Creighton Tull Chaney, known by his stage name Lon Chaney Jr., was an American actor known for playing Larry Talbot in the film The Wolf Man (1941) and its various crossovers, Count Alucard in Son of Dracula, Frankenstein's monster in The Ghost of Frankenstein (1942), the Mummy in three pictures, and various other roles in many Universal horror films, including six films in their 1940s Inner Sanctum series, making him a horror icon. He also portrayed Lennie Small in Of Mice and Men (1939) and supporting parts in dozens of mainstream movies, including High Noon (1952), The Defiant Ones (1958), and numerous Westerns, musicals, comedies and dramas.
The Amazing Colossal Man is a 1957 American black-and-white science fiction film from American International Pictures. Produced and directed by Bert I. Gordon, it stars Glenn Langan, Cathy Downs, William Hudson, and Larry Thor. It is an uncredited adaptation of Homer Eon Flint's 1928 short science fiction novel The Nth Man. AIP theatrically released it as a double feature with Cat Girl.
Beginning of the End is a 1957 American science fiction film produced and directed by Bert I. Gordon. It stars Peter Graves, Peggie Castle, and Morris Ankrum. An agricultural scientist, played by Graves, successfully grows gigantic vegetables using radiation. Unfortunately, the vegetables are eaten by locusts, which quickly grow to a gigantic size and attack the nearby city of Chicago. Beginning of the End is generally known for its "atrocious" special effects, "and yet," writes reviewer Bill Warren, "there is something almost compellingly watchable about this goofy little movie".
Attack of the Giant Leeches is an independently made, 1959 black-and-white science fiction-horror film, produced by Gene Corman and directed by Bernard L. Kowalski. It stars Ken Clark, Yvette Vickers, Bruno VeSota and Jan Shepard. The screenplay was written by Leo Gordon. The film was released by American International Pictures on a double bill with A Bucket of Blood. Later, in some areas in 1960, Leeches played on a double bill with the Roger Corman film House of Usher.
The Alligator People is a 1959 American CinemaScope science-fiction horror film directed by Roy Del Ruth. It stars Beverly Garland, Bruce Bennett, and Lon Chaney Jr. This film was the penultimate feature directed by Del Ruth, and quite different from those of his days at Warner Bros.
Attack of the Crab Monsters is a 1957 independently made American black-and-white science fiction-horror film, produced and directed by Roger Corman, that stars Richard Garland, Pamela Duncan, and Russell Johnson. The film was distributed by Allied Artists as a double feature showing with Corman's Not of This Earth.
Gloria Talbott was an American film and television actress.
Castle of Frankenstein was an American horror, science fiction and fantasy film magazine, published between 1962 and 1975 by Calvin Thomas Beck's Gothic Castle Publishing Company, distributed by Kable News. Larry Ivie—who also was cover artist for several early issues—and Ken Beale edited the first three issues. Writer-artist Bhob Stewart edited the magazine from 1963 into the early 1970s. Although promoted and sold as a "monster magazine," readers were aware that Castle of Frankenstein, at the time, was the only nationally distributed magazine devoted to a legitimate and serious coverage of B movies. In addition to its central focus on classic and current horror films, Castle of Frankenstein also devoted pages to amateur filmmakers and fanzines. Its advertising pages sold full-length silent feature films such as The Lost World and The Golem: How He Came into the World.
I Married a Monster from Outer Space is a 1958 American horror science fiction film from Paramount Pictures, produced and directed by Gene Fowler Jr., that stars Tom Tryon and Gloria Talbott. Paramount released the film as a double feature with The Blob.
Bert Ira Gordon was an American filmmaker and visual effects artist. He is best known for writing and directing science fiction and horror B-movies such as King Dinosaur (1955), The Amazing Colossal Man (1957), Earth vs. the Spider (1958), Village of the Giants (1965), and Empire of the Ants (1977).
The Ghost of Frankenstein is a 1942 American horror film directed by Erle C. Kenton and starring Cedric Hardwicke, Lon Chaney Jr. and Bela Lugosi. It is the fourth film in the Frankenstein series by Universal Pictures, and the follow-up to Son of Frankenstein (1939). The film's plot follows the previous film's: Frankenstein's Monster and his companion Ygor are chased out of town. They go to another small town to encourage the younger son of Henry Frankenstein to continue his father's experiments, so that Ygor can have revenge against his enemies and his brain transplanted into the Monster's skull.
I Was a Teenage Frankenstein is a film starring Whit Bissell, Phyllis Coates and Gary Conway, released by American International Pictures (AIP) in November 1957 as a double feature with Blood of Dracula. It is the follow-up to AIP's box office hit I Was a Teenage Werewolf, released less than five months earlier. Both films later received a sequel in the crossover How to Make a Monster, released in July 1958. The film stars Whit Bissell, Phyllis Coates, Robert Burton, Gary Conway and George Lynn.
World Without End is a 1956 American science fiction film directed by Edward Bernds and starring Hugh Marlowe and Nancy Gates. It was made in CinemaScope and Technicolor by Allied Artists and produced by Richard Heermance.
War of the Colossal Beast is a 1958 black-and-white science fiction film, written, produced, and directed by Bert I. Gordon for his Carmel Productions, and starring Dean Parkin, Sally Fraser, and Roger Pace. It is the sequel to Gordon's earlier The Amazing Colossal Man (1957) and was distributed theatrically by American International Pictures as the bottom half of a double feature with Attack of the Puppet People. The film's storyline picks up where The Amazing Colossal Man left off, although it was not marketed as a sequel and features a different cast. The film's brief death-scene finale was filmed in color.
The Giant Claw is a 1957 American monster film from Columbia Pictures, produced by Sam Katzman, directed by Fred F. Sears, that stars Jeff Morrow and Mara Corday. Both Sears and Katzman were well known as low-budget B film genre filmmakers. The film was released as a double feature with The Night the World Exploded.
From Hell It Came is a 1957 American science-fiction horror film directed by Dan Milner and written by Richard Bernstein, from a story by Bernstein and Jack Milner. It was released by Allied Artists on a double bill with The Disembodied.
The Night the World Exploded is a 1957 science fiction, disaster film. The film was written by Jack Natteford and Luci Ward, and directed by Fred F. Sears for producer Sam Katzman. Both Katzman and Sears were great exponents of the low-budget B film genre. The film was theatrically released on a double bill with The Giant Claw.
The Unholy Three is a 1930 American Pre-Code melodrama directed by Jack Conway and starring Lon Chaney. Its plot involves a crime spree. The film is a sound remake of the silent 1925 film of the same name, with both films based on the novel The Unholy Three, by Tod Robbins.
Die, Monster, Die! is a 1965 science fiction horror film directed by Daniel Haller, and starring Boris Karloff, Nick Adams, Freda Jackson and Suzan Farmer. A loose adaptation of H. P. Lovecraft's story "The Colour Out of Space", its plot follows an American man who, while visiting his English fiancee's familial estate, uncovers a series of bizarre occurrences.
Daughter of Dr. Jekyll is a low-budget black-and-white 1957 American horror film produced by Jack Pollexfen, directed by Edgar G. Ulmer and released by Allied Artists. The film is a variation on the 1886 gothic novella Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. It stars Gloria Talbott, John Agar and Arthur Shields. In the film, Janet Smith learns that she is not only the daughter of the infamous Dr. Henry Jekyll, but is convinced by her guardian, Dr. Lomas, that she has inherited her father's transformative condition. Janet begins to believe that she turns into a monster after two local women are found horribly killed and nearly takes her own life because of it. However, all is not what it seems.
