"Welcome Wagon" | |
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Veronica Mars episode | |
Episode no. | Season 3 Episode 1 |
Directed by | John Kretchmer |
Written by | Rob Thomas |
Production code | 3T5801 |
Original air date | October 3, 2006 |
Guest appearances | |
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"Welcome Wagon" is the season premiere of the third season of the American mystery television series Veronica Mars , and the forty-fifth episode overall. Written by series creator Rob Thomas and directed by John T. Kretchmer, the episode premiered on The CW on October 3, 2006. The series depicts the adventures of Veronica Mars (Kristen Bell) as she deals with life as a college student while moonlighting as a private detective.
In this episode, Veronica transitions to life at Hearst College, meeting several new people and reconnecting with several acquaintances from Neptune High. Meanwhile, a student named Piz (Chris Lowell) gets his belongings stolen, and Veronica helps him. In addition, Keith (Enrico Colantoni) trails Kendall Casablancas (Charisma Carpenter) in the aftermath of receiving a large sum of money from her in "Not Pictured" before learning that she is actually a target of the Fitzpatricks. At the end of the episode, one of Veronica's newfound friends, Parker Lee (Julie Gonzalo) becomes the next victim of the Hearst serial rapist.
"Welcome Wagon" is the first episode of Veronica Mars to air on The CW as opposed to UPN. In order to attract new viewers, Thomas and the crew decided to make several changes to the show, including altering the theme song and the show's narrative structure, beginning with this episode. In contrast to previous seasons, which involved one major season-long mystery, the show's writers planned to have three consecutive mysteries play out over the course of the third season.
The episode also sees the introduction of series regulars Stosh "Piz" Piznarski and Parker Lee as well as the promotion of Cindy "Mac" Mackenzie and Don Lamb to series regular status. Upon airing, the episode received 3.36 million viewers and received mixed to positive reviews. Eric Goldman of IGN thought that the episode "proves that the show is as clever and witty as ever", [1] while Rowan Kaiser of The A.V. Club was critical of the show's increasing focus on rape. [2]
Veronica starts her criminology class. Veronica solves a mystery given out in the class in six minutes. Logan (Jason Dohring), who is also at Hearst, is still dating Veronica. Dick (Ryan Hansen) has just returned, getting into Hearst, but he is shaken up from Beaver's suicide. Vinnie (Ken Marino) approaches Keith (Enrico Colantoni) with a case, but he refuses it. Keith is tracking a bail-jumper. Stosh "Piz" Piznarski becomes Wallace's (Percy Daggs III) roommate, and Piz loses all his belongings. Veronica comes in to help. Keith's bail-jumper, Cormac Fitzpatrick (Jason Beghe) is found, and he gets into the car with Keith. Veronica and Mac listen to a rape victim protesting the university's policies on the issue. Soon, Dick crashes the rally. Keith tells Cormac that he helped Kendall (Charisma Carpenter) get out of town, and Cormac is being targeted by the Fitzpatricks. Veronica and Piz visit the police department, and they say there have been other victims. Veronica learns that the Hearst "Welcome Wagon" is actually fake.
Veronica meets Parker Lee (Julie Gonzalo), who annoys both Veronica and Mac. Veronica, Parker, Mac, Wallace, and Piz go to a concert. Veronica talks about Piz's problem at the concert, and three kids say that they saw a white girl who was faking being fat. Dick shows up at Mac's door and tells her that Beaver never cared about her. Veronica finds Piz's guitar, and they visit the seller. The seller's description matches that of other people. Veronica talks to Piz about a suspect, but he says that it doesn't match the woman he saw. Keith and the bail-jumper's car gets stranded. Veronica signs up for the mentoring program in criminology class, and she notices that one of the kids at the concert has a criminal record. Dick gets beaten up when he talks to another man's girlfriend, but Logan tases the man. Veronica finds the Welcome Wagon girl, the seller's wife.
Piz asks Veronica if Logan is her boyfriend. Keith and the bail-jumper go to Kendall's house, and Kendall is romantically involved with Cormac. They have dinner, but Keith learns that Vinnie is working for Liam Fitzpatrick. When Keith returns, it is too late—Cormac has already killed Kendall and leaves Keith for dead in the cold night air. A disheveled Dick shows up at Logan's door and cries. Veronica sleeps on Mac's couch one night, and the next morning, they awaken to find that Parker has been raped, her head shaved.
