Werewoman

Last updated
Male and female werewolves being executed in a broadside, Werewolves from Julich, printed by Georg Kress, 1591. Broadside of Werewolves from Julich, Germany. Georg Kress, 1591..jpg
Male and female werewolves being executed in a broadside, Werewolves from Jülich, printed by Georg Kress, 1591.

In mythology and literature, a werewoman or were-woman is a woman who has taken the form of an animal through a process of lycanthropy. The use of the word "were" refers to the ability to shape-shift but is, taken literally, a contradiction in terms since in Old English the word "wer" means man. [1] This would mean it literally translates to "man-woman".

Contents

Werewomen are reported in antiquity and in more recent African folklore, where the phenomenon is sometimes associated with witchcraft, though sources often do not state the animal into which the woman has transformed and it is not necessarily a wolf. In areas where wolves do not exist, other fierce animals may take their place, for instance leopards or hyenas in Africa. [1] Werewomen are distinctive as most legends of lycanthropy involve men, though the process is not restricted solely to men, [2] and if they involve women it is usually in the role of a victim.[ citation needed ]

The theme of the female werewolf has been used in fiction since Victorian times, while recently the term werewoman has become associated with transgender culture and specifically the fantasy of a forced, but temporary, transformation of a man into a woman.

Historical accounts

The title page of De la lycanthropie, transformation et extase des sorciers (1615) by Jean de Nynauld. De la lycanthropie, transformation et extase des sorciers by Jean de Nynauld.jpg
The title page of De la lycanthropie, transformation et extase des sorciers (1615) by Jean de Nynauld.

In sixth-century Lebanon, villages attacked by werewomen were advised by a local holy man to have themselves baptised and to take collective ritual preventive measures. [3]

A 1591 broadside, Werewolves of Jurich, printed by Georg Kress, tells the story of the terrorising of the town of Jurich by hundreds of werewolves and depicts a number of male and female werewolves being executed, including some apparently wearing nun's veils. [4]

In 1615, French physician Jean de Nynauld reported in De la lycanthropie, transformation et extase des sorciers (On lycanthropy, transformation and ecstasy of witches) the case of a woodsman who had been attacked by a wolf but had managed to cut off its leg. Immediately the wolf turned into a woman who was subsequently burned alive. [5]

Lewis Spence, in his 1920 An Encyclopaedia of Occultism, recorded that in Armenia it was thought that a demon would present himself to a sinful woman and command her to wear a wolf's skin, after donning which she would spend seven years as a wolf during the night, devouring her own and other children and acting generally as a wild beast until the morning when she would resume her human form. [6]

In a legend from Liberia, a lazy husband asks his wife to use her shape-shifting powers to change into a leopard and capture food in order to save him the trouble of hunting. After the wife transforms, she terrorizes her husband with her claws and teeth until he agrees to start hunting again. [7]

Witchcraft

In the early modern world, there was not always a clear separation between the idea of the werewolf and the witch. A werewolf could be male or female but was not necessarily a witch. Some witches, however, could transform themselves into dogs or wolves or enchant those animals, and witch trials sometimes mention witches riding wolves. A werewolf might become so by using a magic ointment and this was similar to the ointment that witches were reputed to use to allow flight. Jean de Nynauld discussed werewolf magic ointments in his 1615 book, though he saw lycanthropy as a form of mental illness rather than a form of magic and believed that the ointments contained hallucinogenic compounds that caused an out of body experience which reinforced the lycanthropic delusion. [4]

In late nineteenth century Asaba, in the Igbo Region of what is now Nigeria, witches were often thought to be werewomen, and a close connection was thought to exist between all women and witchcraft. In one story a mother tries to prevent her son leaving home by transforming herself into a werewoman and is only revealed when the son challenges the "monster or spirit" to reveal its true identity as a human being. [8]

In transgender culture

The cover of Tales of the WereWoman! by Tiffany Bell. The cover contains the teaser "Every full moon he becomes a sex-starved nympho!" Cover of Tales of the WereWoman by Tiffany Bell.jpg
The cover of Tales of the WereWoman! by Tiffany Bell. The cover contains the teaser "Every full moon he becomes a sex-starved nympho!"

