The earliest appearance of a Robert E. Howard character named Conan was that of a black-haired barbarian with heroic attributes in the 1931 short story "People of the Dark". By 1932, Howard had fully conceptualized Conan. Before his death, Howard had written 21 stories starring the barbarian. Over the years many other writers have written works featuring Conan.
Many Conan the Barbarian stories feature Conan embarking on heroic adventures filled with common fantasy elements such as princesses and wizards. Howard's mythopoeia has the stories set in the legendary Hyborian Age in the times after the fall of Atlantis. Conan is a Cimmerian, who are descendants of the Atlanteans and ancestors of the modern Gaels. Conan is himself a descendant of Kull of Atlantis (an earlier adventurer of Howard's). He was born on a battlefield and is the son of a blacksmith. Conan is characterized as chivalric due to his penchant to save damsels in distress. He is honorable and has a sense of enduring loyalty. In contrast to his brooding ancestor, Kull, Conan has a sense of humour. He possesses great strength, combativeness, intelligence, agility, and endurance. The barbarian's appearance is iconic, with square-cut black hair, blue eyes, tanned skin, and giant stature, often wearing a barbarian's garb.
Licensed comics published in the 1970s by Marvel Comics drew further popularity to the character, introducing the now iconic image of Conan in his loincloth. The most popular cinematic adaptation is the 1982 film, Conan the Barbarian directed by John Milius and starring Arnold Schwarzenegger as Conan, in which the plot revolves around Conan facing the villainous Thulsa Doom.
Publication history
Robert E. Howard created Conan the Barbarian in a series of fantasy stories published in Weird Tales from 1932.[1] Howard was searching for a new character to market to the burgeoning pulp outlets of the early 1930s. In October 1931, he submitted the short story "People of the Dark" to Clayton Publications' new magazine, Strange Tales of Mystery and Terror (June 1932). "People of the Dark" is a story about the remembrance of "past lives", and in its first-person narrative, the protagonist describes one of his previous incarnations: Conan is a black-haired barbarian hero who swears by a deity called Crom. Some Howard scholars believe this Conan to be a forerunner of the more famous character.[2]
In February 1932, Howard vacationed at a border town on the lower Rio Grande. During this trip, he further conceived the character of Conan and also wrote the poem "Cimmeria", much of which echoes specific passages in Plutarch's Lives.[3][4] According to some scholars, reading Thomas Bulfinch inspired Howard to "coalesce into a coherent whole his literary aspirations and the strong physical, autobiographical elements underlying the creation of Conan".[2]
"The Phoenix on the Sword" appeared in Weird Talescover-dated December1932. Editor Farnsworth Wright subsequently prompted Howard to write an 8,000-word essay for personal use detailing "the Hyborian Age", the fictional setting for Conan. Using this essay as his guideline, Howard began plotting "The Tower of the Elephant", a new Conan story that was the first to integrate his new conception of the Hyborian world.[2]
The publication and success of "The Tower of the Elephant" spurred Howard to write more Conan stories for Weird Tales. By the time of Howard's suicide in 1936, he had written 21complete stories, 17ofwhich had been published, as well as multiple unfinished fragments.[2]
Following Howard's death, the copyright of the Conan stories passed through several hands. Eventually L. Sprague de Camp was entrusted with management of the fiction line and, beginning with 1967's Conan released by Lancer Books, oversaw a paperback series collecting all of Howard's stories (Lancer folded in 1973 and Ace Books picked up the line, reprinting the older volumes with new trade dress and continuing to release new ones). Howard's original stories received additional edits by de Camp, and de Camp also decided to create additional Conan stories to publish alongside the originals, working with Björn Nyberg and especially Lin Carter. These new stories were created from a mixture of already-complete Howard stories with different settings and characters that were altered to feature Conan and the Hyborian setting instead, incomplete fragments and outlines for Conan stories that were never completed by Howard, and all-new pastiches. Lastly, de Camp created prefaces for each story, fitting them into a timeline of Conan's life that he created.
For roughly 40 years, the original versions of Howard's Conan stories remained out of print. In 1977, the publisher Berkley Books issued three volumes using the earliest published form of the texts from Weird Tales and thus no de Camp edits, with Karl Edward Wagner as series editor, but these were halted by action from de Camp before the remaining three intended volumes could be released. In the 1980s and 1990s, the copyright holders permitted Howard's stories to go out of print entirely as the public demand for sword & sorcery dwindled, but continued to release the occasional new Conan novel by other authors such as Leonard Carpenter, Roland Green, and Harry Turtledove.[citation needed]
In 2000, the British publisher Gollancz Science Fiction issued a two-volume, complete edition of Howard's Conan stories as part of its Fantasy Masterworks imprint, which included several stories that had never seen print in their original form. The Gollancz edition mostly used the versions of the stories as published in Weird Tales.[5]
The two volumes were combined and the stories restored to chronological order as The Complete Chronicles of Conan: Centenary Edition (Gollancz Science Fiction, 2006; edited and with an Afterword by Steve Jones).
In 2003, another British publisher, Wandering Star Books,[6] made an effort both to restore Howard's original manuscripts and to provide a more scholarly and historical view of the Conan stories. It published hardcover editions in England, which were republished in the United States by the Del Rey imprint of Ballantine Books. The first book, Conan of Cimmeria: Volume One (1932–1933) (2003; published in the US as The Coming of Conan the Cimmerian) includes Howard's notes on his fictional setting as well as letters and poems concerning the genesis of his ideas. This was followed by Conan of Cimmeria: Volume Two (1934) (2004; published in the US as The Bloody Crown of Conan) and Conan of Cimmeria: Volume Three (1935–1936) (2005; published in the US as The Conquering Sword of Conan). These three volumes include all the original Conan stories.
