The Weatherspoon Art Museum is located at the University of North Carolina at Greensboro and is one of the largest collections of modern and contemporary art in the southeast[ clarification needed ] with a focus on American art. Its programming includes fifteen or more exhibitions per year, year-round educational activities, and scholarly publications. The Weatherspoon Art Museum was accredited by the American Alliance of Museums in 1995 and earned reaccreditation status in 2005.
Founded in 1941 by Gregory Ivy, first head of the Art Department at Woman’s College (now UNCG), the Woman’s College Art Gallery opened in a former physics lab in the McIver Building, making it the first art gallery within The University of North Carolina system. [1] The following year, the gallery was officially named in honor of Elizabeth McIver Weatherspoon, an art educator and Woman’s College alumna, and the sister of the college’s late president Charles Duncan McIver. [2]
In 1985, the Weatherspoon received funding to construct the Anne and Benjamin Cone Building. Occupying a majority of the 42,000-square-foot building designed by Romaldo Giurgola of Mitchell/Giurgola Architects in Philadelphia and New York, the Weatherspoon features six galleries, a sculpture garden, atrium, auditorium, and two storage vaults, in addition to other features shared with the University of North Carolina at Greensboro Department of Art.
From its inception, the Weatherspoon has focused on building a permanent collection of modern and contemporary art. Numbering close to 6,000 artworks, primarily American, the permanent collection represents all major art movements from the beginning of the 20th century to the present. [3] Work by Willem de Kooning, Helen Frankenthaler, Louise Bourgeois, Huma Bhabha, Knox Martin, Robert Rauschenberg, John Marin, Alexander Calder, Robert Henri, Cindy Sherman, Louise Nevelson, Eva Hesse and Andy Warhol are included.
Since 1965, the Weatherspoon Art Museum has received corporate funding from the Dillard Paper Company to present Art on Paper, a biennial exhibition that features regional, national and international artists who have produced significant works made on or of paper. [4] Through the Dillard Fund, the collection of works on paper purchased from those shows numbers close to 550 objects and includes work by Louise Bourgeois, Brice Marden, Knox Martin, Joan Mitchell, Robert Smithson, Frank Stella, Eva Hesse, and Amy Cutler.
In 1950, 242 works of art were given through a bequest from Etta and Claribel Cone. The collection features prints and bronzes by Henri Matisse as well as a large number of modern prints and drawings, including works by Pablo Picasso, Raoul Dufy and John Graham. [5]
Lenoir C. Wright, a professor emeritus at UNCG before his death in 2003, systematically built a collection of Japanese prints initially as a teaching tool and later gave his collection to the Weatherspoon Art Museum. The Wright Collection of Japanese woodblock prints numbers over 500 works of art and includes major printmakers such as Hiroshige, Hokusai and Yoshitoshi. [6]
In 2008 the Weatherspoon Art Museum was selected as the North Carolina museum to receive 50 works on paper from the collection of Dorothy and Herbert Vogel. With the help of the National Gallery of Art, the National Endowment for the Arts, and the Institute of Museum and Library Services, the couple gave 2,500 works from their collection of 4,000+ to public institutions throughout the nation, calling the program The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States. [7] The Vogels’ donation to the Weatherspoon includes the work of Stephen Antonakos, Lynda Benglis, Charles Clough, Alain Kirili, Lucio Pozzi, Judy Rifka and Richard Tuttle.
The Weatherspoon's sculpture garden features 7,000 square feet of natural plantings, flowers and shrubs, and showcases work by modern and contemporary artists.
The University of North Carolina at Greensboro is a public research university in Greensboro, North Carolina. It is part of the University of North Carolina system. It is accredited by the Southern Association of Colleges and Schools Commission on Colleges to award baccalaureate, master's, specialist, and doctoral degrees.
Louise Joséphine Bourgeois was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a variety of themes over the course of her long career including domesticity and the family, sexuality and the body, as well as death and the unconscious. These themes connect to events from her childhood which she considered to be a therapeutic process. Although Bourgeois exhibited with the abstract expressionists and her work has a lot in common with Surrealism and feminist art, she was not formally affiliated with a particular artistic movement.
Romaldo 'Aldo' Giurgola was an Italian-Australian academic, architect, professor, and author. Giurgola was born in Rome, Italy in 1920. After service in the Italian armed forces during World War II, he was educated at the Sapienza University of Rome. He studied architecture at the University of Rome, completing the equivalent of a B.Arch. with honors in 1949. That same year, he moved to the United States and received a master's degree in architecture from Columbia University. In 1954, Giurgola accepted a position as an assistant professor of architecture at the University of Pennsylvania. Shortly thereafter, Giurgola formed Mitchell/Giurgola Architects in Philadelphia with Ehrman B. Mitchell in 1958. In 1966, Giurgola became chair of the Columbia University School of Architecture and Planning in New York City, where he opened a second office of the firm. In 1980 under Giurgola's direction, the firm won an international competition to design a new Australian parliament building. Giurgola moved to Canberra, Australia to oversee the project. In 1989, after its completion and official opening in 1988, the Parliament House was recognised with the top award for public architecture in Australia.