In transgender slang, the term werewoman has a different meaning of a man who transforms into a woman at night, or possibly once a month on a full Moon. [9] The theme is the subject of fantasy fiction on the internet in stories such as Curse of the Were-Woman: A transformation tale by Dawn Carrington, [10] Gynothrope and Shifters by Maxwell Avoi, and similar stories which together form a genre described as "Reluctant Gender Transformation" or "Gender Transformation Erotica". Such transformations are normally portrayed as forced, either through natural forces such as the phases of the Moon or through magic. In the case of the Carrington story, the actions of a supernatural succubus cause the transformation. The transformation is also forced in the graphic novels Curse of the Were-Woman, written by Jason M. Burns and illustrated by Christopher Provencher, where an inveterate womanizer is cursed by an angry jilted lover and witch, causing him to become a woman at night. [11]

In fiction as werewolves

Werewomen as wolves have appeared in modern popular fiction and the idea was also used in Victorian fiction to explore the issue of women's rights and women's sexuality in, for instance, The Were-Wolf by Clemence Housman, and works by Frederick Marryat. [12] The 1938 short story "Werewoman" by C. L. Moore also dealt with the subject. [13] In comics, Marvel published an edition of their Conan the Barbarian comic in 1974 titled The Warrior and the Were-Woman! [14] while a 1976 comic featured a character named Tigra the Were-woman. [15]

See also

Related Research Articles

<span class="mw-page-title-main">Werewolf</span> Mythological human with acquired ability to transform into a wolflike creature

In folklore, a werewolf, or occasionally lycanthrope is an individual who can shape-shift into a wolf, either purposely or after being placed under a curse or affliction, with the transformations occurring on the night of a full moon. Early sources for belief in this ability or affliction, called lycanthropy, are Petronius (27–66) and Gervase of Tilbury (1150–1228).

<span class="mw-page-title-main">Shapeshifting</span> Ability to physically transform in mythology, folklore and speculative fiction

In mythology, folklore and speculative fiction, shape-shifting is the ability to physically transform oneself through unnatural means. The idea of shape-shifting is in the oldest forms of totemism and shamanism, as well as the oldest existent literature and epic poems such as the Epic of Gilgamesh and the Iliad. The concept remains a common literary device in modern fantasy, children's literature and popular culture.

<span class="mw-page-title-main">Werewolf fiction</span> Fantasy genre

Werewolf fiction denotes the portrayal of werewolves and other shapeshifting therianthropes, in the media of literature, drama, film, games and music. Werewolf literature includes folklore, legend, saga, fairy tales, Gothic and horror fiction, fantasy fiction and poetry. Such stories may be supernatural, symbolic or allegorical. A classic American cinematic example of the theme is The Wolf Man (1941) which in later films joins with the Frankenstein Monster and Count Dracula as one of the three famous icons of modern day horror. However, werewolf fiction is an exceptionally diverse genre, with ancient folkloric roots and manifold modern re-interpretations.

Clinical lycanthropy is a rare psychiatric syndrome that involves a delusion that the affected person can transform into, has transformed into, or is, an animal. Its name is associated with the mythical condition of lycanthropy, a supernatural affliction in which humans are said to physically shapeshift into wolves.

<i>Bitten</i> (novel)

Bitten is a fantasy novel by Canadian writer Kelley Armstrong, published in 2001. It is the first book in the Women of the Otherworld series, and her first novel.

<span class="mw-page-title-main">Werewolf by Night</span> Comics character

The Werewolf by Night is the name of two werewolves appearing in American comic books published by Marvel Comics. The first incarnation of Werewolf by Night, Jack Russell, first appeared in Marvel Spotlight #2. The second incarnation, Jake Gomez, first appeared in Werewolf by Night #1.

<span class="mw-page-title-main">Werecat</span> Feline therianthropic creature

A werecat is an analog to "werewolf" for a feline therianthropic creature.

<span class="mw-page-title-main">Peter Stumpp</span> Possible German serial killer tried for allegedly being a werewolf

Peter Stumpp was a German farmer and alleged serial killer, accused of werewolfery, witchcraft and cannibalism. He was known as 'the Werewolf of Bedburg'.