Howard invented the Hyborian Age as a useful literary device. He had an intense love for history and historical dramas, but he also recognized the difficulties and the time-consuming research work needed in maintaining historical accuracy. Also, the poorly-stocked libraries in the rural part of Texas where Howard lived did not have the material needed for such research. By conceiving a fictional "vanished age" and choosing names that resembled historical ones, Howard avoided anachronisms and the need for lengthy exposition.[2]
According to "The Phoenix on the Sword", the adventures of Conan take place "Between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas."[8]
Personality and character
Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet."
Conan is a Cimmerian. The writings of Robert E. Howard (particularly his essay "The Hyborian Age") suggests that his Cimmerians are based on the Celts or perhaps the historic Cimmerians. Conan was born on a battlefield and is the son of a village blacksmith. Conan matured quickly as a youth and, by age fifteen, he was already a respected warrior who had participated in the destruction of the Aquilonian fortress of Venarium.[9] After its demise, he was struck by wanderlust and began the adventures chronicled by Howard, encountering skulking monsters, evil wizards, tavern wenches, and beautiful princesses. He roamed throughout the Hyborian Age nations as a thief, outlaw, mercenary, and pirate.[10] As he grew older, he began commanding vast units of warriors and escalating his ambitions. In his forties, he seized the crown from the tyrannical king of Aquilonia, the most powerful kingdom of the Hyborian Age, having strangled the previous ruler on the steps of his own throne.[11] Conan's adventures often result in him performing heroic feats, though his motivation for doing so is largely to protect his own survival or for personal gain.
A conspicuous element of Conan's character is his chivalry. He is extremely reluctant to fight women (even when they fight him) and has a strong tendency to save a damsel in distress. In "Jewels of Gwahlur", he has to make a split-second decision whether to save the dancing girl Muriela or the chest of priceless gems which he spent months in search of. So, without hesitation, he rescues Muriela and allows for the treasure to be irrevocably lost. In "The Black Stranger", Conan saves the exile Zingaran Lady Belesa at considerable risk to himself, giving her as a parting gift his fortune in gems big enough to have a comfortable and wealthy life in Zingara, while asking for no favors in return. Reviewer Jennifer Bard also noted[12] that when Conan is in a pirate crew or a robber gang led by another male, his tendency is to subvert and undermine the leader's authority, and eventually supplant (and often, kill) him (e.g. "Pool of the Black One", "A Witch Shall be Born", "Shadows in the Moonlight"). Conversely, in "Queen of the Black Coast", it is noted that Conan "generally agreed to Belit's plan. Hers was the mind that directed their raids, his the arm that carried out her ideas. It was a good life." And at the end of "Red Nails", Conan and Valeria seem to be headed towards a reasonably amicable piratical partnership.
Appearance
Fan art of Conan the Barbarian in his iconic loincloth.
Conan has "sullen", "smoldering", and "volcanic" blue eyes with a black "square-cut mane". Howard once describes him as having a hairy chest and, while comic book interpretations often portray Conan as wearing a loincloth or other minimalist clothing to give him a more barbaric image, Howard describes the character as wearing whatever garb is typical for the kingdom and culture in which Conan finds himself. Howard never gave a strict height or weight for Conan in a story, only describing him in loose terms like "giant" and "massive".[13] In the tales, no human is ever described as being stronger than Conan, although a few are mentioned as taller (including the strangler, Baal-Pteor) or of larger bulk. In a letter to P. Schuyler Miller and John D. Clark in 1936, only three months before Howard's death, Conan is described as standing 6ft/183cm and weighing 180 pounds (82kg) when he takes part in an attack on Venarium at only 15 years old, though being far from fully grown. At one point, when he is meeting Juma in Kush, he describes Conan as tall as his friend, at nearly 7ft. in height. Conan himself says in "Beyond the Black River" that he had "not yet seen 15 snows". at the Battle of Venarium. "At Vanarium he was already a formidable antagonist, though only fifteen, He stood six feet tall [1.83 m] and weighed 180 pounds [82 kg], though he lacked much of having his full growth." Although Conan is muscular, Howard frequently compares his agility and way of moving to that of a panther (see, for instance, "Jewels of Gwahlur", "Beyond the Black River", or "Rogues in the House"). His skin is frequently characterized as bronzed from constant exposure to the sun. In his younger years, he is often depicted wearing a light chain shirt and a horned helmet, though appearances vary with different stories.
During his reign as king of Aquilonia, Conan was[excessivequote]
[...] a tall man, mightily shouldered and deep of chest, with a massive corded neck and heavily muscled limbs. He was clad in silk and velvet, with the royal lions of Aquilonia worked in gold upon his rich jupon, and the crown of Aquilonia shone on his square-cut black mane; but the great sword at his side seemed more natural to him than the regal accoutrements. His brow was low and broad, his eyes a volcanic blue that smoldered as if with some inner fire. His dark, scarred, almost sinister face was that of a fighting-man, and his velvet garments could not conceal the hard, dangerous lines of his limbs.[14]
Howard imagined the Cimmerians as a pre-Celtic people with mostly black hair and blue or grey eyes. Ethnically, the Cimmerians to which Conan belongs are descendants of the Atlanteans, though they do not remember their ancestry. In his fictional historical essay "The Hyborian Age", Howard describes how the people of Atlantis—the land where his character King Kull originated—had to move east after a great cataclysm changed the face of the world and sank their island, settling where Ireland and Scotland would eventually be located. Thus they are (in Howard's work) the ancestors of the Irish and Scottish (the CelticGaels) and not the Picts, the other ancestor of modern Scots who also appear in Howard's work. In the same work, Howard also described how the Cimmerians eventually moved south and east after the age of Conan (presumably in the vicinity of the Black Sea, where the historical Cimmerians dwelt).
