 1983 Penguin edition | |
| Author | Ernest Raymond |
|---|---|
| Country | United Kingdom |
| Language | English |
| Genre | Crime |
| Publisher | Cassell (UK) Stokes (US) |
Publication date | 1935 |
| Media type | |
We, the Accused is a 1935 crime novel by the British writer Ernest Raymond. It is inspired by the Edwardian era Doctor Crippen case. [1] The novel is written to engage the reader's sympathy for the murderous protagonists. [2]
Schoolteacher Paul Presset lives with his domineering wife. When he realises there is a chance of finding happiness with a kinder woman, his thoughts turn increasingly to murder.
In 1980, it was made into a five-part television series of the same name, starring Ian Holm, Angela Down and Iain Cuthbertson. [3]
Phyllis Dorothy James, Baroness James of Holland Park,, known professionally as P. D. James, was an English novelist and life peer. Her rise to fame came with her series of detective novels featuring the police commander and poet, Adam Dalgliesh.
Michael Francis Gilbert was an English solicitor and author of crime fiction.
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Hawley Harvey Crippen, usually known as Dr. Crippen, was an American homeopath, ear and eye specialist and medicine dispenser. He was hanged in Pentonville Prison in London for the murder of his wife Cora Henrietta Crippen. Crippen was one of the first criminals to be captured with the aid of wireless telegraphy.
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The sensation novel, also sensation fiction, was a literary genre of fiction that achieved peak popularity in Great Britain in the 1860s and 1870s. Its literary forebears included the melodramatic novels and the Newgate novels, which focused on tales woven around criminal biographies; it also drew on the Gothic, romance, as well as mass market genres. The genre's popularity was conjoined to an expanding book market and growth of a reading public, by-products of the Industrial Revolution. Whereas romance and realism had traditionally been contradictory modes of literature, they were brought together in sensation fiction. The sensation novelists commonly wrote stories that were allegorical and abstract; the abstract nature of the stories gave the authors room to explore scenarios that wrestled with the social anxieties of the Victorian era. The loss of identity is seen in many sensation fiction stories because this was a common social anxiety; in Britain, there was an increased use in record keeping and therefore people questioned the meaning and permanence of identity. The social anxiety regarding identity is reflected in novels such as The Woman in White and Lady Audley's Secret.
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Peter (Harmer) Lovesey, also known by his pen name Peter Lear, is a British writer of historical and contemporary detective novels and short stories. His best-known series characters are Sergeant Cribb, a Victorian-era police detective based in London, and Peter Diamond, a modern-day police detective in Bath.
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We, the Accused is a British period crime television series which originally aired on BBC 2 in 5 episodes between 10 September and 8 October 1980. It is an adaptation of the 1935 novel of the same title by Ernest Raymond, itself inspired by the Doctor Crippen case.
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The Massingham Affair is a British period crime television series which originally aired on BBC 2 in six episodes from 12 September to 17 October 1964. It is an adaptation of the 1962 novel of the same title by Edward Grierson. Unlike many BBC series of this era, it is believed all six episodes survive intact, but remain unreleased since their original broadcast.
Trial and Error is a 1937 mystery detective novel by the British writer Anthony Berkeley. It was a loose sequel to the 1929 novel The Piccadilly Murder, featuring two of the characters from the earlier work the unprepossessing but shrewd Ambrose Chitterwick and Chief Inspector Moresby of Scotland Yard. Berkeley was a prominent author of the Golden Age of Detective Fiction, known for his inverted detective stories.
The Secret Kingdom is a 1938 novel by the British writer Walter Greenwood. Like his best-known novel Love on the Dole it is set in Salford. It portrays the working-class socialist Byron family, and particularly the eldest daughter Paula who tries to establish an independent identity after finding working a parlour maid. She encounters Bert Treville in nearby Manchester and the two begin a courtship. After his death due to heavy drinking, she brings up her son Lance as a single-mother, throwing her effort into her talented child she is vindicated when he emerges as a talented concert pianist - performing on national radio in the final scene.
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