the agency, vowing to use her powers responsibly and continue honing her skills under their watchful eyes.
Savannah emerges from her first solo case a changed witch, stronger and more mature. She has learned valuable lessons about trust, responsibility, and the importance of asking for help. The final ends with her embracing her new role within the agency, ready to embrace the challenges and adventures that lie ahead.
Charmed is an American fantasy drama television series created by Constance M. Burge and produced by Aaron Spelling and his production company Spelling Television, with Brad Kern serving as showrunner. The series was originally broadcast by The WB from October 7, 1998, until May 21, 2006. The series narrative follows a trio of sisters, known as The Charmed Ones, the most powerful good witches of all time, who use their combined "Power of Three" to protect innocent lives from evil beings such as demons and warlocks. Each sister possesses unique magical powers that grow and evolve, while they attempt to maintain normal lives in modern-day San Francisco. Keeping their supernatural identities separate and secret from their ordinary lives often becomes a challenge for them, with the exposure of magic having far-reaching consequences on their various relationships and resulting in a number of police and FBI investigations throughout the series. The series initially focuses on the three Halliwell sisters, Prue, Piper, and Phoebe.
In European folklore of the medieval and early modern periods, familiars were believed to be supernatural entities, interdimensional beings, or spiritual guardians that would protect or assist witches and cunning folk in their practice of magic, divination, and spiritual insight. According to records of the time, those alleging to have had contact with familiar spirits reported that they could manifest as numerous forms, usually as an animal, but sometimes as a human or humanoid figure, and were described as "clearly defined, three-dimensional... forms, vivid with colour and animated with movement and sound", as opposed to descriptions of ghosts with their "smoky, undefined form[s]".
Paige Matthews is a fictional character from the American television series Charmed, played by Rose McGowan from October 4, 2001, until May 21, 2006. The character was created by executive producer Brad Kern as a replacement for lead character Prue Halliwell, following the departure of actress Shannen Doherty. Paige is introduced into season four as the fiercely independent younger half-sister of the female leads, Prue, Piper and Phoebe Halliwell. Like her sisters, Paige is a witch, and more specifically, a Charmed One—one of the most powerful witches of all time. Paige is introduced as the secret love child of the Halliwell sisters' mother Patty and her whitelighter Sam Wilder, making Paige both a witch and whitelighter. She was given up at birth and raised by her adoptive parents, Mr. and Mrs. Matthews.
Kelley Armstrong is a Canadian writer, primarily of fantasy novels since 2001.
Witchcraft has been present throughout the Philippines even before Spanish colonization, and is associated with indigenous Philippine folk religions. Its practice involves black magic, specifically a malevolent use of sympathetic magic. Today, practices are said to be centered in Siquijor, Cebu, Davao, Talalora, Western Samar, and Sorsogon, where many of the country's faith healers reside. Witchcraft also exists in many of the hinterlands, especially in Samar and Leyte; however, witchcraft is known and occurs anywhere in the country.
Asian witchcraft encompasses various types of witchcraft practices across Asia. In ancient times, magic played a significant role in societies such as ancient Egypt and Babylonia, as evidenced by historical records. In the Middle East, references to magic can be found in the Torah and the Quran, where witchcraft is condemned due to its association with belief in magic, as it is within other Abrahamic religions.
Stolen is a fantasy novel by Canadian author Kelley Armstrong. It is the second book in the Women of the Otherworld series.
Dime Store Magic is a fantasy novel by Canadian writer Kelley Armstrong. It is the third in the Women of the Otherworld series featuring Paige Winterbourne. First seen in Stolen, Paige is a witch, the only daughter of the now deceased Coven leader and expected to follow in her mother's footsteps. Guardian of young teenage witch, Savannah, following the events of Stolen, Paige finds herself confronting a telekinetic half-demon and a powerful cabal of sorcerers as she attempts to protect her ward.
Industrial Magic is a fantasy novel by Canadian author Kelley Armstrong. The fourth book in the Women of the Otherworld series, features the witch Paige Winterbourne.
Haunted is a 2005 fantasy novel written by Kelley Armstrong. The fifth book in the Women of the Otherworld series, features the witch Paige Winterbourne.
Women of the Otherworld is a fantasy series by Canadian author Kelley Armstrong. The books feature werewolves, witches, necromancers, sorcerers, and vampires struggling to fit as "normal" in today's world. The series also includes novellas and short stories, published online.
No Humans Involved is the seventh novel in Kelley Armstrong's fantasy series Women of the Otherworld. It is narrated by Jaime Vegas, a necromancer.
Personal Demon, a fantasy novel published in 2008, is the eighth book in the Women of the Otherworld series written by Canadian author Kelley Armstrong. It is the first novel in the series to have more than one narrator and the first to include a male narrator.
Living with the Dead is the ninth novel in Women of the Otherworld series by Kelley Armstrong.
The term "Power of Three" in the original Charmed television series (1998–2006) and its reboot series of the same name (2018–2022), refers to the bond and connection between three sisters, known as The Charmed Ones, who are said to be the most powerful trio of witches. The term is represented by the triquetra symbol, which is placed on the cover of the sisters' Book of Shadows in both shows. Each sister has individual magical powers, which is noticeably stronger when they are combined as the "Power of Three". The sisters use their powers to protect innocent lives and vanquish demons and warlocks, often invoking their joint "Power of Three" to defeat their enemies.
Frostbitten is the tenth novel in Women of the Otherworld series by Kelley Armstrong.
13 is the finale novel in Women of the Otherworld series by Kelley Armstrong. It was published in 2012 by Orbit.
The Wailing is a 2016 South Korean horror film written and directed by Na Hong-jin and starring Kwak Do-won, Hwang Jung-min and Chun Woo-hee. The film centers on a policeman who investigates a series of mysterious killings and illnesses in a remote Korean village in order to save his daughter. The film was both a commercial and critical success.
Pyewacket is a 2017 Canadian horror thriller film written and directed by Adam MacDonald. It stars Laurie Holden and Nicole Muñoz. It was screened in the Contemporary World Cinema section at the 2017 Toronto International Film Festival.