"The Black Stone" | |
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Short story by Robert E. Howard | |
Country | United States |
Language | English |
Genre(s) | Lovecraftian horror, folk horror |
Publication | |
Published in | Weird Tales |
Publication type | Periodical |
Media type | Pulp magazine |
Publication date | November 1931 |
Series | Cthulhu Mythos |
"The Black Stone" is a horror short story by American writer Robert E. Howard, first published in the November 1931 issue of Weird Tales . The story introduces the character of Justin Geoffrey, a mad poet, and the fictitious book Unaussprechlichen Kulten by Friedrich von Junzt. The story is part of the Cthulhu Mythos, and follows the same pattern and has the same features as much of H. P. Lovecraft's classic work.
The story opens with an unnamed narrator being gripped with curiosity by a brief reference to the Black Stone in the book Nameless Cults , aka The Black Book, by Friedrich von Junzt. He researches the artifact but finds little further information. The ancient (though its age is debated) monolith stands near to the village of Stregoicavar ("meaning something like Witch-Town") in the mountains of Hungary. here are many superstitions surrounding it, for instance anyone who sleeps nearby will suffer nightmares for the rest of their life and anyone who visits the stone on Midsummer Night will go insane and die. Though the Monolith is hated and disliked by all in the village, it is said by the innkeeper that "Any man who lay hammer or maul to it die evilly", so the villagers simply shun the stone.
The narrator decides to travel to Stregoicavar on vacation. Along the way he hears of the local history and sees the site of an old battlefield, where Count Boris Vladinoff fought the invading Suleiman the Magnificent in 1526. Local stories say that Vladinoff took shelter in a ruined castle and was brought a lacquered case that had been found near the body of Selim Bahadur, "the famous Turkish scribe and historian", who had died in a recent battle. The unnamed contents scared the Count but at that moment Turkish artillery destroyed a part of the castle and he was buried in the rubble, where his bones still remain.
Reaching the village, the narrator interviews some of the villagers. The current inhabitants are not the original people of the village - they were all wiped out by the Turkish invasion in 1526. They are said to have been of a different, unknown, race than the Hungarians with a reputation for raiding their villages and kidnapping women and children. A school teacher reveals that according to legend, the original name for the village was Xuthltan and the stone was worshiped by pagans at one time (although they probably did not erect it themselves). The black stone is "octagonal in shape, some sixteen feet in height and about a foot and a half thick."
A week after arriving the narrator realizes that it is Midsummer Night and makes his way to the stone. He falls asleep an hour before midnight but wakes to find the chanting and dancing people around the stone. After much dancing, during which the narrator is unable to move or do anything but observe, a baby is killed in sacrifice. Shortly a giant toad-like monster appears at the top of the stone and a second sacrifice, a young girl, is offered to it. The narrator faints at this point and decides that it was a dream when he wakes again. But slowly, he realizes that it was no dream.
The narrator remembers that Selim Bahadur's lacquered case was still with the Count's bones which had not been disturbed. The narrator unearths the nobleman's remains and with them, the case belonging to the Turk. He translates the account written by the historian and is horrified by his account of what happened near the Black Stone, how the monstrous creature slaughtered at least ten men before being killed by steel weapons blessed by Muhammad. He realizes that he beheld the cultist worshipers' ghosts bowing before a ghost. He flings the contents of the case into a river.
(1898–1926) A poet who wrote "The People of the Monolith" after visiting the village of Stregoicavar and died "screaming in a madhouse" five years before the events of the story. He is remembered by the villagers as acting in an odd manner, with a habit of mumbling to himself. The story opens with this stanza, which is attributed to him:
They say foul things of Old Times still lurk
In dark forgotten corners of the world.
And Gates still gape to loose, on certain nights.
Shapes pent in Hell.
Lovecraft mentions Geoffrey in "The Thing on the Doorstep", saying that he is a friend of Edward Derby, the protagonist of the tale. Lovecraft states in the story that Geoffrey "died screaming in a madhouse in 1926 after a visit to a sinister, ill-regarded village in Hungary". [1] This is a detail invented by Lovecraft and not part of Howard's original story.
(1795–1840) An eccentric German poet and philosopher noted for his extensive travels and membership in myriad secret societies. He is mainly remembered as the author of the Unaussprechlichen Kulten (Nameless Cults or The Black Book), which was published shortly before his death. Six months after his return from an expedition to Mongolia, he was found dead in a locked and bolted chamber with taloned finger marks on his throat.
Robert M. Price compares the death of Von Junzt to the demise of Abdul Alhazred, author of the Necronomicon : "[In] Lovecraft's tongue-in-cheek 'History of the Necronomicon'...he recounts the doom of Abdul Alhazred. 'He is said by Ebn Khallikan ... to have been seized by an invisible monster in broad daylight and devoured horribly before a large number of fright-frozen witnesses.' ...And 'what of the monstrous hand that strangled out his life?' In both cases, the coroner reports the cause of death as a phantom monster suspiciously like the one that rent Lovecraft himself limb-from-limb in Robert Bloch's 'The Shambler from the Stars'." [2]
At the time of his death, von Junzt was working on a second book, the contents of which are unknown since it was burnt to ashes by his friend, the Frenchman Alexis Ladeau. Having read the book before destroying it, Ladeau afterwards slit his own throat with a razor. Von Junzt was one of the few people to have read the Greek version of the Necronomicon .
Almost nothing is known about the story's anonymous narrator. He is very learned, with extensive knowledge of history and anthropology, and has read much on the subject of ancient religion, including obscure or bizarre authors like von Junzt. His tastes in poetry go to the obscure and weird too, such as Geoffrey.