<i>Werewolf</i> (TV series) American TV series or program

Werewolf is an American horror series, and one of the original shows in the Fox network's broadcast line-up during its inaugural season of 1987–1988.

<span class="mw-page-title-main">Therianthropy</span> Mythological ability or affliction to metamorphose into animals

Therianthropy is the mythological ability or affliction of individuals to metamorphose into animals or hybrids by means of shapeshifting. It is possible that cave drawings found at Les Trois Frères, in France, depict ancient beliefs in the concept.

<span class="mw-page-title-main">Vampire by Night</span> Comics character

The Vampire by Night is a fictional character that appears in comic books published by Marvel Comics. She is the niece to Jack Russell and has the ability to shapeshift into either a werewolf or a vampiress between dusk and dawn.

<i>The Werewolf</i> (1913 film) 1913 film

The Werewolf is a 1913 silent film short directed by Henry MacRae. The film is about a navajo woman becoming a timberwolf.

Wolf Blood, also known as Wolfblood: A Tale of the Forest, is an American silent 1925 werewolf film starring George Chesebro, who also co-directed it with B-serial veteran Bruce M. Mitchell. The film has been referenced in a number of books as being the first werewolf movie ever made. This however is erroneous; the first werewolf movie is The Werewolf, a film made in 1913. However that film is considered to be lost. Therefore, Wolf Blood could be called the earliest surviving werewolf film. Although this film is labeled as a horror, there is very little in the feature film to be qualified as a horror film. Instead the film focuses more on romance and archaic action rather than suspense and fear as we have seen in other horror films of the time. The film is said to have more in common with westerns and adventure films of the 1920s.This film's importance to the genre of horror comes more so from its historical importance rather than historical impact. Wolf Blood is available commercially as an extra on a DVD together with F.W. Murnau's The Haunted Castle.

Kitty Norville is the main character of a series of novels by Carrie Vaughn. She is a werewolf who hosts a popular syndicated radio phone-in show based in Denver called "The Midnight Hour". The program focuses on supernatural issues, beings and creatures she encounters.

<span class="mw-page-title-main">Werewolf witch trials</span> Historical witch trials combined with werewolf trials

Werewolf witch trials were witch trials combined with werewolf trials. Belief in werewolves developed parallel to the belief in European witches, in the course of the Late Middle Ages and the Early Modern period. Like the witchcraft trials as a whole, the trial of supposed werewolves emerged in what is now Switzerland during the Valais witch trials in the early 15th century and spread throughout Europe in the 16th, peaking in the 17th and subsiding by the 18th century. The persecution of werewolves and the associated folklore is an integral part of the "witch-hunt" phenomenon, albeit a marginal one, accusations of lycanthropy involved in only a small fraction of witchcraft trials.

<span class="mw-page-title-main">Larry Talbot</span> Universal Classic Monsters franchise character

Lawrence Stewart "Larry" Talbot, also known as The Wolf Man, is a title character of the 1941 Universal film The Wolf Man and its sequels, created by Curt Siodmak. He was portrayed by Lon Chaney Jr. In the 2010 remake of the film, he is portrayed by Benicio del Toro. The Wolf Man was part of the Universal Classic Monsters ensemble.

<span class="mw-page-title-main">Thiess of Kaltenbrun</span> Livonian werewolf; a man tried in 1692

Thiess of Kaltenbrun, also spelled Thies, and commonly referred to as the Livonian werewolf, was a Livonian man who was put on trial for heresy in Jürgensburg, Swedish Livonia, in 1692. At the time in his eighties, Thiess openly proclaimed himself to be a werewolf (wahrwolff), claiming that he ventured into Hell with other werewolves in order to do battle with the Devil and his witches. Although claiming that as a werewolf he was a "hound of God", the judges deemed him guilty of trying to turn people away from Christianity, and he was sentenced to be both flogged and banished for life.

<i>The Wolf Gift</i>

The Wolf Gift is the thirty-first novel by Gothic writer Anne Rice, published in February 2012 by Random House. The novel tells the tale of Reuben Golding, a well to do journalist at the fictional San Francisco Observer who is attacked by and turned into a werewolf. He spends the duration of the story fleeing the authorities, the media, and DNA analysts.