"Welcome Wagon" is the first episode of the series to air on The CW as opposed to UPN. Paul Maguire, the spokesman for The CW, said that the series was picked up because "the critics are behind it and our research has consistently shown that Gilmore shared more audience commonality with Veronica than with any other show from UPN, except Top Model ". [3] Veronica Mars was placed on Tuesdays after Gilmore Girls, with the network hoping for the Gilmore Girls audience to stay tuned for Veronica Mars. Thomas stated that The CW had requested some changes to the show to fit in better with the Gilmore Girls audience: "The network really wants us to be a good companion piece to Gilmore Girls. They've had a couple of thoughts on storylines that are too dark." [4] "Welcome Wagon" also introduces a new title sequence for the show. The visuals of the theme song are different, and although "We Used to Be Friends" by The Dandy Warhols was still employed as the theme song, a remix was used instead of the original. Regarding the changes, Thomas elaborated:
Alright, the main titles. Why the change? As you'll see here, the previous titles were such a high school aesthetic. It would have felt silly for me to go back to college with the same sort of look—the notebook paper. So it felt like we needed to change for college anyway. And in season one when we first did the titles, the network was very clear on wanting to sell it as a high school show rather than a noir show. But once we went to college and had a chance to redo the titles I wanted it to feel noir. [5]
For the new theme song, Thomas asked The Dandy Warhols to commission a remix of their original track, which Thomas reported enjoying upon first listening. [5]
Thomas and the crew also introduced several narrative changes to the show starting in the third season. Thomas wanted to "invite new viewers to the show" by "trying to start with a clean slate" and ridding the show of references to former plotlines and character development. With regards to "Welcome Wagon", Thomas stated that he "wanted episode one this year to not rely much on past knowledge." He also tried to make the episode "very sort of breezy, and chattery and funny." [6] The episode reintroduces the case of the Hearst serial rapist, a storyline presented in a second-season episode. In contrast to the previous seasons, which had several concurrent mysteries, Thomas planned for season 3 to have three consecutive mysteries, the first of which would be the serial rapist. "To service a 22-episode mystery, you have to have a large playing field. To service a 9-episode mystery, we can keep that tighter, more focused." [7] It was made available on MSN for the week leading up to broadcast. However, the episode was only available for Microsoft users and not for Apple users. [8]
"Welcome Wagon" was written by series creator Rob Thomas and directed by John T. Kretchmer, marking Thomas's seventh writing credit for the series [9] and Kretchmer's tenth directing credit for the show. [10] On September 26, 2006, a week before its broadcast on The CW. [11] "Welcome Wagon" features the final appearance by Charisma Carpenter as Kendall Casablancas, who appeared on a total of 11 episodes on the show. The previous summer, when asked about her role in season 3, Carpenter responded that she would be performing "a little more of the same, with a really, really interesting twist. And it starts the first episode; you've got to watch it. You miss the first episode, you're out of the loop. Gotta tune in right away." [12]
"Welcome Wagon" sees the promotion of four actors to star billing, two of whom, Cindy "Mac" Mackenzie (Tina Majorino) and Don Lamb (Michael Muhney), had previously served as recurring characters, and two of whom, Stosh "Piz" Piznarski (Chris Lowell) and Parker Lee (Julie Gonzalo) make their first appearance in the episode. Thomas revealed that Majorino was going to be a series regular the previous summer, a move that pleased many fans. [7] Asked by Michael Ausiello whether Veronica and Mac would be roommates, Thomas replied that they would not, citing that such a living arrangement would prevent Veronica from having scenes with Keith. [13] Nevertheless, Majorino commented that Mac and Veronica's relationship would continue to be close throughout the season. "The friendship with Veronica is one of my favorite parts of the entire show. It's great to have two really strong personalities getting along so well." [14]
Muhney was told that he would be a series regular in season 3 the previous February, only a few days after his wedding. Muhney was very pleased to be a series regular, comparing his status to becoming a family member in the show rather than "someone who comes over for dinner occasionally." [15] Piz (Chris Lowell) was named after the director of the show's pilot episode, Mark Piznarski. He was created in order to give Veronica a male friend who was not upper class. Thomas called Piz a "Lloyd Dobler mold" and "a middle-class kid from a Portland suburb who has too many words coming out of his mouth most of the time." [16]
Parker Lee serves as Mac's roommate, with Thomas calling her "everything that Mac is not." [7] Thomas also said that the character was not created or introduced in a reaction to negative fan opinion towards second season character Jackie Cook (Tessa Thompson). [14] The episode features the first appearance of teaching assistant Tim Foyle (James Jordan; Jordan previously played another character, Lucky, in season 2). [17] In addition, "Welcome Wagon" is the first appearance of the character of Moe Flater. Originally, Michael Cera, who guest starred in "The Rapes of Graff", was going to play a similar role, but the role of Moe Flater was created after Cera couldn't take the role due to scheduling conflicts. [18]