S. T. Joshi has called the story Howard's only "explicit Cthulhu Mythos story". He goes on to say that the toad-like monster in the story is likely Tsathoggua, the toad god created by Clark Ashton Smith. He cites as evidence the fact that Howard had already referenced Tsathoggua in an earlier tale, "The Children of the Night". [3] Robert Weinberg and E. P. Berglund, in their 1973 book The Reader's Guide To The Cthulhu Mythos, stated that "The Black Stone" was "the best Mythos story not written by Lovecraft himself." [4] L. Sprague de Camp, Catherine Crook de Camp, and Jane Whittington Griffin describe "The Black Stone" as "another of Howard's Lovecraft imitations [...] an effective story, which has been reprinted many times". [5]
The Cthulhu Mythos is a mythopoeia and a shared fictional universe, originating in the works of Anglo-American horror writer H. P. Lovecraft. The term was coined by August Derleth, a contemporary correspondent and protégé of Lovecraft, to identify the settings, tropes, and lore that were employed by Lovecraft and his literary successors. The name "Cthulhu" derives from the central creature in Lovecraft's seminal short story "The Call of Cthulhu", first published in the pulp magazine Weird Tales in 1928.
The Necronomicon, also referred to as the Book of the Dead, or under a purported original Arabic title of Kitab al-Azif, is a fictional grimoire appearing in stories by the horror writer H. P. Lovecraft and his followers. It was first mentioned in Lovecraft's 1924 short story "The Hound", written in 1922, though its purported author, the "Mad Arab" Abdul Alhazred, had been quoted a year earlier in Lovecraft's "The Nameless City". Among other things, the work contains an account of the Old Ones, their history, and the means for summoning them.
"The Call of Cthulhu" is a short story by American writer H. P. Lovecraft. Written in the summer of 1926, it was first published in the pulp magazine Weird Tales in February 1928.
Azathoth is a deity in the Cthulhu Mythos and Dream Cycle stories of writer H. P. Lovecraft and other authors. He is the supreme deity of the Cthulhu Mythos and the ruler of the Outer Gods, and may also be seen as a symbol for primordial chaos, therefore being the most powerful entity in the entirety of the Cthulhu Mythos.
Tsathoggua is a supernatural entity in the Cthulhu Mythos shared fictional universe. He is the creation of American writer Clark Ashton Smith and is part of his Hyperborean cycle.
"The Nameless City" is a short horror story written by American writer H. P. Lovecraft in January 1921 and first published in the November 1921 issue of the amateur press journal The Wolverine. It is often considered the first story set in the Cthulhu Mythos world. In the story, the protagonist travels to the middle of the Arabian Desert to explore an ancient underground city.
The Hyperborean cycle is a series of short stories by Clark Ashton Smith that take place in the fictional prehistoric setting of Hyperborea. Smith's cycle takes cues from his friends, H. P. Lovecraft and Robert E. Howard and their works.
Unaussprechliche Kulte is a fictional book of arcane literature in the Cthulhu Mythos. The book first appeared in Robert E. Howard's 1931 short stories "The Children of the Night" and "The Black Stone" as Nameless Cults. Like the Necronomicon, it was later mentioned in several stories by H. P. Lovecraft.
De Vermis Mysteriis, or Mysteries of the Worm, is a fictional grimoire created by Robert Bloch and incorporated by H. P. Lovecraft into the lore of the Cthulhu Mythos.
"Dagon" is a short story by American author H. P. Lovecraft. It was written in July 1917 and is one of the first stories that Lovecraft wrote as an adult. It was first published in the November 1919 edition of The Vagrant. Dagon was later published in Weird Tales in October 1923. It is considered by many to be one of Lovecraft's most forward-looking stories.
The Whisperer in Darkness is a 26,000-word novella by American writer H. P. Lovecraft. Written February–September 1930, it was first published in Weird Tales, August 1931. Similar to The Colour Out of Space (1927), it is a blend of horror and science fiction. Although it makes numerous references to the Cthulhu Mythos, the story is not a central part of the mythos, but reflects a shift in Lovecraft's writing at this time towards science fiction. The story also introduces the Mi-Go, an extraterrestrial race of fungoid creatures.
"The Rats in the Walls" is a short story by American author H. P. Lovecraft. Written in August–September 1923, it was first published in Weird Tales, March 1924.
"The Hound" is a short story written by H. P. Lovecraft in September 1922 and published in the February 1924 issue of Weird Tales. It contains the first mention of Lovecraft's fictional text the Necronomicon.
Peter H. Cannon is an H. P. Lovecraft scholar and an author of Cthulhu Mythos fiction. Cannon works as an editor for Publishers Weekly, specializing in thrillers and mystery. He lives in New York City and is married with three children.
"The Children of the Night" is a 1931 short story by Robert E. Howard, belonging to the Cthulhu Mythos. It was first published in the pulp magazine Weird Tales in the April/May 1931 issue. Howard earned $60 for this publication.
Necronomicon is the second album by Neoclassical darkwave/dark ambient musical duo Nox Arcana published by Monolith Graphics on October 10, 2004. The music is inspired by the stories of horror writer H. P. Lovecraft and is a tribute to the Cthulhu Mythos.
"History of the Necronomicon" is a short text written by H. P. Lovecraft in 1927, and published in 1938. It describes the origins of the fictional book of the same name: the occult grimoire Necronomicon, a now-famous element of some of his stories. The short text purports to be non-fiction, adding to the appearance of "pseudo-authenticity" which Lovecraft valued in building his Cthulhu Mythos oeuvre. Accordingly, it supposes the history of the Necronomicon as the inspiration for Robert W. Chambers' The King in Yellow, which concerns a book that overthrows the minds of those who read it.