Walkin' Butterfly | |
ウォーキン・バタフライ | |
---|---|
Genre | Drama |
Manga | |
Written by | Chihiro Tamaki |
Published by | Kodansha Kadokawa X Media Ohzora Publishing |
English publisher | |
Magazine | Vanilla |
Demographic | Josei |
Original run | 2003 – 2007 |
Volumes | 4 |
Television drama | |
Walkin'☆Butterfly | |
Directed by | Kensaku Miyashita |
Written by | Uiko Miura |
Original network | TV Tokyo |
Original run | 11 July 2008 – 26 September 2008 |
Episodes | 12 |
Walkin' Butterfly is a josei manga by Chihiro Tamaki. It was serialized by Kodansha in the manga magazine Vanilla until the magazine ceased publication in 2003,then by Kadokawa X Media by mobile phone until the series concluded in 2007. The series was collected in four bound volumes by Ohzora Publishing. The manga is licensed in North America by Aurora Publishing. The series was adapted as a live-action drama broadcast on TV Tokyo from 11 July to 26 September 2008. It depicts a young woman's struggles to overcome her insecurity about her height by becoming a model.
Walkin' Butterfly follows the character of Michiko,a young woman with above average height for a Japanese woman. Because of this and her job as a pizza delivery person,Michiko is filled with insecurities and doubts. During a delivery at a fashion show Michiko is mistaken for a model and forced out onto the runway. Because of this Michiko ends up becoming entangled in the world of modeling and noticed by a fashion designer who tells her that until she truly sees herself,she will never be a true model.
According to Chihiro Tamaki in an interview printed in the North American edition of volume one,the story came about because she had an editor who liked to look at models,but she thought that a story just about the fashion industry as a business would be boring:"So the first thing I did was to decide upon a girl as a protagonist who would have average,ordinary characteristics—nothing outstanding,like celebrities who are known for extremely good or bad characteristics. I developed the story of the heroine Michiko overcoming her inferiority complex about being tall and rising to become a top model." [6] The "butterfly" in the title is intended both to be a metaphor for a growing girl and to represent a beautiful model,while "walkin'" came from the images of a model walking down a modeling runway and of a struggling Michiko walking instead of flying. [7] Tamaki stated that her intent with the story is not just depicting Michiko "growing up and becoming independent",but also to highlight Michiko's romances. [6]
Tamaki claimed that,as a result of doing research for the series,her favorite model became Ai Tominaga,and that she was flattered when Tominaga wrote,in an endorsement for the first volume of the Japanese edition,that there were things she had in common with Michiko. [6] Tamaki cited as specific influences Ashita no Joe for its plots and Rumiko Takahashi's Urusei Yatsura for its characters. [6]
Walkin' Butterfly was written and illustrated by Chihiro Tamaki. It was originally serialized by Kodansha in the shōjo manga magazine Vanilla aimed at older teenage girls;after Vanilla ceased publication in 2003,Walkin' Butterfly was serialized by Kadokawa X Media by mobile phone as part of its Comics Walker service until the series concluded in 2007. [8] Serial chapters were collected in four tankōbon volumes by Ohzora Publishing under the Ease Comics imprint. [8] The manga is licensed in North America by Aurora Publishing,which marketed the series as a josei manga aimed at young adult women. The first three volumes were published in English between August 2007 and May 2008; [9] volume four was originally scheduled for September 2008,but has been indefinitely delayed. Walkin' Butterfly is available in English on the Internet from the Netcomics publisher. [10] It is also licensed in French by Asuka,in Polish by Taiga [11] and in Italian by JPOP Edizioni.
No. | Original release date | Original ISBN | North America release date | North America ISBN |
---|---|---|---|---|
1 | 25 July 2005 [12] | 4-7767-9221-4 | August 2007 [13] | 978-1-934496-00-8 |
2 | 24 November 2006 [14] | 4-7767-9291-5 | January 2008 [15] | 978-1-934496-06-0 |
3 | 19 July 2007 [16] | 978-4-7767-9369-4 | May 2008 [17] | 978-1-934496-18-3 |
4 | December 2007 [18] | 978-4-7767-9417-2 | — | 978-1-934496-30-5 |
The live-action drama, titled Walkin'☆Butterfly (ウォーキン☆バタフライ, in katakana instead of rōmaji like the manga), was broadcast in 12 episodes on TV Tokyo starting on 11 July 2008, [1] and running until 26 September. It starred Aoi Nakabeppu as Michiko Torayasu and Jun Toba as Kou Mihara. The opening theme was "Seiippai, Bokura no Uta" by ghostnote and the ending theme was "Ima Fuku Kaze" by Hi Lockation Markets. Some of the actors appeared in the theatrical movie Flying☆Rabbits playing the same characters as in the drama [19] and the Japanese store, Toudoukan was used as a filming location in 2008. [20]
Reviewers have called Walkin' Butterfly an entertaining but not original series. [21] [22] [23] Anime News Network compared the story to a josei manga version of a shōnen tournament series aimed at boys, [24] saying "nothing here about the plot or the characters is particularly believable or novel. Instead, it is comfortably formulaic; the pleasure of Walkin' Butterfly lies not so much in the discovery of what happens next but rather in how what happens next happens." [21] Mania.com described the series as "not particularly realistic," but called it "an interesting balance of comedy and poignancy." [25] The character of Michiko was cited by more than one reviewer as a key appeal of the series. [26] [27] [28] [29] Tamaki's art received mixed reviews, with several reviewers praising it, [30] [31] comparing the style to Moyoco Anno's and Yayoi Ogawa's, [32] [33] and others criticizing it as "standard" and sketchy. [32] [34] Reviewers criticized later volumes for allowing Michiko's mood swings to get tiresome, [35] and for switching to a more "standard" storyline. [36] The English edition was criticized as sometimes using awkward language and typography. [37] [38]
Walkin' Butterfly was voted the 2nd best new josei manga in English of 2007 by readers of About.com. [39] The series was a finalist for YALSA's 2008 list of Great Graphic Novels for teens. [40]
Rumiko Takahashi is a Japanese manga artist. With a career of several commercially successful works, beginning with Urusei Yatsura in 1978, she is one of Japan's best-known and wealthiest manga artists. Her works are popular worldwide, where they have been translated into a variety of languages, with over 200 million copies in circulation; making Takahashi one of the best-selling authors of all time. She has won the Shogakukan Manga Award twice, once in 1980 for Urusei Yatsura and again in 2001 for Inuyasha, and the Seiun Award twice, once in 1987 for Urusei Yatsura and again in 1989 for Mermaid Saga. She also received the Grand Prix de la ville d'Angoulême in 2019, becoming the second woman and second Japanese to win the prize. In 2020, the Japanese government awarded Takahashi the Medal with Purple Ribbon for her contributions to the arts.
