Way to Heaven (play)

Last updated

Way To Heaven (German: Himmelweg) is a 2004 play by the award-winning Spanish playwright Juan Mayorga.

Contents

The play is about a notorious incident in 1944 in which a delegation from the International Red Cross visited the Theresienstadt concentration camp. What they saw was a model cleaned up for their visit, and they were duped by the Nazi camp officials into reporting to the world that conditions were good, and that they saw no evidence to support reports of mass murder. [1]

Plot summary

According to The New York Times review of the 2009 production in New York, the play has five sections. It opens with a monologue by the Red Cross inspector. Next a series of tableaux are shown that had been directed by the Nazis, such as a small girl at play teaching her doll to swim. In the third scene, the camp commandant receives the Red Cross visitor (in the event, a commission of several members had visited.) "The world", the commandant tells the Red Cross representative, "is moving toward unity". [2]

The commandant forces a Jewish prisoner named Gershom Gottfried into producing an opera for the Red Cross visitors. In the final scene, Gottfried urges his players to "focus on their words and gestures," to perform this piece. He knows they have to ignore the daily trains taking prisoners from Theresienstadt to what the audience knows and the prisoners fear are death camps. "If we do it well", he tells a frightened young performer, "we'll see Mummy again, on one of those trains." [2]

Response

The Independent calls Way to Heaven "a compelling, cunningly constructed play". [3]

nytheatre.com called Way to Heaven "extremely intelligent and surprisingly evenhanded" in its treatment of the Nazi perpetrators, Red Cross commissioners, and Jewish victims. [4]

The New York Times calls it a "spare, elegant work". [2]

Production history

The play premiered at Málaga's Teatro Alameda in 2003; in 2004, it was performed at Madrid's Teatro María Guerrero. Translated to English, it was played at London's Royal Court Theatre in 2005. [3] The play has been produced world-wide, including Dublin, Oslo, Paris, Buenos Aires, Brussels, New York, Los Angeles, Melbourne and, most recently, Winnipeg, Manitoba, Canada, Athens, Greece, Seoul and Barcelona.

When the play opened in New York in 2009, the New York Times review noted that it had been "a hit in Europe and South America." [2] It was produced in the U.S. by Burning Coal Theatre Company in 2009, and in New York City that year by Equilicuá Producciones. In the 2010–2011 season, it was co-produced off-Broadway by Equilicuá Producciones and Repertorio Español , and at the REP at University of Delaware in 2011. All the US productions were directed by Matthew Earnest. [5]

In 2017, the play was brought to the London stage as part of the Festival of Spanish Theatre in London (Festelón). [6]

Historical references

Theresienstadt Crematorium TerezinCrematorium.jpg
Theresienstadt Crematorium

The Theresienstadt ghetto had a Children's Opera, composed of Jewish children transported to the concentration camp from an orphanage in Prague. They performed Brundibár, written by an inmate, for the Red Cross commissioners. [7]

The Germans agreed to admit the Red Cross Commission to Theresienstadt only under pressure from the government of Denmark following the invasion of Normandy. The Danish king had demanded that the Red Cross investigate reports that its deported Jewish citizens were being murdered. The Germans stalled before agreeing to permit the visit; they wanted to ensure the continued cooperation of Danish subjects working in war production factories, as they still occupied Denmark and had pressed many residents into labor. Shortly before the visit, the Nazis deported 7,503 people to the Auschwitz concentration camp to eliminate overcrowding. Theresienstadt was cleaned up and staged as a model community. The Red Cross visitors saw newly planted flower gardens and freshly painted houses. [1]

By 1944, the visit to Theresienstadt was only one piece of an accumulating body of information on The Holocaust which the Red Cross learned. Historians consider it significant that the Red Cross' 15-page report on Theresienstadt failed to raise the question of whether mass murder was taking place in Nazi-occupied Europe. [8]

The word Himmelweg (German for path or way to Heaven) was the term used alternately with schlauch (German for hose or tube) at the Nazi death camps to denote the path into the gas chambers. [9]

Related Research Articles

<span class="mw-page-title-main">Terezín</span> Town in Ústí nad Labem, Czech Republic

Terezín is a town in Litoměřice District in the Ústí nad Labem Region of the Czech Republic. It has about 2,800 inhabitants. It is a former military fortress composed of the citadel and adjacent walled garrison town. The town centre is well preserved and is protected by law as an urban monument reservation. Terezin is most infamously the location of the Nazis' notorious Theresienstadt Ghetto.