<span class="mw-page-title-main">Werewolves of Ossory</span> Legendary creatures of southeastern Ireland

The legendary werewolves of Ossory, a kingdom of early medieval Ireland, are the subject of a number of accounts in medieval Irish, English and Norse works. The werewolves were said to have been the descendants of a legendary figure named Laignech Fáelad whose line gave rise to the kings of Ossory. The legends may have derived from the activities of warriors in ancient Ireland who were the subject of frequent literary comparisons to wolves, and who may have adopted lupine hairstyles or worn wolf-skins while they "went wolfing" and carried out raids.

<span class="mw-page-title-main">Remus Lupin</span> Fictional character from the Harry Potter universe

Remus John Lupin is a fictional character in the Harry Potter book series written by J. K. Rowling. He first appears in Harry Potter and the Prisoner of Azkaban as the new Defence Against the Dark Arts professor. Lupin remains in the story following his resignation from this post, serving as a friend and ally of the central character, Harry Potter. In the films, he is portrayed by David Thewlis as an adult, and James Utechin as a teenager.

References

  1. 1 2 "Werewolf" in Green, Thomas A. (Ed.) (1997) Folklore: An encyclopedia of beliefs, customs, tales, music, and art. Santa Barbara: ABC-CLIO, pp. 840-842. ISBN   0-87436-986-X
  2. "Lycanthropy in Africa" by W. Robert Foran in African Affairs , Vol. 55, No. 219 (Apr., 1956), pp. 124-134.
  3. "The Rise and Function of the Holy Man in Late Antiquity" by Peter Brown in The Journal of Roman Studies, Vol. 61 (1971), 80-101. (Original source: H. Hilgenfeld, "Syrische Lebensbeschreibung des heiligen Symeons" in H. Lietzmann, Das Leben des heiligen Symeon Stylites (Texte und Untersuchungen XXXII, 4) 1908, pp. 80-187.)
  4. 1 2 Davidson, Jane P. (2012) Early modern supernatural: The dark side of European culture, 1400–1700. Santa Barbara: ABC-CLIO, pp. 158-161. ISBN   978-0-313-39344-0
  5. Robbins, Rossell Hope. (1959) The Encyclopedia of Witchcraft and Demonology. London: Peter Nevill, p. 326.
  6. "Werewolf" in Spence, Lewis. (1920) An Encyclopaedia of Occultism. New York: University Books, p. 426. Reprint of 1920 original.
  7. "Shape-Shifting" in Lynch, P.A. and J. Roberts. (2010) African Mythology A to Z. 2nd edition. New York: Chelsea House, pp. 113-114. ISBN   978-1-60413-415-5
  8. "Myth, Gender and Society in Pre-Colonial Asaba" by Elizabeth Isichei in Africa: Journal of the International African Institute, Vol. 61, No. 4 (1991), pp. 513-529.
  9. New Werewoman Handbook: A Manual for the newly transgendered by werewomaniac, BigCloset, 2011. Retrieved 20 December 2013. Archived here.
  10. Curse of the Were-Woman Dawn Carrington, TG World, 2013. Archived here.
  11. Curse of the Were-Woman Devil's Due Digital, 2013. Archived here.
  12. Baird, Jonathan David (12 November 2012). Seductive Beasts: The Female Werewolf in Victorian Literature. Archived from the original on 11 February 2014. Retrieved 11 February 2014.{{cite book}}: |work= ignored (help)
  13. Green, Paul. (2016). Encyclopedia of Weird Westerns: Supernatural and Science Fiction Elements in Novels, Pulps, Comics, Films, Television and Games (2nd ed.). McFarland. p. 269. ISBN   978-1-4766-2402-0.
  14. Conan the Barbarian #38 ComicVine, 2013. Archived here.
  15. Marvel Chillers #7 - Jack Kirby cover pencilink, blogspot.co.uk, 22 December 2010. Retrieved 29 December 2013. Archived here.

Commons-logo.svg Media related to Werewolves at Wikimedia Commons