Warren Adelson (born 1942) is an American art dealer, art historian, and author specializing in 19th and 20th-century American Painting as well as contemporary art. [1]
Adelson was born in Brookline, Massachusetts, the son of Beaze (née Gellar) and Harry Adelson.
He opened his first gallery in Boston in 1965 on Newbury Street, Boston. Adelson Galleries exhibited Boston Impressionists, 19th-century American landscape and figure painting, and contemporary art. [2]
In 1972, Adelson joined Knoedler Galleries in New York, where he worked on the development of their American paintings department for one year.
In 1974, he joined Coe Kerr Gallery in New York and became a partner with the principal owner, R. Frederick Woolworth, the following year. There, he organized exhibitions and catalogues of American Impressionist painters including Mary Cassatt: An American Observer, [3] Maurice Prendergast: The Remembered Image, [4] John Singer Sargent: His Own Work, [5] and Sargent at Broadway: The Impressionist Years. [6] He also produced several exhibitions of new work by Jamie Wyeth, as well as the exhibition, "Portraits of Each Other, 1976," which featured images of Andy Warhol and Jamie Wyeth. The exhibition traveled to many museums throughout America and drew large crowds.
In 1990, Adelson re-established Adelson Galleries in New York and continued to specialize in 19th and 20th-century American art. The gallery regularly exhibits works by artists such as George Bellows, Charles Burchfield, Mary Cassatt, William Merritt Chase, Thomas Eakins, Childe Hassam, Winslow Homer, John Marin, Georgia O'Keeffe, Maurice Prendergast, John Singer Sargent, and Andrew Wyeth, among others. In addition, Adelson Galleries represents several contemporary artists including Jacob Collins, Andrew Stevovich, and Jamie Wyeth. [7]
Under his direction, Adelson Galleries has produced numerous exhibitions and books, including Sargent Abroad: Figures and Landscapes, [8] From the Artist's Studio: Unknown Prints and Drawings by Mary Cassatt, [9] Maurice Prendergast: Paintings of America, [10] Andrew Wyeth: Helga on Paper, [11] Sargent's Venice, [12] Frederic Edwin Church: Romantic Landscapes and Seascapes, [13] Jamie Wyeth: Seven Deadly Sins, [14] Mary Cassatt: Prints and Drawings from the Collection of Ambroise Vollard , [15] John Marin: The Late Oils. [16] and Sargent and Impressionism. [17] Many of these exhibitions included paintings on loan from distinguished public collections such as the Metropolitan Museum of Art, NY, the Museum of Fine Arts, Boston, the Los Angeles County Museum of Art, and the Royal Academy, London. Sargent's Venice was conceived and organized by Adelson Galleries and traveled to the Museo Correr in Venice, 2007.
Adelson is an internationally recognized authority on John Singer Sargent, and he initiated scholarship on the John Singer Sargent Catalogue Raisonné in 1980 in partnership with the artist's great-nephew, Richard L. Ormond. The first seven volumes of the Catalog Raisonné have been published by the Yale University Press. The two final volumes will follow, vol. 8 in 2014, and vol. 9 in 2016. [18] [19] [20] [21] [22] [23] [24]
Volume IV of the Catalogue Raisonné was awarded First Place for Scholarly and Reference Books at the 2007 New York Book Show Awards and chosen by Choice magazine as an Outstanding Academic Title from 2007. [25] Adelson was also among the noted Sargent scholars who authored Sargent Abroad: Figures and Landscapes. [26] His recent publication, Sargent's Venice, won the Award of Merit at the 2007 New York Book Show and a rating of "Outstanding" from the 2007 University Press Books Committee. [27]
Adelson has lectured extensively on Sargent at institutions including The Metropolitan Museum of Art, New York; the Los Angeles County Museum of Art; the Minneapolis Institute of Art; the Denver Art Museum; the High Museum, Atlanta; and the Corcoran Gallery of Art, Washington, DC.
Adelson has maintained a four-decade relationship with Andrew Wyeth and his family in concert with Wyeth's principal dealer, Frank E. Fowler, of Lookout Mountain, Tennessee. In November 2006, Adelson and Fowler presented the exhibition, Andrew Wyeth, Helga on Paper [28] at the New York gallery (then at 19 East 82nd Street).
Adelson holds a bachelor's degree and a master's degree in Art History from Boston University.
From 1986 to 2001, Adelson served as a board member to the Art Advisory Panel of the Internal Revenue Service in Washington, DC. From 1997 to 2002, he served on the Museum of Modern Art's Advisory Committee on Museum Archives, Library, and Research. In January 2006 he was elected to the board of trustees of the Smithsonian Archives of American Art. He also currently serves as the Chair of Boston University's College of Arts and Sciences Dean's Leadership Advisory Board.
Adelson lives in New York with his wife, Jan Peterson Adelson. Jan is chairman of The Board of the Hudson River Museum, Yonkers, NY, past chair of Lyndhurst, a National Trust Historic Site in Tarrytown, NY and served as secretary on the Board of Historic Hudson Valley. Jan and Warren have worked together at Adelson Galleries since 1990. Jan previously worked for Curry Fine Art and at the Ankrum Gallery in Los Angeles in the late 1970s early 1980s and assisted the painter, Shirl Goedike.
They have three children, Alan, Adam, and Alexa. Alan is employed by Adelson Galleries, New York. Adam is the Director of Adelson Galleries Boston, [29] along with Alexa, the assistant director. Warren also has a son, Dr. Harry Adelson of Park City, Utah, by a previous marriage.
Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny, Pennsylvania, and lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.
John Singer Sargent was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Spain, the Middle East, Montana, Maine, and Florida.
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.
American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth. The style is characterized by loose brushwork and vivid colors with a wide array of subject matters but focusing on landscapes and upper-class domestic life.
Andrew Newell Wyeth was an American visual artist, primarily a realist painter, working predominantly in a regionalist style. He believed he was also an abstractionist, portraying subjects in a new, meaningful way. The son of N. C. Wyeth and father of Jamie Wyeth, he was one of the best-known U.S. artists of the middle 20th century. James H. Duff explores the art and lives of the three men in An American Vision: Three Generations of Wyeth Art. Raised with an appreciation of nature, Wyeth took walks that fired his imagination. Henry David Thoreau, Robert Frost, and King Vidor's The Big Parade (1925) inspired him intellectually and artistically. Wyeth featured in a documentary The Metaphor in which he discussed Vidor's influence on the creation of his works of art, like Winter 1946 and Portrait of Ralph Kline. Wyeth was also inspired by Winslow Homer and Renaissance artists.
Madame X or Portrait of Madame X is a portrait painting by John Singer Sargent of a young socialite, Virginie Amélie Avegno Gautreau, wife of the French banker Pierre Gautreau. Madame X was painted not as a commission, but at the request of Sargent. It is a study in opposition. Sargent shows a woman posing in a black satin dress with jeweled straps, a dress that reveals and hides at the same time. The portrait is characterized by the pale flesh tone of the subject contrasted against a dark-colored dress and background.
Maurice Brazil Prendergast was an American artist who painted in oil and watercolor, and created monotypes. His delicate landscapes and scenes of modern life, characterized by mosaic-like color, are generally associated with Post-Impressionism. Prendergast, however, was also a member of The Eight, a group of early twentieth-century American artists who, aside from Prendergast, represented the Ashcan School.
James Browning Wyeth is an American realist painter, son of Andrew Wyeth, and grandson of N.C. Wyeth. He was raised in Chadds Ford Township, Pennsylvania, and is artistic heir to the Brandywine School tradition — painters who worked in the rural Brandywine River area of Delaware and Pennsylvania, portraying its people, animals, and landscape.
The Daughters of Edward Darley Boit is a painting by the American artist John Singer Sargent. The painting depicts four young girls, the daughters of Edward Darley Boit, in their family's Paris apartment. It was painted in 1882 and is now exhibited in the new Art of the Americas Wing of the Museum of Fine Arts in Boston. The painting hangs between the two tall blue-and-white Japanese vases depicted in the work, which were donated by the heirs of the Boit family.
Rosina Ferrara (1861–1934) was an Italian artist's model from the island of Capri, who became the favorite muse of American expatriate artist John Singer Sargent. Captivated by her exotic beauty, a variety of 19th-century artists, including Charles Sprague Pearce, Frank Hyde, and George Randolph Barse, made works of art of her. Ferrara was featured in the 2003 art exhibit "Sargent's Women" at New York City's Adelson Galleries, as well as in the book Sargent's Women published that year.
The New Britain Museum of American Art is an art museum in New Britain, Connecticut. Founded in 1903, it is the first museum in the country dedicated to American art.
The Addison Gallery of American Art is an academic museum dedicated to collecting American art, organized as a department of Phillips Academy in Andover, Massachusetts.
Street in Venice is a c. 1882 oil on wood painting by the American artist John Singer Sargent (1856–1925). Painted in an impressionist manner, it is set in a quiet backstreet off the Calle Larga dei Proverbi, near the Grand Canal in Venice. The painting shows a young woman walking along the flagstones, kicking her skirt with her right foot, and observed by two men in the shadows to her right. From the manner in which Sargent depicts her down-turned eyes and seemingly fast pace with which she passes the two men, he is concerned largely with the invasive male glare and its effect on the passing woman.
El Jaleo is a large painting by John Singer Sargent, depicting a Spanish Romani dancer performing to the accompaniment of musicians. Painted in 1882, it currently hangs in the Isabella Stewart Gardner Museum, in Boston.
Nancy Mowll Mathews is a Czech-American art historian, curator and author. She was the Eugénie Prendergast Senior Curator of 19th and 20th Century Art at the Williams College Museum of Art from 1988 to 2010. She is currently an independent scholar, curator, professor and host of the television show Art World with Nancy Mathews.
Charles Prendergast (1863–1948) was a Newfoundlander-American Post-Impressionist artist as well as a designer and maker of picture frames. He was the younger brother of the artist, Maurice Prendergast.
Lady Agnew of Lochnaw is an oil on canvas portrait painting of Gertrude Agnew, the wife of Sir Andrew Agnew, 9th Baronet. The painting was commissioned in 1892 and completed the same year by the American portrait artist John Singer Sargent. It measures 127 × 101 cm (50.0 × 39.8 in) and is owned by the Scottish National Gallery in Edinburgh, Scotland. The museum acquired it through the Cowan Smith Bequest Fund in 1925.
Ralph Wormeley Curtis was an American painter and graphic artist in the Impressionist style. He spent most of his life in Europe, where he was a close associate of his distant cousin, John Singer Sargent, and James McNeill Whistler. He painted in a variety of genres, but was known mostly for landscapes and urban scenes; especially of Venice.