We Hold These Truths, a celebration of the 150th anniversary of the United States Bill of Rights, was an hour-long radio program that explored American values and aired live on December 15, 1941, the first to be broadcast on all four major networks (CBS, NBC Red, NBC Blue, and Mutual). It was written and produced by Norman Corwin, who won a Peabody Award for the show, which commemorated the ratification of Bill of Rights on December 15, 1791. The attack on Pearl Harbor on December 7, 1941 — a week before the scheduled broadcast — may have contributed to what the Crossley Rating Service estimated to be 63 million listeners (almost half of the U.S. population), the largest audience in history for a dramatic performance.
The radio program had been commissioned by the United States government under the auspices of the Office of Education, and was scheduled for live broadcast on that date well before the attack on Pearl Harbor occurred. When producer Corwin asked on December 7 whether the show was still on, the response wired to him the next day was, "The President thinks it's more important now than ever to proceed with the program."
The dramatic show was broadcast from New York City, Washington, D.C., and Hollywood, California. The music was composed by Bernard Herrmann. Performers included Edward Arnold, Lionel Barrymore, Bob Burns, Walter Brennan, Walter Huston, Marjorie Main, Edward G. Robinson, Jimmy Stewart, Rudy Vallee, and Orson Welles, with concluding remarks by President Franklin D. Roosevelt. The national anthem was conducted by Leopold Stokowski.
Besides Corwin's Peabody Award, [1] We Hold These Truths was named to the National Recording Registry in 2005 (for 2004), [2] the third year of the annual selection.
In 1991, a new hour-long Otherworld Media Audio Theatre Production of We Hold These Truths was written and directed by David Ossman and Judith Walcutt. The performers included Tom Bosley, Lloyd Bridges, Richard Dysart, John Ireland, Fess Parker, Esther Rolle, Studs Terkel, and Jesse White. The score was written by Libby Larsen. This show won the American Bar Association's Silver Gavel Award, three gold medals at the N. Y. International Radio Festival and a Corporation for Public Broadcasting Silver Medal.
"The War of the Worlds" was a Halloween episode of the radio series The Mercury Theatre on the Air directed and narrated by Orson Welles as an adaptation of H. G. Wells's novel The War of the Worlds (1898) that was performed and broadcast live at 8 pm ET on October 30, 1938 over the CBS Radio Network. The episode is famous for inciting a panic by convincing some members of the listening audience that a Martian invasion was taking place, though the scale of panic is disputed, as the program had relatively few listeners.
Doris Miller was the first Black recipient of the Navy Cross and a nominee for the Medal of Honor. As a mess attendant second class in the United States Navy, Miller helped carry wounded sailors to safety during the attack on Pearl Harbor. He then manned an anti-aircraft gun and, despite no prior training in gunnery, shot down between 4 and 6 enemy planes.
Norman Lewis Corwin was an American writer, screenwriter, producer, essayist and teacher of journalism and writing. His earliest and biggest successes were in the writing and directing of radio drama during the 1930s and 1940s.
This American Life (TAL) is an American weekly hour-long radio program produced in collaboration with Chicago Public Media and hosted by Ira Glass. It is broadcast on numerous public radio stations in the United States and internationally, and is also available as a free weekly podcast. Primarily a journalistic non-fiction program, it has also featured essays, memoirs, field recordings, short fiction, and found footage. The first episode aired on November 17, 1995, under the show's original title, Your Radio Playhouse. The series was distributed by Public Radio International until June 2014, when the program became self-distributed with Public Radio Exchange delivering new episodes to public radio stations.
The Firesign Theatre was an American surreal comedy troupe who first appeared on November 17, 1966, in a live performance on the Los Angeles radio program Radio Free Oz on station KPFK FM. They continued appearing on Radio Free Oz, which later moved to KRLA 1110 AM and then KMET FM, through February 1969. They produced fifteen record albums and a 45 rpm single under contract to Columbia Records from 1967 through 1976, and had three nationally syndicated radio programs: The Firesign Theatre Radio Hour Hour [sic] in 1970 on KPPC-FM; and Dear Friends (1970–1971) and Let's Eat! (1971–1972) on KPFK. They also appeared in front of live audiences, and continued to write, perform, and record on other labels, occasionally taking sabbaticals during which they wrote or performed solo or in smaller groups.
King Biscuit Time is the longest-running daily American radio broadcast in history. The program is broadcast each weekday from KFFA in Helena, Arkansas, United States, and has won the George Foster Peabody Award for broadcasting excellence. In 2018, certain selections of King Biscuit Time from 1965 were selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant."
