Giuseppe Fortunino Francesco Verdi was an Italian opera composer. He was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Vincenzo Bellini, Gaetano Donizetti, and Gioachino Rossini, whose works significantly influenced him. By his 30s, he had become one of the pre-eminent opera composers in history.
Marian Anderson was an American singer, one of the most celebrated of the twentieth century. Music critic Alan Blyth said: "Her voice was a rich, vibrant contralto of intrinsic beauty." She performed in concert and recital in major music venues and with famous orchestras throughout the United States and Europe between 1925 and 1965. Although offered roles with many important European opera companies, Anderson declined, as she had no training in acting. She preferred to perform in concert and recital only. She did, however, perform opera arias within her concerts and recitals. She made many recordings that reflected her broad performance repertoire, which ranged from concert literature to lieder to opera to traditional American songs and spirituals. Between 1940 and 1965 the German-American pianist Franz Rupp was her permanent accompanist.
Ocean Grove is an unincorporated community and census-designated place (CDP) located within Neptune Township, Monmouth County, New Jersey, United States. It had a population of 3,342 at the 2010 United States Census. It is located on the Atlantic Ocean's Jersey Shore, between Asbury Park to the north and Bradley Beach to the south. Listed on the National Register of Historic Places, Ocean Grove is noted for its abundant examples of Victorian architecture and the Great Auditorium, acclaimed as "the state’s most wondrous wooden structure, soaring and sweeping, alive with the sound of music".
Nicolai Ghiaurov was a Bulgarian opera singer and one of the most famous basses of the postwar period. He was admired for his powerful, sumptuous voice, and was particularly associated with roles of Mussorgsky and Verdi. Ghiaurov married the Bulgarian pianist Zlatina Mishakova in 1956 and Italian soprano Mirella Freni in 1978, and the two singers frequently performed together. They lived in Modena until Ghiaurov's death in 2004 of a heart attack.
Robert Merrill was an American operatic baritone and actor, who was also active in the musical theatre circuit. He received the National Medal of Arts in 1993.
Nell Rankin was an American operatic mezzo-soprano. Though a successful opera singer internationally, she spent most of her career at the Metropolitan Opera, where she worked from 1951 to 1976. She was particularly admired for her portrayals of Amneris in Verdi's Aida and the title role in Bizet's Carmen. Opera News said, "Her full, generous tone and bold phrasing, especially in the Italian repertory, were unique among American mezzos of her generation.
Rosa Raisa was a Polish-born and Italian-trained Russian-Jewish dramatic operatic soprano who became a naturalized American. She possessed a voice of remarkable power and was the creator of the title role of Puccini's last opera, Turandot, at La Scala, Milan.
James Peppler Morris is a leading American bass-baritone opera singer. He is known for his interpretation of the role of Wotan in Richard Wagner's operatic cycle, Der Ring des Nibelungen. The Metropolitan Opera video recording of the complete cycle with Morris as Wotan has been described as an "exceptional issue on every count." It was broadcast on PBS in 1990, to the largest viewing audience of the Ring Cycle in human history.
Andrij Vsevolod Dobriansky was a principal artist with the Metropolitan Opera for 30 years where he sang over 60 roles in over 900 performances. As a displaced person in post-war Germany, he earned a scholarship to study chemistry at Amherst College, but later decided to forgo chemistry and pursued a career in opera. The bass-baritone had the longest career with the Met of any Ukrainian-born artist.
Orville Harrold was an American operatic tenor and musical theatre actor. He began his career in 1906 as a performer in operettas in New York City, and was also seen during his early career in cabaret, musical theatre, and vaudeville performances. With the aid of Oscar Hammerstein I, he branched out into opera in 1910 as a leading tenor with Hammerstein's opera houses in New York City and Philadelphia. While his career from this point on primarily consisted of opera performances, he periodically returned to operetta and musical theatre throughout his career. He notably created the role of Captain Dick Warrington in the world premiere of Victor Herbert's operetta Naughty Marietta in November 1910.
John Alexander was an American operatic tenor who had a substantial career during the 1950s through the 1980s. He had a longstanding relationship with the Metropolitan Opera in New York City, singing with that company every year between 1961 and 1987 for a total of 379 performances. He also periodically performed at the New York City Opera during his career and was a frequent presence at the Philadelphia Lyric Opera Company during the late 1950s and 1960s. Although he spent most of his career in New York City, Alexander occasionally traveled to perform as a guest artist with many of the world's leading opera houses, both in the United States and Europe. He was also an active concert singer throughout his career.
Helen Jepson was an American lyric soprano noted for being a "stunning blond beauty" as well as for her voice.
Alfredo Silipigni was a conductor and specialist in lesser-known Italian operas who founded the New Jersey State Opera and ran it for four decades.
Walter Cassel was an American operatic baritone and actor. He began his career singing on the radio during the mid-1930s and appeared in a couple of Hollywood musical films in the late 1930s. He made his first stage appearances in a handful of Broadway productions during the late 1930s and early 1940s. He began his opera career at the Metropolitan Opera in 1942, and went on to have a long and fruitful association with that house that lasted until his retirement from the stage in 1974. In addition to working with the Met, Cassel was also a regular performer with the New York City Opera between 1948 and 1954 and worked frequently as a freelance artist with important opera companies on the international stage as well as in the United States.
Enrica Clay Dillon was an American opera singer, opera director, and voice teacher.
Stephen Costello is an American operatic tenor and a recipient of the 2009 Richard Tucker Award. Costello has performed in noted opera houses around the world including Covent Garden, Metropolitan Opera, and Lyric Opera of Chicago. In 2010, Costello originated the role of Greenhorn (Ishmael) in the world premiere of Jake Heggie's Moby-Dick at the Dallas Opera.
James Valenti is an American operatic tenor with an active international career specializing in leading roles in the Italian and French repertoire. Born and raised in New Jersey, in the United States, he is a graduate of West Virginia University and the Academy of Vocal Arts in Philadelphia, Pennsylvania. Valenti made his professional debut in 2003 as Rodolfo in La bohème at the Rome Opera, and was the 2010 winner of the Richard Tucker Award.
Joseph Royer was a Canadian operatic baritone.
The Max Maretzek Italian Opera Company was a touring American opera company that performed throughout the United States from 1849-1878. The first major opera company in Manhattan and one of the first important companies in the United States, it had a long association with the Academy of Music in New York City where it presented an annual season of opera from 1854 until the company's demise in 1878 There the company performed the United States premieres of Rigoletto, Il trovatore, and La traviata among other works.
Virgilio Lazzari was an Italian operatic bass who had an active international performance career from 1908 to 1953. He had lengthy associations with the Chicago Civic Opera (1918–1932) and the Metropolitan Opera (1933–1950), and frequently performed at the Salzburg Festival during the 1930s. He appeared as a guest artist with opera houses internationally, including the Royal Opera House, the Teatro Colón, and the Teatro Carlo Felice among others.
