Wendy Wassyng Roworth is professor emerita of art history at the University of Rhode Island. [1] Roworth is a specialist in eighteenth century British and Italian art and the art of Angelica Kauffman.
Roworth curated the exhibition "Angelica Kauffman: A continental artist in Georgian England" which was held at the Royal Pavilion Art Gallery & Museums, Brighton in 1992 and also in York. She edited the accompanying book. [2]
Roworth has held fellowships with the National Endowment for the Humanities and was a scholar in residence at the National Museum for Women in the Arts in Washington D.C.
Maria Anna Angelika Kauffmann, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768.
The Grand Tour was the principally 17th to early 19th-century custom of a traditional trip through Europe, with Italy as a key destination, undertaken by upper-class young European men of sufficient means and rank when they had come of age.
Domenico Mustafà was an Italian castrato singer, composer and choir director.
The Accademia di Belle Arti di Firenze is an instructional art academy in Florence, in Tuscany, in central Italy.
The Medici Vase is a monumental marble bell-shaped krater sculpted in Athens in the second half of the 1st century AD as a garden ornament for the Roman market. It is now in the Uffizi Gallery in Florence.
The Lictors Bring to Brutus the Bodies of His Sons is a work in oils by the French artist Jacques-Louis David. On a canvas of 146 square feet, this painting was first exhibited at the Paris Salon in 1789. The subject is the Roman leader Lucius Junius Brutus, founder of the Roman Republic, contemplating the fate of his sons. They had conspired to overthrow the republic and restore the monarchy, and Brutus himself was compelled to order their deaths. In doing so, Brutus became the heroic defender of the republic, at the cost of his own family. The painting was a bold allegory of civic virtue with immense resonance for the growing cause of republicanism. Its themes of virtue, sacrifice, and devotion to the nation sparked much controversy when it was unveiled in the politically charged era of the French Revolution.
Mary Diana Lee Sheriff was an American art historian, and W.R. Kenan, Jr. Distinguished Professor of Art History at University of North Carolina at Chapel Hill who specialized in eighteenth-century French art, decorative arts, gender studies, and material culture.
Marcia Pointon is a historian of British art. She trained at the University of Manchester, receiving her PhD there in 1974. From 1975, she was at the University of Sussex, becoming Professor of the History of Art in 1989. In 1992, she moved to the University of Manchester to take the Pilkington Professorship in the History of Art, a position she held until 2002. She now works as a free-lance consultant and researcher.
Catherine M. Sama is a professor of Italian at the University of Rhode Island. Her research focuses on Early Modern and 18th-Century Italian Women Writers, Correspondence Networks, The Italian Enlightenment, Italian Women Artists, and Gender Studies. In 2013 she was a recipient of the National Endowment for the Humanities Research Fellowship. She also serves as a board member of the URI Center for the Humanities. She has edited the work and written a biography of the 18th-century Italian writer Elisabetta Caminèr Turra.
Angela H. Rosenthal was an art historian at Dartmouth College and an expert on the art of Angelica Kauffman. Her masterwork was Angelica Kauffman: Art and sensibility, published by Yale University Press in 2006 which won the Historians of British Art Book Award in the pre-1800 category in 2007.
Frederick de Horn was the first husband of the painter Angelica Kauffman. According to contemporary sources, which may not be reliable, he was an imposter and bigamist who posed as a Swedish count.
Gavriil Ivanovich Skorodumov was a Russian engraver, draftsman, and painter, best known for his stipple prints. Closely associated with the Florentine draftsman and engraver Francesco Bartolozzi, Skorodumov had an active career that spanned three decades, and was regarded as the first Russian-born artist to gain international acclaim.
Laura Bentivoglio Davia (1689–1761) was an Italian aristocratic women engaged in the pursuit of knowledge and natural philosophy. She was known primarily for creating relationships with leading natural philosophers associated with the University of Bologna and the Istituto delle Scienze.
Victoria Marjorie Harriet Paget, Marchioness of Anglesey was a British writer on art, an illustrator, and a member of the peerage.
George Charles Williamson (1858–1942) was a British art historian, antiquarian, and author of numerous books on European art and artists. He sometimes wrote under the pen name Rowley Cleeve.
Maria Anna Walburga Lämmerhirt was a German painter, drafter, travel writer, and lady-in-waiting. Through her diary, Für mich gemerkt auf meiner Reise nach Italien 1791, she contributed to travel literature.
Aurora Sanseverino was an Italian noblewoman, salon-holder, patron and poet. One of the most celebrated women in the highest rank of the Neapolitan aristocracy, she was known for her great cultural activity as a patron and mecenat of art and for her famous cultural salon in Naples, and correspondent of several contemporary culture personalities that made her a central figure in baroque Italy.
Elisabetta Marchioni was a Venetian painter. She specialized in still life paintings of flowers. She worked in Rovigo.
Christopher M. S. Johns is an American art historian, and the Norman L. and Roselea J. Goldberg Professor of History of Art at Vanderbilt University, who specializes in eighteenth-century Italian art, decorative art, material culture, and architecture. He is the leading scholar on early modern Italian art and culture, especially the relationship between art, politics, and religion.
Ariadne Abandoned by Theseus is an oil on canvas painting by the Swiss artist Angelica Kauffman. It was painted in England in 1774. It is currently displayed in the Museum of Fine Arts, in Houston, as a gift from Mr. and Mrs. Harris Masterson III. It is an oil painting on canvas. Ariadne Abandoned by Theseus is one of Kauffman's few history paintings depicting a single figure.