Abilities
Despite his brutish appearance, Conan uses his brains as well as his brawn. The Cimmerian is a highly skilled warrior, possibly without peer with a sword, but his travels have given him vast experience in other trades, especially as a thief. He's also a talented commander, tactician, and strategist, as well as a born leader. In addition, Conan has advanced knowledge of languages and codes and is able to recognize, or even decipher, certain ancient or secret signs and writings. For example, in "Jewels of Gwahlur" Howard states: "In his roaming about the world the giant adventurer had picked up a wide smattering of knowledge, particularly including the speaking and reading of many alien tongues. Many a sheltered scholar would have been astonished at the Cimmerian's linguistic abilities." He also has incredible stamina, enabling him to go without sleep for a few days. In "A Witch Shall be Born", Conan fights armed men until he is overwhelmed, captured, and crucified, before going an entire night and day without water. However, Conan still possesses the strength to pull the nails from his feet, while hoisting himself into a horse's saddle and riding for ten miles.
Another noticeable trait is his sense of humor, largely absent in the comics and movies, but very much a part of Howard's original vision of the character (particularly apparent in "Xuthal of the Dusk", also known as "The Slithering Shadow".) His sense of humor can also be rather grimly ironic, as was demonstrated by how he unleashes his own version of justice on the treacherous—and ill-fated—innkeeper Aram Baksh in "Shadows in Zamboula".
He is a loyal friend to those true to him, with a barbaric code of conduct that often marks him as more honorable than the more sophisticated people he meets in his travels. Indeed, his straightforward nature and barbarism are constants in all the tales.
Conan is a formidable combatant both armed and unarmed. With his back to the wall, Conan is capable of engaging and killing opponents by the score. This is seen in several stories, such as "Queen of the Black Coast", "The Scarlet Citadel", and "A Witch Shall Be Born". Conan is not superhuman, though; he needed the providential help of Zelata's wolf to defeat four Nemedian soldiers in Howard's novel The Hour of the Dragon. Some of his hardest victories have come from fighting single opponents of inhuman strength: one such as Thak, an ape-like humanoid from "Rogues in the House", or the strangler Baal-Pteor in "Shadows in Zamboula". Conan is far from untouchable and has been captured or defeated several times (on one occasion, knocking himself out after drunkenly running into a wall).
Howard frequently corresponded with H. P. Lovecraft, and the two would sometimes insert references or elements of each other's settings in their works. Later editors reworked many of the original Conan stories by Howard, thus diluting this connection. Nevertheless, many of Howard's unedited Conan stories are arguably part of the Cthulhu Mythos.[15] Additionally, many of the Conan stories by Howard, de Camp, and Carter used geographical place names from Clark Ashton Smith's Hyperborean Cycle.
The Gnome Press edition (1950–1957) was the first hardcover collection of Howard's Conan stories, including all the original Howard material known to exist at the time, some left unpublished in his lifetime. The later volumes contain some stories rewritten by L. Sprague de Camp (like "The Treasure of Tranicos"), including several non-Conan Howard stories, mostly historical exotica situated in the Levant at the time of the Crusades, which he turned into Conan yarns. The Gnome edition also issued the first Conan story written by an author other than Howard—the final volume published, which is by Björn Nyberg and revised by de Camp.
The Lancer/Ace editions (1966–1977), under the direction of de Camp and Lin Carter, were the first comprehensive paperbacks, compiling the material from the Gnome Press series together in a chronological order with all the remaining original Howard material, including that left unpublished in his lifetime and fragments and outlines. These were completed by de Camp and Carter. The series also included Howard stories originally featuring other protagonists that were rewritten by de Camp as Conan stories. New Conan stories written entirely by de Camp and Carter were added as well. Lancer Books went out of business before bringing out the entire series, the publication of which was completed by Ace Books. Eight of the eventual twelve volumes published featured dynamic cover paintings by Frank Frazetta that, for many fans,[who?] presented the definitive, iconic impression of Conan and his world. For decades to come, most other portrayals of the Cimmerian and his imitators were heavily influenced by the cover paintings of this series.[citation needed]
Most editions after the Lancer/Ace series have been of either the original Howard stories or Conan material by others, but not both. The exception are the Ace Maroto editions (1978–1981), which include both new material by other authors and older material by Howard, though the latter are some of the non-Conan tales by Howard rewritten as Conan stories by de Camp. Notable later editions of the original Howard Conan stories include the Donald M. Grant editions (1974–1989, incomplete); Berkley editions (1977); Gollancz editions (2000–2006), and Wandering Star/Del Rey editions (2003–2005). Later series of new Conan material include the Bantam editions (1978–1982) and Tor editions (1982–2004).