The Baltimore Museum of Art (BMA) in Baltimore, Maryland, is an art museum that was founded in 1914. The BMA's collection of 95,000 objects encompasses more than 1,000 works by Henri Matisse anchored by the Cone Collection of modern art, as well as one of the nation's finest holdings of prints, drawings, and photographs. The galleries currently showcase collections of art from Africa; works by established and emerging contemporary artists; European and American paintings, sculpture, and decorative arts; ancient Antioch mosaics; art from Asia, and textiles from around the world.
Mark Sheinkman is an American contemporary artist. His primary media are oil painting, drawing, and printmaking.
Damien Smith is a Canadian artist.
Claribel Cone (1864–1929) and Etta Cone (1870–1949), collectively known as the Cone sisters, were active as American art collectors and socialites during the first part of the 20th century. Claribel trained as a physician and Etta as a pianist. Their social circle included Henri Matisse, Pablo Picasso and Gertrude Stein. They gathered one of the best known private collections of modern art in the United States at their Baltimore apartments, and the collection now makes up a wing of the Baltimore Museum of Art. Their collection was estimated to be worth almost a billion US dollars in 2002.
The University of North Carolina at Greensboro University Libraries system has two branches on campus, both located in Greensboro, NC. These include the Walter Clinton Jackson Library and the Harold Schiffman Music Library. Affiliated campus libraries include the Teaching Resource Center and SELF Design Studio in the School of Education, the Interior Architecture Library in the Gatewood Studio Arts Building, and the Intercultural Resource Center located in the Elliot University Center. During the fall and spring semesters, Jackson Library provides a 24/5 study space for UNCG students, faculty and staff with UNCG ID from 12 am Monday – 7:00 am Friday. Michael A. Crumpton is the current Interim Dean of the libraries.
Yoshitoshi Mori was a Japanese artist who specialized in kappazuri stencil prints. He was for many years a member of the mingei folk craft movement, and was close with Yanagi Sōetsu, founder of the movement, and Serizawa Keisuke, among others, producing stencil-dyed textiles and other textiles arts before turning to prints later in his career.
David Reed is a contemporary American conceptual and visual artist.
Carol Lorraine Sutton is a multidisciplinary artist born in Norfolk, Virginia, USA and now living in Toronto, Ontario, Canada. She is a painter whose works on canvas and paper have been shown in 32 solo exhibits as well as being included in 94 group shows. Her work, which ranges from complete abstraction to the use of organic and architectural images, relates to the formalist ideas of Clement Greenberg and is noted for the use of color. Some of Sutton paintings have been related to ontology.
Arnold Doren (1935–2003) was an American photographer.
Alvin D. Loving Jr., better known as Al Loving, was an African-American abstract expressionist painter. His work is known for hard-edge abstraction, dyed fabric paintings, and large paper collages, all exploring complicated color relationships.
Lenoir C. Wright was an American academic and attorney who taught Asian history and culture at University of North Carolina at Greensboro.
Virginia Dwan was an American art collector, art patron, philanthropist, and founder of the Dwan Light Sanctuary in Montezuma, New Mexico. She was the former owner and executive director of Dwan Gallery, Los Angeles (1959–1967) and Dwan Gallery New York (1965–1971), a contemporary art gallery closely identified with the American movements of minimalism, conceptualism, and land art.
Adelyn Dohme Breeskin (1896–1986) was an American curator, museum director, and art historian known for her longtime leadership of the Baltimore Museum of Art and Mary Cassatt scholarship.
David Christopher Newton was an American sculptor, painter, printmaker, draftsman, and college art teacher. Newton was born in 1953 in Oakland, California. He lived and worked in California, New York, Massachusetts, Rhode Island, and North Carolina with his wife Suzanne McBride Newton. He died in 2011 from colon and liver cancer.
William Villalongo is an American artist working in painting, printmaking, sculpture, and installation art. Based in Brooklyn, New York, Villalongo is an associate professor at the Cooper Union School of Art in New York.
Beverly McIver is a contemporary artist, mostly known for her self-portraits, who was born and raised in Greensboro, NC. She is currently the Esbenshade Professor of the Practice of Art, Art History and Visual Studies at Duke University.
Alicia Creus is an Argentine artist who currently resides in the United States. She is known for using unusual media such as fabric and lace to create her pieces.