In its original broadcast, "Welcome Wagon" received 3.36 million viewers, ranking 82nd of 91 in the weekly rankings. [19] This was an increase from both "Normal Is the Watchword", the second-season premiere, which received 3.29 million viewers [20] and the second-season finale, "Not Pictured", which garnered 2.42 million viewers. [21]
The episode received mixed to positive reviews. Eric Goldman of IGN gave the episode an 8 out of 10, indicating that it was "great." He wrote that although "Welcome Wagon" was designed to appeal to new viewers, that it was still a good episode. "'Welcome Wagon', written by Thomas, proves the show is as clever and witty as ever. […] The more exposition-heavy aspects of the premiere mean the episode isn't a true standout for the series, but that's understandable, given what it's trying to accomplish." He went on to state that the episode featured more "lighthearted" content before what he predicted would be a return to more dramatic elements. [1] Price Peterson, writing for TV.com , gave a positive review, stating, "Great first episode back…There was a lot to accomplish in setting up the new environment and characters, but it still felt really organic to the series as a whole." While criticizing the fact that the rape victims experienced a backlash against them, he enjoyed the characterization of Piz. [22]
Rowan Kaiser, of The A.V. Club , gave a mixed review of the episode, commenting on the show's increasing focus on rape. She wrote that "There are things that I appreciate about the focus on rape. […] It's fairly rare for a show to treat rape from the victim's perspective." However, she went on to state that she had "pretty significant issues" with the subject matter as well. She also disapproved of the killer's choice of victims, setting, and new characters, especially Piz. [2] Television Without Pity gave the episode a "B". [23] Reviewer Alan Sepinwall was fairly positive towards the episode. He was mixed towards the inclusion of the Kendall-Keith-Cormac storyline in the premiere, but he also praised the new cast members: "Piz and Parker both add new colors to the gang, though it's hard to say what Parker will be like post-rape." He eventually called the episode a "pretty good start". [24]
Veronica Mars is an American teen noir mystery drama television series created by screenwriter Rob Thomas. The series is set in the fictional town of Neptune, California, and stars Kristen Bell as the eponymous character. The series premiered on September 22, 2004, during television network UPN's final two years, and ended on May 22, 2007, after a season on UPN's successor, The CW, airing for three seasons total. Veronica Mars was produced by Warner Bros. Television, Silver Pictures Television, Stu Segall Productions, and Rob Thomas Productions. Joel Silver and Thomas were executive producers for the entire run of the series, while Diane Ruggiero was promoted in the third season.
Veronica Mars is the fictional protagonist, occasional narrator, and antiheroine of the American television series Veronica Mars, which aired on UPN from 2004 to 2006 and on The CW from 2006 to 2007. The character, portrayed by Kristen Bell, remained the central figure throughout the show's run. After the series was canceled, Bell reprised her role in the 2014 film continuation and the 2019 revival on Hulu. The character was created by Rob Thomas and was originally conceived as a male protagonist for his unproduced novel Untitled Rob Thomas Teen Detective Novel. However, when the concept transitioned into a television series, Thomas changed the character's gender, believing that a noir narrative from a female perspective would be more compelling.
"Not Pictured" is the second season finale of the American mystery television series Veronica Mars, serving as the twenty-second episode of the season and the forty-fourth episode overall. Co-written by series creator Rob Thomas and John Enbom and directed by John Kretchmer, the episode premiered on UPN on May 9, 2006. In this episode, Veronica learns the identity of the person responsible for the Neptune High bus crash. Meanwhile, Veronica and her classmates graduate from high school, and Neptune reacts to Aaron Echolls being acquitted.
"My Big Fat Greek Rush Week" is the second episode of the third season of the American mystery television series Veronica Mars, and the forty-sixth episode overall. Written by executive producer Diane Ruggiero and directed by John T. Kretchmer, the episode premiered on The CW on October 10, 2006.
"Hi, Infidelity" is the sixth episode of the third season of the American mystery television series Veronica Mars, and the fiftieth episode overall. Written by John Enbom and directed by Michael Fields, the episode premiered on The CW on November 17, 2006.
"Lord of the Pi's" is the eighth episode of the third season of the American mystery television series Veronica Mars, and the fifty-second episode overall. Written by executive producer Diane Ruggiero and directed by Steve Gomer, the episode premiered on The CW on November 21, 2006. The series depicts the adventures of Veronica Mars as she deals with life as a college student while moonlighting as a private detective.