In an attempt to provide a coherent timeline which fit the numerous adventures of Conan penned by Robert E. Howard and later writers, various "Conan chronologies" have been prepared by many people from the 1930s onward. Note that no consistent timeline has yet accommodated every single Conan story. The following are the principal theories that have been advanced over the years.
Miller/Clark chronology – A Probable Outline of Conan's Career (1936) was the first effort to put the tales in chronological order. Completed by P. Schuyler Miller and John Drury Clark, the chronology was later revised by Clark and L. Sprague de Camp in An Informal Biography of Conan the Cimmerian (1952).
Robert Jordan chronology – A Conan Chronology by Robert Jordan (1987) was a new chronology written by Conan writer Robert Jordan that included all written Conan material up to that point. It was heavily influenced by the Miller/Clark/de Camp chronologies, though it departed from them in a number of idiosyncratic instances.
William Galen Gray chronology – Timeline of Conan's Journeys (1997, rev.2004), was fan William Galen Gray's attempt to create "a chronology of all the stories, both Howard and pastiche." Drawing on the earlier Miller/Clark and Jordan chronologies, it represents the ultimate expression of their tradition to date.
Joe Marek chronology – Joe Marek's chronology is limited to stories written (or devised) by Howard, though within that context it is essentially a revision of the Miller/Clark tradition to better reflect the internal evidence of the stories and avoid forcing Conan into what he perceives as a "mad dash" around the Hyborian world within timeframes too rapid to be credible.
Dale Rippke chronology – The Darkstorm Conan Chronology (2003) was a completely revised and heavily researched chronology, radically repositioning a number of stories and including only those stories written or devised by Howard. The Dark Horse comic series follows this chronology.
The first Conan cinematic project was planned by Edward Summer. Summer envisioned a series of Conan films, much like the James Bond franchise. He outlined six stories for this film series, but none was ever made. An original screenplay by Summer and Roy Thomas was written, but their lore-authentic screen story was never filmed. However, the resulting film, Conan the Barbarian (1982), was a combination of director John Milius's ideas and plots from Conan stories (written also by Howard's successors, notably Lin Carter and L. Sprague de Camp). A Nietzschean motto and Conan's life philosophy were notably added in this adaptation.
The plot of Conan the Barbarian (1982) begins with Conan being enslaved by the Vanir raiders of Thulsa Doom, a malevolent warlord who is responsible for the slaying of Conan's parents and the genocide of his people. Later, Thulsa Doom becomes a cult leader of a religion that worships Set, a Snake God. The vengeful Conan, the archer Subotai and the thief Valeria set out on a quest to rescue a princess held captive by Thulsa Doom. The film was directed by John Milius and produced by Dino De Laurentiis. The character of Conan was played by Jorge Sanz as a child[17] and Arnold Schwarzenegger as an adult. It was Schwarzenegger's break-through role as an actor.[18]
This film was followed by a less popular sequel, Conan the Destroyer in 1984.[19] This sequel was a more typical fantasy-genre film and was even less faithful to Howard's Conan stories, being just a picaresque story of an assorted bunch of adventurers.
The third film in the Conan trilogy was planned for 1987 to be titled Conan the Conqueror. The director was to be either Guy Hamilton or John Guillermin. Since Arnold Schwarzenegger was committed to the film Predator and De Laurentiis's contract with the star had expired after his obligation to Red Sonja and Raw Deal, he wasn't keen to negotiate a new one; thus the third Conan film sank into development hell. The script was eventually turned into Kull the Conqueror.
There were rumors in the late 1990s of another Conan sequel, a story about an older Conan titled King Conan: Crown of Iron, but Schwarzenegger's election in 2003 as governor of California ended this project.[20]Warner Bros. spent seven years trying to get the project off the ground. However, in June 2007 the rights reverted to Paradox Entertainment, though all drafts made under Warner remained with them. In August 2007, it was announced that Millennium Films had acquired the rights to the project. Production was aimed for a Spring2006 start, with the intention of having stories more faithful to the Robert E. Howard creation.[21] In June 2009, Millennium hired Marcus Nispel to direct.[22] In January 2010, Jason Momoa was selected for the role of Conan.[23] The film was released in August 2011, and met poor critical reviews and box office results.
Unproduced: Legend of Conan
In 2012, producers Chris Morgan and Frederick Malmberg announced plans for a sequel to the 1982 Conan the Barbarian titled The Legend of Conan, with Arnold Schwarzenegger reprising his role as Conan.[24][25][26] A year later, Deadline reported that Andrea Berloff would write the script.[27] Years passed since the initial announcement as Schwarzenegger worked on other films, but as late as 2016, Schwarzenegger affirmed his enthusiasm for making the film, saying, "Interest is high ... but we are not rushing."[28][29] The script was finished, and Schwarzenegger and Morgan were meeting with possible directors.[28][29] In April 2017, producer Chris Morgan stated that Universal had dropped the project, although there was a possibility of a TV show. The story of the film was supposed to be set 30 years after the first, with some inspiration from Clint Eastwood's Unforgiven.[30]
She Is Conann
In 2023, French film director Bertrand Mandico released She Is Conann, a gender-flipped version of Conan the Barbarian which stars five different actresses playing a female Conann at different stages in her life.[31]
Television
There have been three television series related to Conan:
Conan the Adventurer is an animated television series produced by Jetlag Productions and Sunbow Productions that debuted on September 13, 1992, ran for 65 episodes and concluded on November 23, 1993. The series involved Conan chasing Serpent Men across the world in an attempt to release his parents from eternal imprisonment as living statues.
