War of the Colossal Beast | |
---|---|
Directed by | Bert I. Gordon |
Screenplay by | George Worthing Yates |
Story by | Bert I. Gordon |
Produced by | Bert I. Gordon |
Starring | Sally Fraser Roger Pace Dean Parkin |
Cinematography | Jack A. Marta |
Edited by | Ronald Sinclair |
Music by | Albert Glasser |
Production company | Carmel Productions |
Distributed by | American International Pictures |
Release date |
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Running time | 69 minutes |
Country | United States |
Language | English |
War of the Colossal Beast (a.k.a. Revenge of the Colossal Man and The Colossal Beast) is a 1958 black-and-white science fiction film, written, produced, and directed by Bert I. Gordon for his Carmel Productions, and starring Dean Parkin, Sally Fraser, and Roger Pace. [1] It is the sequel to Gordon's earlier The Amazing Colossal Man (1957) and was distributed theatrically by American International Pictures as the bottom half of a double feature with Attack of the Puppet People . The film's storyline picks up where The Amazing Colossal Man left off, although it was not marketed as a sequel and features a different cast. [2] The film's brief death-scene finale was filmed in color.
Upon hearing of several recent robberies of food delivery trucks in Mexico, Joyce Manning (Sally Fraser), Army officer Lt. Colonel Glenn Manning's sister, becomes convinced that her brother (Dean Parkin) survived after being exposed to radiation from an atomic bomb (as seen in The Amazing Colossal Man ). Along with Army officer Major Mark Baird (Roger Pace) and scientist Dr. Carmichael (Russ Bender), Joyce goes to Mexico to look for Glenn and finds that he has, in fact, survived, but was left disfigured and nearly mindless by the trauma of his fall. Manning is eventually captured, drugged by the Army, and transported back to the United States. He is able to escape again and goes on a rampage through Los Angeles and Hollywood. He nearly kills a school bus full of children. Joyce reasons with him, and he slowly is brought back to his senses. Now realizing what he has become and what he has done, Manning commits suicide by electrocuting himself on high-voltage power lines near the Griffith Observatory. [3]
War of the Colossal Beast was produced, directed, and written by Bert I. Gordon and co-produced with Samuel Z. Arkoff. [4] Although most of it is shot in black-and-white, the ending was shot in color for the electrocution scene and doctored in black-and-white. The producers decided to use the very heavy make-up on Dean Parkin as a way to disguise the fact that a different actor was playing Colonel Manning, especially since a dream sequence flashing back to the original film featured Glenn Langan, the star of the earlier film. Dean Parkin also played the lead monster role in another Bert I. Gordon film, The Cyclops . [5]
Some of the tiny-sized props created for The Amazing Colossal Man by special effects technician Paul Blaisdell were featured again in this sequel via flashbacks.
Contemporary film fan-historians Kim R. Holston and Tom Winchester noted that the film was "... a low-budget ship with Bert Gordon at the helm, so the special effects are unsurprisingly average; one always knows the 'giant' was filmed separately and mixed in with other shots". [6]
War of the Colossal Beast was featured in season 3, episode 19 of Mystery Science Theater 3000 . [7]
Mystery Science Theater 3000 is an American science fiction comedy film review television series created by Joel Hodgson. The show premiered on KTMA-TV in Minneapolis, Minnesota, on November 24, 1988. It then moved to nationwide broadcast, first on The Comedy Channel/Comedy Central for seven seasons until its cancellation in 1996. Thereafter, it was picked up by The Sci-Fi Channel and aired for three more seasons until another cancellation in August 1999. A 60-episode syndication package titled The Mystery Science Theater Hour was produced in 1993 and broadcast on Comedy Central and syndicated to TV stations in 1995. In 2015, Hodgson led a crowdfunded revival of the series with 14 episodes in its eleventh season, first released on Netflix on April 14, 2017, with another six-episode season following on November 22, 2018. A second successful crowdfunding effort in 2021 produced 13 additional episodes shown on the Gizmoplex, an online platform that Hodgson developed which launched in March 2022. As of 2023, 230 episodes and a feature film have been produced as well as three live tours.
Attack of the 50 Foot Woman is a 1958 independently made American science fiction horror film directed by Nathan H. Juran and starring Allison Hayes, William Hudson and Yvette Vickers. It was produced by Bernard Woolner. The screenplay was written by Mark Hanna, and the original music score was composed by Ronald Stein. The film was distributed in the United States by Allied Artists as a double feature with War of the Satellites.
The Amazing Colossal Man is a 1957 American black-and-white science fiction film from American International Pictures. Produced and directed by Bert I. Gordon, it stars Glenn Langan, Cathy Downs, William Hudson, and Larry Thor. It is an uncredited adaptation of Homer Eon Flint's 1928 short science fiction novel The Nth Man. AIP theatrically released it as a double feature with Cat Girl.
The Blob is a 1958 American science fiction horror film directed by Irvin S. Yeaworth Jr. from a screenplay by Theodore Simonson and Kate Phillips, based on an idea by Irving H. Millgate. It stars Steve McQueen and Aneta Corsaut and co-stars Earl Rowe and Olin Howland.
Project Moonbase is a 1953 independently made black-and-white science fiction film, produced by Jack Seaman, directed by Richard Talmadge, and starring Ross Ford, Donna Martell, and Hayden Rorke. It co-stars Larry Johns, Herb Jacobs, Barbara Morrison, and Ernestine Barrier. The film was distributed by Lippert Pictures and is based on a story by Robert A. Heinlein, who shares the screenwriting credit with producer Jack Seaman.