"Spit & Eggs" is the ninth episode of the third season of the American mystery television series Veronica Mars, and the fifty-third episode overall. Written and directed by series creator Rob Thomas, the episode premiered on November 28, 2006, on The CW. The series depicts the adventures of Veronica Mars as she deals with life as a college student while moonlighting as a private detective.
"Show Me the Monkey" is the tenth episode of the third season of the American mystery television series Veronica Mars, and the fifty-fourth episode overall. Written by John Enbom and Robert Hull and directed by Nick Marck, the episode premiered on The CW on January 23, 2007. The series depicts the adventures of Veronica Mars as she deals with life as a college student while moonlighting as a private detective.
"Poughkeepsie, Tramps and Thieves" is the eleventh episode of the third season of the American mystery television series Veronica Mars, and the fifty-fifth episode overall. Written by executive producer Diane Ruggiero and directed by John T. Kretchmer, the episode premiered on The CW on January 30, 2007. The series depicts the adventures of Veronica Mars as she deals with life as a college student while moonlighting as a private detective.
"There's Got to Be a Morning After Pill" is the twelfth episode of the third season of the American mystery television series Veronica Mars, and the fifty-sixth episode overall. Directed by Tricia Brock, with a story by Jonathan Moskin and David Mulei and a teleplay by Moskin, Phil Klemmer, and John Enbom, the episode premiered on The CW on February 6, 2007. The series depicts the adventures of Veronica Mars as she deals with life as a college student while moonlighting as a private detective.
"Postgame Mortem" is the thirteenth episode of the third season of the American mystery television series Veronica Mars, and the fifty-seventh episode overall. Written by Joe Voci and directed by John T. Kretchmer, the episode premiered on The CW on February 13, 2007. The series depicts the adventures of Veronica Mars as she deals with life as a college student while moonlighting as a private detective.
"Mars, Bars" is the fourteenth episode of the third season of the American mystery television series Veronica Mars, and the fifty-eighth episode overall. Directed by Harry Winer, with a story by Phil Klemmer, John Enbom, and Joe Voci and a teleplay by Klemmer and Enbom, the episode premiered on The CW on February 20, 2007. The series depicts the adventures of Veronica Mars as she deals with life as a college student while moonlighting as a private detective.
"Un-American Graffiti" is the sixteenth episode of the third season of the American mystery television series Veronica Mars, and the sixtieth episode overall. Written by Robert Hull and directed by John T. Kretchmer, the episode premiered on The CW on May 1, 2007. The series depicts the adventures of Veronica Mars as she deals with life as a college student while moonlighting as a private detective.
"I Know What You'll Do Next Summer" is the eighteenth episode of the third season of the American mystery television series Veronica Mars, and the 62nd episode overall. Written by Jonathan Moskin and David Mulei and directed by Nick Marck, the episode premiered on The CW on May 15, 2007. The series depicts the adventures of Veronica Mars as she deals with life as a college student while moonlighting as a private detective.
"Weevils Wobble But They Don't Go Down" is the nineteenth and penultimate episode of the third season of the American mystery television series Veronica Mars, and the 63rd episode overall. Written by Phil Klemmer and directed by Jason Bloom, the episode premiered on The CW on May 22, 2007. The series depicts the adventures of Veronica Mars as she deals with life as a college student while moonlighting as a private detective.
"The Bitch Is Back" is the series finale of the initial run of the American mystery television series Veronica Mars, the twentieth and final episode of the show's third season, and the 64th episode overall. Co-written by series creator Rob Thomas and executive producer Diane Ruggiero and directed by Michael Fields, the episode premiered on The CW on May 22, 2007, directly after the previous episode, "Weevils Wobble But They Don't Go Down". The series depicts the adventures of Veronica Mars as she navigates life as a college student while moonlighting as a private detective.
"Wichita Linebacker" is the third episode of the third season of the American mystery television series Veronica Mars, and the forty-seventh episode overall. Written by Phil Klemmer and John Enbom and directed by Harry Winer, the episode premiered on The CW on October 17, 2006.
The third season of Veronica Mars, an American drama television series created by Rob Thomas, began airing on The CW in the United States on October 3, 2006. The season was produced by Warner Bros. Television, Silver Pictures Television, Stu Segall Productions, Inc and Rob Thomas Productions, and Joel Silver, Diane Ruggiero and Thomas served as executive producers. The third season comprises 20 episodes and concluded its initial airing on May 22, 2007.
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