Conan and the Young Warriors is an animated television series that premiered in 1994 and ran for 13 episodes. DiC Entertainment produced the show and CBS aired this series as a spin-off to the previous animated series. This cartoon took place after the finale of Conan the Adventurer with Wrath-Amon vanquished and Conan's family returned to life from living stone. Conan soon finds that the family of one of his friends are being turned into wolves by an evil sorceress and he must train three warriors in order to aid him in rescuing them.
Conan the Adventurer is a live-action television series that premiered on September 22, 1997, and ran for 22 episodes. It starred German bodybuilder Ralf Möller as Conan, Danny Woodburn (Otli), Robert McRay (Zzeben), and TJ Storm (Bayu) as his sidekicks. The storyline was quite different from the Conan lore of Howard. In this adaptation, Conan is a pleasant and jovial person. Also in this version, Conan is not a loner but one member of a merry band of adventurers.
In September 2020, it was announced that Netflix will develop a new Conan TV series as a part of a larger deal involving Fredrik Malmberg[se] and Mark Wheeler from Pathfinder Media between Netflix and Conan Properties International, owned by Cabinet Entertainment, for the exclusive rights to the Conan library for the rights for live-action and animated films and TV shows.[32] Deadline had previously reported that a Conan show was in the works at Amazon Prime,[33] but nothing came of it.[34]
Comic adaptations of Conan are arguably, apart from the books, the vehicle that had the greatest influence on the longevity and popularity of the character. The earliest comic book adaptation of Conan was written in Spanish and first published in Mexico in the fifties. This version, which was done without authorization from the estate of Robert E. Howard, is loosely based on the short story Queen of the Black Coast.[35][36] The first licensed comic adaptations were written in English and first published by Marvel Comics in the seventies, beginning with Conan the Barbarian (1970–1993) and the classic Savage Sword of Conan (1974–1995). Dark Horse Comics launched their Conan series in 2003. Dark Horse Comics published compilations of the 1970s Marvel Comics series in trade paperback format.
Marvel Comics introduced a relatively lore-faithful version of Conan the Barbarian in 1970 with Conan the Barbarian, written by Roy Thomas and illustrated by Barry Windsor-Smith. Smith was succeeded by pencillerJohn Buscema, while Thomas continued to write for many years. Later writers included J. M. DeMatteis, Bruce Jones, Michael Fleisher, Doug Moench, Jim Owsley, Alan Zelenetz, Chuck Dixon and Don Kraar. In 1974, Conan the Barbarian series spawned the more adult-oriented, black-and-white comics magazine Savage Sword of Conan, written by Thomas with art mostly by Buscema or Alfredo Alcala. Marvel also published several graphic novels starring the character [citation needed], and a handbook with detailed information about the Hyborian world. Conan the Barbarian is also officially considered to be part of the larger Marvel Universe and has interacted with heroes and villains alike.
The Marvel Conan stories were also adapted as a newspaper comic strip which appeared daily and Sunday from 4September 1978 to 12April 1981. Originally written by Roy Thomas and illustrated by John Buscema, the strip was continued by several different Marvel artists and writers.
Dark Horse Comics began their comic adaptation of the Conan saga in 2003. Entitled simply Conan, the series was first written by Kurt Busiek and pencilled by Cary Nord. Tim Truman replaced Busiek, when Busiek signed an exclusive contract with DC Comics. However, Busiek issues were sometimes used for filler. This series is an interpretation of the original Conan material by Robert E. Howard with no connection whatsoever to the earlier Marvel comics or any Conan story not written or envisioned by Howard supplemented by wholly original material.
A second series, Conan the Cimmerian was released in 2008 by Tim Truman (writer) and Tomás Giorello (artist). The series ran for twenty-six issues, including an introductory "zero" issue.
A fourth series, Conan the Barbarian, began in February 2012 by Brian Wood (writer) and Becky Cloonan (artist). It ran for twenty-five issues, and expanded on Robert E. Howard's Queen of the Black Coast.
Dark Horse's sixth series, Conan the Slayer, began in July 2016 by Cullen Bunn (writer) and Sergio Dávila (artist).
In 2018, Marvel reacquired the rights and started new runs of both Conan the Barbarian and Savage Sword of Conan in January/February 2019. Conan is also a lead in the Savage Avengers title, which launched in 2019 and received a second volume in 2022.
In 2022, it was revealed that Titan Publishing Group had acquired the rights from Heroic Signatures to make Conan comics, with a new ongoing series set to release in May 2023.[40]
Hyborian Risk is an unofficial variant for the Risk boardgame based on the Conan mythos, published in The Space Gamer magazine in issue 37 (March, 1981).[41]
In 2009, Fantasy Flight Games released the Age of Conan strategy board game, depicting warfare between the Hyborian nations in the Conan's adventures.
In 2016, Monolith Board Games LLC released a new boardgame with miniatures directly based on Howard's short stories. Conan (previously known as Conan: Hyborian Quests) pits one player, controlling the evil forces, against 2-4 other players controlling Conan and his companions.