<span class="mw-page-title-main">Majdanek concentration camp</span> Nazi concentration camp

Majdanek was a Nazi concentration and extermination camp built and operated by the SS on the outskirts of the city of Lublin during the German occupation of Poland in World War II. It had seven gas chambers, two wooden gallows, and some 227 structures in all, placing it among the largest of Nazi concentration camps. Although initially intended for forced labor rather than extermination, the camp was used to murder people on an industrial scale during Operation Reinhard, the German plan to murder all Polish Jews within their own occupied homeland. The camp, which operated from 1 October 1941 to 22 July 1944, was captured nearly intact. The rapid advance of the Soviet Red Army during Operation Bagration prevented the SS from destroying most of the camp's infrastructure, and Deputy Camp Commandant Anton Thernes failed to remove most incriminating evidence of war crimes.

<i>Brundibár</i>

Brundibár is a children's opera by Jewish Czech composer Hans Krása with a libretto by Adolf Hoffmeister, made most famous by performances by the children of Theresienstadt concentration camp (Terezín) in occupied Czechoslovakia. The name comes from a Czech colloquialism for a bumblebee.

<span class="mw-page-title-main">Theresienstadt Ghetto</span> Nazi ghetto in Terezín, Czechoslovakia

Theresienstadt Ghetto was established by the SS during World War II in the fortress town of Terezín, in the Protectorate of Bohemia and Moravia. Theresienstadt served as a waystation to the extermination camps. Its conditions were deliberately engineered to hasten the death of its prisoners, and the ghetto also served a propaganda role. Unlike other ghettos, the exploitation of forced labor was not economically significant.

<span class="mw-page-title-main">Hans Krása</span> Czech composer (1899–1944)

Hans Krása was a Czech composer, murdered during the Holocaust at Auschwitz. He helped to organize cultural life in Theresienstadt concentration camp.

<span class="mw-page-title-main">Pavel Haas</span> Moravian-Jewish composer

Pavel Haas was a Czech composer who was murdered during the Holocaust. He was an exponent of Leoš Janáček's school of composition, and also utilized elements of folk music and jazz. Although his output was not large, he is notable particularly for his song cycles and string quartets.

<i>Theresienstadt</i> (1944 film) 1940s German propaganda film

Theresienstadt. Ein Dokumentarfilm aus dem jüdischen Siedlungsgebiet, unofficially Der Führer schenkt den Juden eine Stadt, was a black-and-white projected Nazi propaganda film. It was directed by the German Jewish prisoner Kurt Gerron and the Czech filmmaker Karel Pečený under close SS supervision in the Theresienstadt concentration camp, and edited by Pečený's company, Aktualita. Filmed mostly in the autumn of 1944, it was completed on 28 March 1945 and screened privately four times. After the war, the film was lost but about twenty minutes of footage was later rediscovered in various archives.

<i>Paradise Camp</i> 1986 Australian film

Paradise Camp is a 1986 documentary film about Theresienstadt concentration camp in Czechoslovakia, written and directed by Australians Paul Rea and Frank Heimans, respectively. Czechoslovakian Jews were first told that Theresienstadt was a community established for their safety. They quickly recognized it as a ghetto and concentration camp.

Voices of the Children is a 1999 Emmy-Award winning documentary film written and directed by Zuzana Justman. It tells the story of three people who were imprisoned as children in the Terezin concentration camp. It was produced and shown on television in the United States.

Fritz Weiss was a jazz musician and arranger, active in the first half of the 20th century. He was an organizer of jazz performances and an important participant in the musical life of the Theresienstadt concentration camp. Weiss was murdered in the Holocaust.

<span class="mw-page-title-main">Karl Rahm</span>

Karl Rahm was a Sturmbannführer (major) in the German Schutzstaffel who, from February 1944 to May 1945, served as the commandant of the Theresienstadt concentration camp. Rahm was the third and final commander of the camp, succeeding Siegfried Seidl and Anton Burger. He was hanged for war crimes.

<span class="mw-page-title-main">Alice Herz-Sommer</span> Musical artist

Alice Herz-Sommer, also known as Alice Herz, was a Prague-born Jewish classical pianist, music teacher, and supercentenarian who survived Theresienstadt concentration camp. She lived for 40 years in Israel, before migrating to London in 1986, where she resided until her death, and at the age of 110 was the world's oldest known Holocaust survivor until Yisrael Kristal was recognized as such.

Alfred Kantor was a Czech-born Holocaust survivor, artist and author of The Book of Alfred Kantor. His work depicted daily life in the Nazi concentration camps.