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But the clothing designer has a good point: no matter whether Michiko meets the physical qualifications for the job or not, she's not going to be good at anything until she knows and accepts herself.
Mihara, the fashion designer whose show Michiko crashed earlier, refuses to make compromises, even when it separates him from his family.
But my favorite character is the bitter, aged former model who's trying to tutor Michiko. She's drawn as skull-like and shadowed with hooded, angry eyes. She's seen a lot, and it hasn't been for the better. She's tired but giving one more try to helping Michiko.
Seeing someone else quit gives Michiko new determination to pursue her dream, although she's equally driven by escaping a nightmare, by getting a chance to redo a scene from her past in a better way.
Since the heroine is a fashion model, I thought of using the word "walking" in the title. Using a butterfly as a metaphor for a growing girl, the idea of a butterfly walking down the runway was one origin of the title. Another image I had was of a butterfly—which would normally fly—walking. Here, I meant that, the heroine Michiko, while in the prime of her youth, experiences repeated failures and struggles as she grows up, the way a chrysalis metamorphoses into a butterfly.
The plot sure is shaping up into a fun-filled ride ... Although this manga rises to the occasion, it does not manage to rise head and shoulders above the pack.
A fiercely fashionable fable that won't bore older teens or twenty-somethings
That said, Walkin' Butterfly has the hallmarks of a great guilty pleasure, provided our uncouth heroine doesn't lose too many edges in the process.
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: CS1 maint: unfit URL (link)Although technically a josei manga, the series begins as a textbook example of ... the shounen "tournament" formula, which calls for a protagonist who is then subjected to an indefinite number of struggles of increasingly difficulty ... For all intents and purposes, Michiko is a shounen manga hero in drag. Like Naruto, Hikaru, and Hanamichi, she is untried, sincere, and perhaps a bit stupid.
In regards to Michiko making it into the world of modeling, the storyline isn't particularly realistic. If Japan is anything like the United States, modeling is a competitive enough field such that no one will bother tolerating an amateur with a temperament as difficult as Michiko's.
Besides, it is not every day that one stumbles across a josei manga that will undoubtedly have both guys and gals alike cheering from the rafters for the protagonist.
Even Michiko is not your average shojo heroine – she's tough, prickly and prone to bad decision-making. But her flaws are what make her so likeable and relatable.
However, her rocky foray towards her goal with its fits and starts make her a character that readers can feel for and become interested in.
If you're willing to overlook these minor details, however, Walkin' Butterfly has much to offer the josei reader: a heroine who's a believable mixture of public bravado and private anguish, a worthy love interest, a terrific villain, and a memorable cast of supporting players.
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: CS1 maint: unfit URL (link)The artwork is stylish and it crackles with energy that matches the gritty city setting of the story.
Tamaki's art is sketchy, often resembling fashion drawings, appropriate for her setting.
Finally, it all blends seamlessly with a standard josei manga art style, akin to that of Moyoco Anno or Yayoi Ogawa, which tries to embody the genre's intended sassy, edgy spirit on the page. In this, as in everything else, the art is functional and skillfully executed but not especially exceptional. Outlines are sketchy; backgrounds and screentones are minimal. This brand of art serves the story, not the other way around.
The artwork is also a big plus. Chihiro Tamaki has an energetic, sketch-like style that reminded me of Yayoi Ogawa's. Like Ogawa, Tamaki favors characters with huge, expressive eyes and mouths; Michiko might be a distant relation of Sumire Iwaya, the long-suffering salarywoman of Tramps Like Us.
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: CS1 maint: unfit URL (link)Though Tamaki has a fairly good sense of pacing, her drawing style is very rough. In one place, Ryo's black hair is darkened with scribble instead of being completely inked in.
I'm getting bored of reading about Michiko being depressed and giving up only to vow to try again. These mood swings are tiring, and they don't seem to add up to actual forward progress. Her changes of heart are abrupt and not always believable.
After Michiko starts getting work, the story becomes much more familiar in structure and tone... Suddenly, she seems more like a typical manga heroine, cheery and optimistic. I miss her crazy edges, even if they gave me whiplash. I didn't care for how they were inconsistently portrayed, but at least they made this book different.
English translation is slightly awkward; sometimes lacks natural-sounding dialogue ... Interior typography lacks flair and seems slapped on without really enhancing the story.
A few folks may grumble about production values—e.g. the unattractive font used for voice-overs and interior monologues—but most readers will be pleased to see the care with which Walkin' Butterfly was packaged, from the high-quality paper stock to the appealing omake.
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