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Lee "Scratch" Perry was a Jamaican record producer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, The Congos, Max Romeo, Adrian Sherwood, Beastie Boys, Ari Up, The Clash, The Orb, and many others.
Desmond Dekker was a Jamaican ska, rocksteady and reggae singer-songwriter and musician. Together with his backing group The Aces, he had one of the earliest international reggae hits with "Israelites" (1968). Other hits include "007 " (1967), "It Mek" (1969) and "You Can Get It If You Really Want" (1970).
Ernest Ranglin is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels including Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. Ranglin has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. He is noted for a chordal and rhythmic approach that blends jazz, mento and reggae with percussive guitar solos incorporating rhythm 'n' blues and jazz inflections.
The Congos are a reggae vocal group from Jamaica which formed as the duo "Ashanti" Roy Johnson (tenor) and Cedric Myton (falsetto), later becoming a trio with the addition of Watty Burnett (baritone), and have been active on and off from the mid-1970s until the present day. They are best known for their Heart of the Congos album, recorded with Lee "Scratch" Perry.
Cedric Constantine Myton is a Jamaican Rastafari reggae musician who was a founding member of the roots reggae band The Congos.
Leslie Kong was an influential Chinese-Jamaican reggae producer.
The Black Ark was the recording studio of reggae and dub producer Lee "Scratch" Perry, built in 1973 and located behind his family's home in the Washington Gardens neighborhood of Kingston, Jamaica. Despite the rudimentary set-up and dated equipment, it was nonetheless the breeding ground for some of Jamaica's most innovative sounds and recording techniques in the latter half of the 1970s.
Clancy Eccles was a Jamaican ska and reggae singer, songwriter, arranger, promoter, record producer and talent scout. Known mostly for his early reggae works, he brought a political dimension to this music. His house band was known as The Dynamites.
Heart of the Congos is a roots reggae album by The Congos, produced by Lee "Scratch" Perry at his Black Ark studio with a studio band including Boris Gardiner on bass and Ernest Ranglin on guitar. The album was released in 1977. It is noted as being one of Perry's masterpiece productions of the Black Ark era.
Revolution Dub is a studio album by Jamaican dub producer Lee Perry and his studio band The Upsetters, released in 1975 by Cactus. The album, which features nine pared down dubs, was the last in a line of releases that year in which Perry began exploring the possible studio techniques at his recently opened studio Black Ark in Kingston, Jamaica. In addition to making early use of a drum machine, the album is characterised by unpredictable drops in the beat, drastic stereo panning and samples of dialogue from television series, particularly British sitcoms, while Perry sings on the album in an eccentric falsetto and portrays different personas, including television characters from Kojak and Doctor on the Go.
Michael George Henry OD, better known as Ras Michael, is a Jamaican reggae singer and Nyabinghi specialist. He also performs under the name of Dadawah.
Kenneth Byles, also known as "Junior Byles", "Chubby", or "King Chubby", is a Jamaican reggae singer.
The Heptones are a Jamaican rocksteady and reggae vocal trio most active in the 1960s and early 1970s. They were one of the more significant trios of that era, and played a major role in the gradual transition between ska and rocksteady into reggae with their three-part harmonies. The Heptones were contemporaries of the Wailers and the Maytals, and every bit their equal in the mid-1960s.
Earl Sixteen is a reggae singer whose career began in the mid-1970s.
Clinton Anthony Fearon is a Jamaican reggae singer and musician. He has lived in Seattle, Washington since 1987.
Aura Msimang , born Aurelia Msimang, was a South African singer who worked with Bob Marley and Jimmy Cliff and recorded an album with Lee "Scratch" Perry in the late 1970s.
Roydel Anthony Johnson, better known as Congo Ashanti Roy is a Jamaican reggae singer best known as a member of The Congos but who also recorded solo and as a member of Ras Michael's Sons of Negus.
Gerald Thomas Moore is an English singer, composer and multi-instrumentalist with a recording career that stretches back to the early 1970s. Recording and performing with numerous musicians such as Jimmy Cliff, Lee 'Scratch' Perry, Thin Lizzy, Johnny Nash and Joan Baez, and with Airto Moreira covering his songs.
Leo Graham is a Jamaican singer.
Earl “Paul” Douglas is a Jamaican Grammy Award-winning drummer and percussionist, best known for his work as the drummer, percussionist and bandleader of Toots and the Maytals. His career spans more than five decades as one of reggae's most recorded drummers. Music journalist and reggae historian David Katz wrote, “dependable drummer Paul Douglas played on countless reggae hits."
References
- 1 2 3 4 5 I, Peter (2004). "Article : Watty Burnett" (Interview). Reggae Vibes Productions. Retrieved 23 September 2008.
- 1 2 3 4 5 6 7 8 9 Katz, David (2000) "People Funny Boy", Payback Press, ISBN 0-86241-854-2
- 1 2 Larkin, Colin (1998) "The Virgin Encyclopedia of Reggae", Virgin Books, ISBN 0-7535-0242-9
- ↑ "Archived copy". Archived from the original on 15 March 2009. Retrieved 21 September 2008.
{{cite web}}: CS1 maint: archived copy as title (link)