<span class="mw-page-title-main">Theresienstadt Papers</span>

The Theresienstadt Papers are a collection of historical documents of the Jewish self-government of Theresienstadt concentration camp. These papers include an "A list" of so-called "prominents" interned in the camp and a "B-list" created by the Jewish Elders themselves. The Theresienstadt papers include two albums with biographies and many photographs, 64 watercolors and drawings from prisoners in Theresiendstadt, and the annual report of the Theresienstadt Central Library. The papers were preserved at the liberation of the camp in May 1945 by Theresienstadt librarian Käthe Starke-Goldschmidt and later loaned to the Altona Museum for Art and Cultural History in Hamburg by her son Pit Goldschmidt. The collection was opened for viewing by the public in 2002 at the Heine Haus branch of the Altona Museum.

Maurice Rossel was a Swiss doctor and International Committee of the Red Cross (ICRC) official during the Holocaust. He is best known for visiting Theresienstadt concentration camp on 23 June 1944; he erroneously reported that Theresienstadt was the final destination for Jewish deportees and that their lives were "almost normal". His report, which is considered "emblematic of the failure of the ICRC" during the Holocaust, undermined the credibility of the more accurate Vrba-Wetzler Report and misled the ICRC about the Final Solution. Rossel later visited Auschwitz concentration camp. In 1979, he was interviewed by Claude Lanzmann; based on this footage, the 1997 film A Visitor from the Living(fr) was produced.

<span class="mw-page-title-main">Cultural life of Theresienstadt Ghetto</span>

Theresienstadt was originally designated as a model community for middle-class Jews from Germany, Czechoslovakia, and Austria. Many educated Jews were inmates of Theresienstadt. In a propaganda effort designed to fool the western allies, the Nazis publicised the camp for its rich cultural life. In reality, according to a Holocaust survivor, "during the early period there were no [musical] instruments whatsoever, and the cultural life came to develop itself only ... when the whole management of Theresienstadt was steered into an organized course."

During World War II, the Theresienstadt concentration camp was used by the Nazi SS as a "model ghetto" for fooling Red Cross representatives about the ongoing Holocaust and the Nazi plan to murder all Jews. The Nazified German Red Cross visited the ghetto in 1943 and filed the only accurate report on the ghetto, describing overcrowding and undernourishment. In 1944, the ghetto was "beautified" in preparation for a delegation from the International Committee of the Red Cross (ICRC) and the Danish government. The delegation visited on 23 June; ICRC delegate Maurice Rossel wrote a favorable report on the ghetto and claimed that no one was deported from Theresienstadt. In April 1945, another ICRC delegation was allowed to visit the ghetto; despite the contemporaneous liberation of other concentration camps, it continued to repeat Rossel's erroneous findings. The SS turned over the ghetto to the ICRC on 2 May, several days before the end of the war.

<span class="mw-page-title-main">Ela Stein-Weissberger</span>

Ela Stein-Weissberger was a Czech holocaust survivor who became well known for her roles as a contemporary witness and intelligence officer for the Israel Defense Forces. In her later years she traveled the world discussing her time in concentration camps during World War II. She even wrote about her experiences in a book titled The Cat with the Yellow Star: Coming of Age in Terezin.

Margot Heuman was a German-born American Holocaust survivor. As a lesbian, she was the first queer Jewish woman known to have survived Nazi concentration camps.

References

  1. 1 2 "THERESIENSTADT: "RED CROSS VISIT", Holocaust Encyclopedia, US Holocaust Memorial Museum
  2. 1 2 3 4 Andy Webster, "Nazi Camp Persists in Charade of Decency", The New York Times, 20 May 2009
  3. 1 2 "'Way To Heaven,' Royal Court Theatre Upstairs, London," Paul Taylor, The Independent, 22 June 2005 [ dead link ]
  4. Review: "Way to Heaven," New York Theatre.com, Julie Congress, 10 May 2009 http://www.nytheatre.com/nytheatre/showpage.php?t=way8265
  5. Way to Heaven, nytheatre.com review, Julie Congress · May 10, 2009 http://www.nytheatre.com/nytheatre/showpage.php?t=way8265
  6. "Festival of Spanish Theatre in London (Festelón)".
  7. "The Brundibár Project: Memorializing Theresienstadt Children's Opera," Rebecca Rovit, PAJ: A Journal of Performance and Art 22.2 (2000) 111–120
  8. The Red Cross and the Holocaust, Jean-Claude Favez, Cambridge University Press, 1999, p. 45.
  9. Brecht and Company: Sex, Politics, and the Making of the Modern Drama, John Fuegi, reprint, Grove Press, 2002, pp. 419–420