Santiago Calatrava Valls is a Spanish architect, structural engineer, sculptor and painter, particularly known for his bridges supported by single leaning pylons, and his railway stations, stadiums, and museums, whose sculptural forms often resemble living organisms. His best-known works include the Olympic Sports Complex of Athens, the Milwaukee Art Museum, the Turning Torso tower in Malmö, Sweden, the World Trade Center Transportation Hub in New York City, the Auditorio de Tenerife in Santa Cruz de Tenerife, the Margaret Hunt Hill Bridge in Dallas, Texas, and his largest project, the City of Arts and Sciences and Opera House in his birthplace, Valencia. His architectural firm has offices in New York City, Doha, and Zürich.
Jaume Plensa i Suñé is a Spanish visual artist, sculptor, designer and engraver. He is a versatile artist who has also created opera sets, video projections and acoustic installations. He worked with renowned Catalan theatrical group La Fura dels Baus. He is better known for his large sculptures made up of letters and numbers.
Judy Jensen is an American artist who resides in Austin, Texas. She is best known for her reverse painting on glass, although she incorporates other mixed media into her glass pieces. According to Nancy Bless, Jensen's works "lie somewhere between a collage and a collection."
Brad Cloepfil is an American architect, educator and principal of Allied Works Architecture of Portland, Oregon and New York City. His first major project was an adaptive reuse of a Portland warehouse for the advertising agency Wieden+Kennedy. Since 2000, Cloepfil and Allied Works have completed cultural, commercial and residential projects including the Contemporary Art Museum St. Louis, the University of Michigan Museum of Art, the Dutchess County Residence Guest House and the Museum of Arts and Design. Recent and notable works include the Clyfford Still Museum in Denver, Colorado, completed in November 2011; the National Music Centre of Canada in Calgary, Alberta, which opened in July 2016; and the Providence Park expansion in Portland, Oregon, completed in 2019.
In architecture, a grotesque or chimera is a fantastic or mythical figure carved from stone and fixed to the walls or roof of a building. A chimera is a kind of grotesque in which the figure is a combination of animals. Grotesque are often called gargoyles, although the term gargoyle refers to figures carved specifically to drain water away from the sides of buildings. In the Middle Ages, the term babewyn was used to refer to both gargoyles and chimerae. This word is derived from the Italian word babuino, which means "baboon".
Jeremy Langford is a British/Israeli glass sculptor and designer. His artistic specialties are monumental stacked glass sculpture, architectural glass, and stained glass. He has been commissioned worldwide to create glass art for governments, private houses, corporations, hotels, and religious organisations. Major works include monumental glass installations at the Western Wall in Jerusalem, the ancient tomb of the Matriarch Rachel in Bethlehem, three massive sculptures for the Trump Towers at Sunny Isles Beach, Florida, and the new Waldorf Astoria hotel in Jerusalem. His studio is in Israel.
Albert Paley is an American modernist metal sculptor. Initially starting out as a jeweler, Paley has become one of the most distinguished and influential metalsmiths in the world. Within each of his works, three foundational elements stay true: the natural environment, the built environment, and the human presence. Paley is the first metal sculptor to have received the Lifetime Achievement Award from the American Institute of Architects. He lives and works in Rochester, New York with his wife, Frances.
Stanislav Libenský and Jaroslava Brychtová were Czech contemporary artists. Their works are included in many major modern art collections, such as the Metropolitan Museum of Art and the Victoria & Albert Museum.
Dan Owen Dailey is an American artist and educator, known for his sculpture. With the support of a team of artists and crafts people, he creates sculptures and functional objects in glass and metal. He has taught at many glass programs and is professor emeritus at the Massachusetts College of Art, where he founded the glass program.
Therman Statom is an American Studio Glass artist whose primary medium is sheet glass. He cuts, paints, and assembles the glass - adding found glass objects along the way – to create three-dimensional sculptures. Many of these works are large in scale. Statom is known for his site-specific installations in which his glass structures dwarf the visitor. Sound and projected digital imagery are also features of the environmental works.
Glass art refers to individual works of art that are substantially or wholly made of glass. It ranges in size from monumental works and installation pieces to wall hangings and windows, to works of art made in studios and factories, including glass jewelry and tableware.
Tom Joyce is a sculptor and MacArthur Fellow known for his work in forged steel and cast iron. Using skills and technology acquired through early training as a blacksmith, Joyce addresses the environmental, political, and social implications of using iron in his work. Exhibited internationally since the 1980s, his work is included in 30-plus public collections in the U.S. and abroad. Joyce works from studios in Santa Fe, New Mexico, and since 2012, in Brussels, Belgium, producing sculpture, drawings, prints, photographs, and videos that reference themes of iron in the human body, iron in industry, and iron in nature.
William George Mitchell was an English sculptor, artist and designer. He is best known for his large scale concrete murals and public works of art from the 1960s and 1970s. His work is often of an abstract or stylised nature with its roots in the traditions of craft and "buildability". His use of heavily modelled surfaces created a distinctive language for his predominantly concrete and glass reinforced concrete (GRC) sculptures. After long years of neglect, many of William Mitchell's remaining works in the United Kingdom are now being recognised for their artistic merit and contemporary historic value, and have been granted protective, listed status.
Grace Nickel is a Canadian ceramic artist and art instructor in post-secondary education.
Nehemia Azaz, also Nehemiah, Henri or N H Azaz, was an Israeli sculptor, ceramicist and architectural artist, who spent half of his working life in the UK. Best known in Israel as founder of the Department of Artistic Ceramics at the Harsa factory in Beersheba, Azaz made his studio base in Oxfordshire, England from the late 1960s onwards, working in stained glass, wood, concrete, bronze, brass, copper and aluminium.
Greta Dale (1929–1978) was a Canadian mural sculptor who executed numerous public and private commissions in Canada and the United States, including the mural in the lobby of the Centennial Concert Hall in Winnipeg, Manitoba.
Ann Gardner is an American glass artist known for her large-scale sculptural and architectural installations.
Erwin Timmers is a Dutch-born American artist and the co-founder of the Washington Glass School in the Greater Washington, D.C. capital area. Timmers has been recognized as one of the early "green or environmental artists", working mostly with recycled glass.
Nikolas Weinstein is a San Francisco-based American glass artist known for his large-scale architectural sculptures. Weinstein’s primary medium is Borosilicate Glass tube which he shapes using a modern kiln casting technique in custom kilns —some of which include a computer-operated pin bed. Weinstein's sculptures mimic flowing fabric or origami. Several of Weinstein’s sculptures hang in public buildings in Asia.
Charlotte Lindgren was a Canadian sculptor-weaver, installation artist, photographer and curator. Lindgren gained worldwide fame for innovative weaving due to the response to her distinctive installation Aedicule in the 1967 International Biennial of Tapestry in Lausanne, Switzerland. Her architectural textile works — usually large — are single woven planes that transform into three-dimensional forms. They explore the interplay between positive and negative spaces, allowing for dramatic shadows and movement.