TSR, Inc., which in 1982 had introduced a barbarian character class inspired by the Conan character,[43] made a licensing agreement in 1984 to publish Conan-related gaming material:[44]
Three Endless Quest books by TSR allow the reader to play the role of Conan:
Conan the Undaunted (1984)
Conan and the Prophecy (1984)
Conan the Outlaw (1984)
In 1988 Steve Jackson Games acquired a Conan license and started publishing Conan solo adventures for its GURPS generic system of rules as of 1988 and a GURPS Conan core rulebook in 1989:
GURPS Conan: Beyond Thunder River (1988, solo adventure)
GURPS Conan and the Queen of the Black Coast (1989, solo adventure)
GURPS Conan: Moon of Blood (1989, solo adventure)
GURPS Conan the Wyrmslayer (1989, solo adventure)
In 2003 the British company Mongoose Publishing bought a license and acquired in turn the rights to make use of the Conan gaming franchise, publishing a Conan role-playing game from 2004 until 2010. The game ran the OGL System of rules that Mongoose established for its OGL series of games:
In 2010 Mongoose Publishing dropped the Conan license. In February 2015, another British company, Modiphius Entertainment, acquired the license, announcing plans to put out a new Conan role-playing game in August of that year.[45] Actually, the core rulebook was not launched (via Kickstarter) until a whole year later, in February 2016, reaching by far all funds needed for publication. Long after the Kickstarter ended the core rulebook was launched in PDF format on January 31, 2017. The physical core rulebook finally started distribution in June 2017:
Conan: Adventures in an Age Undreamed Of (hardcover, 368 pages, 2017), with two hardcover supplements already published and at least 17 additional supplements in the works (as planned following the Kickstarter).
A RPG game titled Conan: The Tower of the Elephant was released for the iOS around the time of the release of the movie Conan the Barbarian as a promotion. The game is based on the short story of the same name.
In 2013, the side-scrolling shooter game Broforce introduced a playable character known as Bronan the Brobarian. In the game, he is one of the few characters who does not fight with a firearm or an explosive. Instead, Bronan fights with a sword that can cause massive shockwaves depending on how long the player holds the attack button.
Conan the Barbarian, based on Schwarzenegger's likeness, will appear as a playable character in Mortal Kombat 1 as part of the Khaos Reigns DLC pack. However, it is currently unknown if Schwarzenegger himself will play the character in the game.[51][52]
Characters
Prose fiction
Bêlit – Self-styled Shemite Queen of the Black Coast, captain of the pirate ship Tigress, and Conan's first serious lover ("Queen of the Black Coast").
Ctesphon - The king of Stygia is mentioned only once and in passing, in "The Phoenix on the Sword". He is a priest king, like Thugra-Khotan in the Stygian daughter-kingdom of Kutchemes.
Thoth-Amon – Stygian wizard of great power who appeared in the first Conan story written ("The Phoenix on the Sword" and was mentioned in "The God in the Bowl" and The Hour of the Dragon. L. Sprague de Camp and Lin Carter made Thoth-Amon the nemesis of Conan. In the Marvel comics, Thoth-Amon was also Conan's lifelong opponent and had a striking appearance designed by Barry Windsor-Smith; he wore a distinctive ram-horn ornamental headdress. In "The Phoenix on the Sword" though, where Thoth has been robbed of his magical ring, he doesn't at all seem very impressive, yet less admirable. He is portrayed by Pat Roach in Conan the Destroyer.
Valeria – Aquilonian female mercenary affiliated with the Red Brotherhood ("Red Nails").
Yara – Evil wizard and adversary of Conan ("The Tower of the Elephant") who enslaved Yag-Kosha, an extraterrestrial being resembling the Hindu god Ganesh.
Yasmina- Brave, proud, feisty, wise, and warmhearted queen over the ancient kingdom of Vendhya, homeland and stronghold of Asura-worship.
Jenna – (Marvel comics character). A dancing girl from the city of Shadizar. She becomes Conan's girlfriend after he saves her from a monstrous bat, but later betrays him to the authorities. Conan gets his revenge by throwing her into a pool of sewage. Based on an unnamed character in the prose story "Rogues in the House".
Mikhal "the Vulture" Oglu – In Marvel comics' Conan the Barbarian #23, Mikhal Oglu is Yezdigerd's enforcer and the greatest swordsman in Turan. He challenges Conan but is defeated and his severed head is sent to Yezdigerd in an ornate casket intended for Conan's head. He was inspired by a character in a non-Conan story by Robert E. Howard ("The Shadow of the Vulture").
Kulan Gath - a prominent evil wizard appearing initially in the Marvel Conan comics and later fully integrated into the Marvel Universe. He has also appeared in Red Sonya comics by Dynamite Entertainment.
Yezdigerd – Ruler of Turan, a Turkish empire-based civilization. He employs Conan as a mercenary but betrays him after he outlived his usefulness
Zukala – A character from the Conan comics published by Marvel, inspired by a poem by Robert E. Howard. Zukala is an evil sorcerer who gains his powers from a mask. His daughter, Zephra, falls in love with Conan.
Elric - A powerful magician and ruler of the ancient empire of Melnibone who befriends Conan and unsuccessfully attempts to prevent Zephra's death. Based on the character created by Michael Moorcock.
Films
Akiro – A character from the two Schwarzenegger Conan films. He is a powerful wizard who befriends Conan and Subotai, and serves as the narrator and Conan's chronicler. He is played by Japanese actor Mako Iwamatsu.
Rexor – In the 1982 film, the chief priest of Thulsa Doom's snake cult, who stole the sword of Conan's father. Played by Ben Davidson.
Subotai – Hyrkanian thief and archer. He is Conan's companion in the 1982 film. Played by Gerry Lopez.