Missile to the Moon is a 1958 independently made American black-and-white science fiction film drama, produced by Marc Frederic, directed by Richard E. Cunha, that stars Richard Travis, Cathy Downs, and K. T. Stevens. The film was distributed by Astor Pictures and is a remake of an earlier Astor Pictures-distributed film, Cat-Women of the Moon (1953). Missile to the Moon was released in late 1958 as a double feature with Cunha's Frankenstein's Daughter.
Beginning of the End is a 1957 American science fiction film produced and directed by Bert I. Gordon. It stars Peter Graves, Peggie Castle, and Morris Ankrum. An agricultural scientist, played by Graves, successfully grows gigantic vegetables using radiation. Unfortunately, the vegetables are eaten by locusts, which quickly grow to a gigantic size and attack the nearby city of Chicago. Beginning of the End is generally known for its "atrocious" special effects, "and yet," writes reviewer Bill Warren, "there is something almost compellingly watchable about this goofy little movie".
Village of the Giants is a 1965 American teensploitation comedy science fiction film produced, directed and written by Bert I. Gordon. Based loosely on H. G. Wells's 1904 book The Food of the Gods and How It Came to Earth, it contains elements of the beach party film genre. The story concerns a gang of rebellious teens who gain access to a chemical substance called "Goo", which causes living things to grow to gigantic proportions. The cast is composed almost entirely of teenaged actors and young adults portraying teenagers. Also making musical guest appearances are The Beau Brummels, Freddy Cannon, and Mike Clifford. Gordon would later direct another adaptation of Wells' story, titled The Food of the Gods.
Bert Ira Gordon was an American filmmaker and visual effects artist. He is best known for screenwriting and producing and/or directing science fiction and horror B-movies such as King Dinosaur (1955), The Amazing Colossal Man (1957), Earth vs. the Spider (1958), Village of the Giants (1965), and Empire of the Ants (1977).
Warrior of the Lost World is a 1983 Italian-American post-apocalyptic science fiction film written and directed by David Worth and starring Robert Ginty, Persis Khambatta, and Donald Pleasence. It was created and first released in Italy under the title Il Giustiziere della terra perduta in 1983 during the wide popularity of the Mad Max films, and many subsequently created post-apocalyptic films of the 1980s. Later the film was given another Italian title for VHS and television markets, I predatori dell'anno Omega.
Teenage Caveman is a 1958 American independent black-and-white science fiction adventure film produced and directed by Roger Corman, and starring Robert Vaughn and Darah Marshall. The film was released by American International Pictures in July 1958 as a double feature with How to Make a Monster.
Albert Glasser was a composer, conductor and arranger of film music, primarily in the realm of B-movies during the 1940s, 1950s, and 1960s. He scored approximately 200 films during his career, many for American International Pictures and director Bert I. Gordon. For the US War Department, Glasser composed for Frank Capra's Special Services Unit and for Office of War Information radio shows for overseas broadcasts. For television, he composed the score for the early western, The Cisco Kid. For radio, he composed scores for Hopalong Cassidy, Clyde Beatty, and Tarzan. Glasser joined ASCAP in 1950, and his popular song compositions include "Urubu", "The Cisco Kid", "Someday" and "I Remember Your Love". In addition to his composition work, Glasser was an amateur radio operator (K6RFU).
Ronald Sinclair, born Richard Arthur Hould and sometimes credited as Ra Hould or Ron Sinclair, was a child actor from New Zealand, turned film editor.
Attack of the Puppet People is a 1958 American black-and-white science fiction horror film produced and directed by Bert I. Gordon. It stars John Agar, John Hoyt and June Kenney. Gordon also supervised the film's special effects. American International Pictures released the film on June 30, 1958 as a double feature with War of the Colossal Beast.
Nightbeast is an American 1982 science fiction horror film directed by cult director Don Dohler. The story concerns a small town sheriff who must stop a rampaging alien from killing the residents of Perry Hall, Maryland.
Earth vs. the Spider is an independently made 1958 American black-and-white science fiction horror film produced and directed by Bert I. Gordon, who also provided the plot upon which the screenplay by George Worthing Yates and Laszlo Gorog was based. Though the title suggests a global crisis, the film focuses entirely on a small town being terrorized by a giant spider. The film stars Ed Kemmer, June Kenney and Eugene Persson. The special effects were by Bert I. Gordon and Paul Blaisdell. Earth vs. the Spider was released by American International Pictures as a double feature in different film markets with either The Brain Eaters or The Screaming Skull.
Night of the Blood Beast is a 1958 American science-fiction horror film about a team of scientists who are stalked by an alien creature, which implants its embryos in an astronaut's body during a space flight. Produced by exploitation filmmaker Roger Corman and his brother Gene, it was one of the first films directed by Bernard L. Kowalski and was written by first-time screenwriter Martin Varno, who was 21 years old. It starred several actors who had regularly worked with Roger Corman, including Michael Emmet, Ed Nelson, Steve Dunlap, Georgianna Carter and Tyler McVey. The film was theatrically released in December 1958 as a double feature with She Gods of Shark Reef.
The Cyclops is a 1957 American science fiction horror film written, produced and directed by Bert I. Gordon, starring James Craig, Lon Chaney Jr. and Gloria Talbott.
Sally Fraser was an American actress who appeared on television and in numerous films. She became best known for appearing in low-budget science fiction films of the 1950s.
Terror Is a Man is a 1959 black-and-white Filipino/American horror film directed by Gerardo de Leon.