WNYC is the trademark and a set of call letters shared by WNYC (AM) and WNYC-FM, a pair of nonprofit, noncommercial, public radio stations located in New York City. WNYC is owned by New York Public Radio (NYPR), a nonprofit organization that did business as "WNYC RADIO" until March 2013.
John Charles Patrick Croghan Daly was an American journalist, host, radio and television personality, ABC News executive, TV anchor, and game show host, best known for his work on the CBS panel game show What's My Line?
David Ossman is an American writer and comedian, best known as a member of the Firesign Theatre and screenwriter of such films as Zachariah.
How Can You Be in Two Places at Once When You're Not Anywhere at All is the second comedy album recorded by the Firesign Theatre. It was originally released in July 1969 by Columbia Records.
Martin Gabel was an American actor, film director and film producer.
The Firesign Theatre's Box of Danger: The Complete Nick Danger Casebook is a four-CD boxed set of most recorded material by comedy group the Firesign Theatre containing their fictional character Nick Danger, portrayed by Phil Austin. Danger is a parody of the hard-boiled detective genre, and is often announced as "Nick Danger, Third Eye", a parody of the term private eye. Danger stories involve stereotypical film noir situations, including mistaken identity, betrayal, and femme fatales. Danger originally appeared on the 1969 album How Can You Be in Two Places at Once When You're Not Anywhere at All, and was reprised in various live shows, radio appearances and albums, including the 1979 Nick Danger: The Case of the Missing Shoe, 1984 The Three Faces of Al, and 2001 The Bride of Firesign.
It's All True is an unfinished Orson Welles feature film comprising three stories about Latin America. "My Friend Bonito" was supervised by Welles and directed by Norman Foster in Mexico in 1941. "Carnaval" and "Jangadeiros" were directed by Welles in Brazil in 1942. It was to have been Welles's third film for RKO Radio Pictures, after Citizen Kane (1941) and The Magnificent Ambersons (1942). The project was a co-production of RKO and the Office of the Coordinator of Inter-American Affairs that was later terminated by RKO.
America's Town Meeting of the Air was a public affairs discussion broadcast on radio from May 30, 1935, to July 1, 1956, mainly on the NBC Blue Network and its successor, ABC Radio. One of radio's first talk shows, it began as a six-week experiment, and NBC itself did not expect much from it.
Command Performance was a radio program which originally aired between 1942 and 1949. The program was broadcast on the Armed Forces Radio Network (AFRS) and transmitted by shortwave to the troops overseas—with few exceptions, it was not broadcast over domestic U.S. radio stations.
Columbia Workshop was a radio series that aired on the Columbia Broadcasting System from 1936 to 1943, returning in 1946–47.
The Fountain of Youth is a 1956 television pilot directed by Orson Welles for a proposed Desilu Productions anthology series that was never produced. Based on a short story by John Collier, the short film narrated onscreen by Welles stars Dan Tobin, Joi Lansing and Rick Jason. The Fountain of Youth was televised once, on September 16, 1958, on NBC's Colgate Theatre. It received the prestigious Peabody Award for 1958, the only unsold television pilot ever to be so honored.
This is a comprehensive listing of the radio programs made by Orson Welles. Welles was often uncredited for his work, particularly in the years 1934–1937, and he apparently kept no record of his broadcasts.
Radio is what I love most of all. The wonderful excitement of what could happen in live radio, when everything that could go wrong did go wrong. I was making a couple of thousand a week, scampering in ambulances from studio to studio, and committing much of what I made to support the Mercury. I wouldn't want to return to those frenetic 20-hour working day years, but I miss them because they are so irredeemably gone.
Peggy Webber is an American actress and writer who has worked in film, stage, television, and radio.
Nick Danger is a fictional character created by the comedy group The Firesign Theatre, portrayed by Phil Austin. Danger is a parody of the hard-boiled detective, and is often announced as "Nick Danger, Third Eye", a parody of the term private eye. Danger stories involve stereotypical film noir situations, including mistaken identity, betrayal, and femmes fatales. Danger originally appears on the 1969 album How Can You Be in Two Places at Once When You're Not Anywhere at All, and is reprised in the 1979 Nick Danger: The Case of the Missing Shoe, 1984 The Three Faces of Al, and 2001 The Bride of Firesign.
He's based on the [Dashiell] Hammett Sam Spade character, but as I got more into writing him over the years, he's become much more like [Philip] Marlowe. I love [Raymond] Chandler's writing.