Malak – A thief. He is Conan's traveling companion in the 1984 sequel. Played by Tracey Walter.
Thorgrim – Hammer-wielding minion of Thulsa Doom in the 1982 film. Played by Sven-Ole Thorsen
The name Conan and the names of some of Robert E. Howard's other characters are claimed as trademarked by Conan Properties International[53] and licensed to Cabinet Entertainment,[54] both entities controlled by CEO Fredrik Malmberg.[55]
Since Robert E. Howard's Conan stories were published at a time when the date of publication was the marker (1932–1963), however, and any new owners failed to renew them to maintain the copyrights,[56] the exact copyright status of all of Howard's 'Conan' works is in question.[57] The majority of Howard's Conan fiction exist in at least two versions, subject to different copyright standards, namely 1) the original Weird Tales publications before or shortly after Howard's death, which are generally understood to be public domain and 2) restored versions based upon manuscripts which were unpublished during Howard's lifetime.[58]
The character of Conan will officially enter the public domain worldwide on January 1st, 2028 due to the longest extant term of copyright in the world on work for hire material being 95 years from the date of first publication. The character of Conan first appeared in print in 1932. Current trademarks on Conan can not be used to extend Conan Properties International's copyright protections, as established by the United States Supreme Court in the case Dastar Corp. v. Twentieth Century Fox Film Corp..[59] in which Antonin Scalia warned that allowing these types of restrictions on a public domain work could effectively create “a species of mutant copyright law” that would limit the public’s right to copy and use expired copyrights.
The Australian site of Project Gutenberg hosts digital copies of many of Howard's stories, including several works about Conan.[60]
In the United Kingdom, works are released into the public domain 70years after the death of an author. With Howard having died in 1936, his works have been in the public domain there since 2006. The same standard applies for Malmberg's home country of Sweden.
In August 2018, Conan Properties International LLC won by default a suit against Spanish sculptor Ricardo Jove Sanchez after he failed to appear at court in the United States. Jove had started a crowdfunding campaign that raised around €3000 on Kickstarter, with the intent of selling barbarian figurines to online customers, including those in the United States. The Magistrate Judge originally recommended statutory damages for infringement on three Robert E. Howard characters not including Conan, but Jove was eventually fined $3,000 per character used in the campaign, including Conan, for a total of $21,000.[61]
In September 2020, it was announced that Netflix had made a larger deal involving Malmberg and Mark Wheeler from Pathfinder Media between Netflix and Conan Properties International for the exclusive rights to the Conan library for the rights for live-action and animated films and TV shows.[32]
In 2024, British author and Eisner Award winner John Allison started to publish a Conan serial online, with a tongue-in-cheek narrative heavily intermingled with characters from his own works. However, he took the unfinished comic down in late April, after receiving a cease-and-desist letter from Conan Properties International. Allison notes that to his understanding Conan "is in the public domain in the UK (where I live and work)", but that he doesn't have "the time or energy to contest this".[62]
Related Research Articles
Kull of Atlantis or Kull the Conqueror is a fictional character created by writer Robert E. Howard. The character was more introspective than Howard's subsequent creation, Conan the Barbarian, whose first appearance was in a re-write of a rejected Kull story.
"The Tower of the Elephant" is one of the original short stories starring the fictional sword and sorcery hero Conan the Cimmerian, written by American author Robert E. Howard. Set in the fictional Hyborian Age, it concerns Conan infiltrating a perilous tower to steal a fabled gem from an evil sorcerer named Yara. Its unique insights into the Hyborian world and atypical science fiction elements have led the story to be considered a classic of Conan lore, and it is often cited by Howard scholars as one of his best tales.
"The Phoenix on the Sword" is one of the original short stories about Conan the Cimmerian written by American author Robert E. Howard and first published in Weird Tales magazine in December 1932. The tale, in which Howard created the character of Conan, was a rewrite of the unpublished Kull story "By This Axe I Rule!", with long passages being identical. The Conan version of the story was republished in the collections King Conan and Conan the Usurper. It has most recently been republished in the collections The Conan Chronicles Volume 2: The Hour of the Dragon and Conan of Cimmeria: Volume One (1932–1933). It is set in the fictional Hyborian Age and details Conan foiling a plot to unseat him as king of Aquilonia.
"Jewels of Gwahlur" is one of the original short stories starring the fictional sword and sorcery hero Conan the Cimmerian, written by American author Robert E. Howard. Set in the fictional Hyborian Age, it concerns several parties, including Conan, fighting over and treasure hunting for the eponymous treasure in Hyborian Africa. The tale was first published in the March, 1935 issue of Weird Tales. Howard's original title for the story was "The Servants of Bit-Yakin".
"Queen of the Black Coast" is one of the original short stories about Conan the Cimmerian, written by American author Robert E. Howard and first published in Weird Tales magazine c. May 1934. Set during the fictional Hyborian Age, Conan becomes a notorious pirate plundering the coastal villages of Kush alongside Bêlit, a head-strong femme fatale.
"The God in the Bowl" is one of the original short stories featuring the sword and sorcery hero Conan the Cimmerian, written by American author Robert E. Howard but not published during his lifetime. Set during the fictional Hyborian Age, the plot sees Conan robbing a temple museum only to become the prime suspect in a murder mystery. The story first saw publication in September 1952 in Space Science Fiction and has been reprinted many times since.
"Black Colossus" is one of the original short stories starring the fictional sword and sorcery hero Conan the Cimmerian, written by American author Robert E. Howard and first published in Weird Tales magazine, June 1933. Howard earned $130 for the sale of this story.
"Shadows in the Moonlight" is one of the original short stories starring the fictional sword and sorcery hero Conan the Cimmerian, written by American author Robert E. Howard and first published in Weird Tales magazine in April 1934. Howard had originally named his story "Iron Shadows in the Moon". It's set in the fictional Hyborian Age and narrates Conan's escape to a remote island in the Vilayet Sea where he encounters the Red Brotherhood, a skulking creature, and mysterious iron statues.
"The People of the Black Circle" is one of the original novellas about Conan the Cimmerian, written by American author Robert E. Howard and first published in Weird Tales magazine in three parts over the September, October and November 1934 issues. Howard earned $250 for the publication of this story.
"The Frost-Giant's Daughter" is one of the original fantasy short stories about Conan the Cimmerian, written by American author Robert E. Howard.
Thulsa Doom is a fictional character created by American author Robert E. Howard, as an antagonist for the character Kull of Atlantis. Thulsa Doom debuted in the story "Delcardes' Cat". He has since appeared in comic books and film as the nemesis of Kull and, later, one of Howard's other creations, Conan the Barbarian.
Conan the Barbarian is a 1982 American epic sword-and-sorcery film directed by John Milius and written by Milius and Oliver Stone. Based on Robert E. Howard's Conan, the film stars Arnold Schwarzenegger and James Earl Jones, and tells the story of a barbarian warrior named Conan (Schwarzenegger) who seeks vengeance for the death of his parents at the hands of Thulsa Doom (Jones), the leader of a snake cult.
Conan the Barbarian by Robert E. Howard was first adapted into comics in 1952 in Mexico. Marvel Comics began publishing Conan comics with the series Conan the Barbarian in 1970. Dark Horse Comics published Conan from 2003 to 2018, when the rights were reacquired by Marvel Comics. Marvel published Conan comics until 2022, when Titan Comics took over the license to begin publishing its own series.
This article covers some of the major Conan chronologies that have been advanced over the years. From the 1930s onward a number of fans and scholars have analyzed the numerous Conan the Barbarian stories by Robert E. Howard and later writers, and attempted to organize them into a chronological timeline.
Bêlit is a character appearing in the fictional universe of Robert E. Howard's Conan the Barbarian. She is a pirate queen who has a romantic relationship with Conan. She appears in Howard's Conan short story "Queen of the Black Coast", first published in Weird Tales #23. She is the first substantial female character to appear in Howard's Conan stories. Partly thanks to her substantial appearance in the Marvel Comics' Conan series, the character is recognized as being Conan's "true love".
King Conan is a collection of five fantasy short stories by American writer Robert E. Howard featuring his sword and sorcery hero Conan the Barbarian. It is also the name of two separate comic book series featuring the character.
Conan the Barbarian is a character created by Robert E. Howard.
Conan, the sword-and-sorcery character created by Robert E. Howard, is the protagonist of seven major comic series published by Dark Horse Comics. The first series, titled simply Conan, ran for 50 issues from 2004 to 2008; the second, titled Conan the Cimmerian, began publication in 2008 and lasted 25 issues until 2010; the third series, titled Conan: Road of Kings, started publishing in December 2010 and ended in January 2012 after 12 issues; a fourth series, titled Conan the Barbarian, continuing from Road of Kings, lasted 25 issues from February 2012 to March 2014; a fifth series, titled Conan the Avenger, started publishing in April 2014 and ended in April 2016 after 25 issues; a sixth and final series, titled Conan the Slayer lasted 12 issues from July 2016 to August 2017.
The works of Robert E. Howard (1906–1936) have been adapted into multiple media, the most famous being the Conan films starring Arnold Schwarzenegger. In addition to the Conan films, other adaptations have included Kull the Conqueror (1997) and Solomon Kane (2009). In television, the anthology series Thriller (1961) led the adaptations with an episode based on the short story "Pigeons from Hell." The bulk of the adaptations have, however, been based on Conan with two animated and one live action series. Multiple audio dramas have been adapted, from professional audio books and plays to LibriVox recordings of works in the public domain. Computer games have focussed on Conan, beginning with Conan: Hall of Volta (1984) and continuing on to the MMO Age of Conan: Hyborian Adventures (2008). The first table-top roleplaying game based on Howard's works was TSR's "Conan Unchained!" (1984) for their game Advanced Dungeons & Dragons. The first comic book adaptation was in the Mexican Cuentos de abuelito - La reina de la Costa Negra #8 (1952). Howard-related comic books continued to be published to the present day. Howard is an ongoing inspiration for and influence on heavy metal music. Several bands have adapted Howard's works to tracks or entire albums. The British metal band Bal-Sagoth is named after Howard's story "The Gods of Bal-Sagoth."
Akivasha is a female character appearing in the fictional universe of Robert E. Howard's Conan the Barbarian as an undead, a stygian vampire queen.
References
↑ Herron (1984). p. 149: "Robert E. Howard of Cross Plains, Texas, created one of the great mythic figures in modern popular culture, the Dark Barbarian... [which] put Howard in the select ranks of the literary legend-makers"
↑ "Hyborean Genesis: Notes on the Creation of the Conan Stories", by Patrice Louinet; in The Coming Of Conan The Cimmerian, by Robert Ervin Howard, Del Rey/Ballantine Books, 2005, p. 424
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