"The Shadow Kingdom" | |||
---|---|---|---|
Short story by Robert E. Howard | |||
Country | United States | ||
Language | English | ||
Genre(s) | Sword and sorcery | ||
Publication | |||
Published in | Weird Tales | ||
Publication date | August 1929 | ||
Chronology | |||
Series | Kull | ||
|
"The Shadow Kingdom" is a fantasy novelette by American writer Robert E. Howard, the first of his Kull stories, set in his fictional Thurian Age. It was first published in the pulp magazine Weird Tales in August 1929.
The story introduces Kull himself, the setting of Valusia, Brule the Spear-Slayer (a supporting character), and the Serpent Men (who don't appear in any other work by Howard, but were adopted by later authors for derivative works and inclusion in the Cthulhu Mythos).
"The Shadow Kingdom" has been described as the first true "sword and sorcery" story, because of its barbarian hero, its mix of horror and adventure, and because the story is set in an imaginary world. [1] [2] [3]
The story starts shortly after Kull, a barbarian from Atlantis, has conquered Valusia and become its King. Kull is invited to a feast by the Pictish ambassador for Valusia, Ka-nu the Ancient. Despite the fact that the Picts are ancient enemies of the Atlanteans, Ka-nu confides in Kull and tells him to expect the arrival of Brule the Spear-Slayer around sunset.
In the early night, Brule climbs into Kull's bedroom, identifying himself with a "bracelet of gold representing a winged dragon coiled thrice, with three horns of ruby on the head" which had been shown to Kull at the feast. Brule explains that Kull's life is in danger and shows him a series of secret passages which riddle the palace. Soon, Kull sees that the guards outside his room are all unconscious and their bodies hidden, although they still seem to be on guard at the same time. Chief Councillor Tu arrives, planning to assassinate the sleeping King, but meets him awake and armed; it was, however, not the real Tu, but a serpent man who had taken on his appearance.
Brule reveals that the Serpent Men, an ancient pre-human race who had founded Valusia but were almost extinct, rule from the shadows, using their Snake Cult religion and ability to disguise themselves with magic. They intended to replace Kull with a disguised Serpent Man, just as they had done with his predecessors.
The next day, the Serpent Men again attempt to replace Kull. He and Brule are, through an illusion, tricked into a separate room instead of the real council, surrounded by Serpent Men disguised as the councillors. Kull realizes the trap in time, however, and the two barely defeat their opponents. Heading into the real Council Room, they see another Kull. The imposter Kull is killed by the real one, revealing the fake as a Serpent Man and also revealing the truth of the existence of Serpent Men in general. The story ends with Kull's oath to hunt and destroy the Serpent Men for good.
The subjects of masks and identity are repeated throughout the story. The most obvious instance of this is the Serpent Men's ability of disguise through magic and their use of this to steal identities at will.
Kull, as a barbarian, sees the diplomacy and politics of Valusia (and the others of the Seven Empires) as a form of illusion. Early in the story, before the Serpent Men appear, Kull's thoughts on the matter are described:
Strange to him were the intrigues of court and palace, army and people. All was like a masquerade, where men and women hid their real thoughts with a smooth mask.
Musing on his own identity later in the story, Kull extends the mask metaphor to himself:
Was it the real Kull who sat upon the throne or was it the real Kull who had scaled the hills of Atlantis, harried the far isles of the sunset, and laughed upon the green roaring tides of the Atlantean sea? How could a man be so many different men in a lifetime? For Kull knew that there were many Kulls and he wondered which was the real Kull. After all, the priests of the Serpent went a step further in their magic, for all men wore masks, and many a different mask with each different man or woman; and Kull wondered if a serpent did not lurk under every mask.
This is touched on again shortly afterwards when, on seeing a Serpent Man masquerading as himself, Kull is momentarily confused:
He stepped back, his mind reeling. "This is insanity!" he whispered. "Am I Kull? Do I stand here or is that Kull yonder in very truth, and am I but a shadow, a figment of thought?"
After the publication of "The Shadow Kingdom", Weird Tales received several letters from readers lauding the story. [1] "The Shadow Kingdom" was later voted the most popular story of the August 1929 issue in a poll of Weird Tales readers. [1]
Robert Weinberg praised "The Shadow Kingdom" as "an exciting novelette of swords-and-sorcery". [4]
Fantasy historian Morgan T. Holmes has stated that ""The Shadow" Kingdom" has been regarded by many as the first true sword and sorcery story because of the main character, setting and atmosphere...Gone is any connection to history; the setting is purely fantastic." [1] Writer Brian Murphy notes that "The Shadow Kingdom" is the first story to depict a barbarian warrior fighting against supernatural evil, in a world of the writer's imagination. He also points out that the story's popularity encouraged Howard to write more stories in a similar vein, about both Kull and Conan. [1]
The story has been adapted in the following comic books:
Conan the Barbarian is a fictional sword and sorcery hero who originated in pulp magazines and has since been adapted to books, comics, films, television programs, video games, and role-playing games. Robert E. Howard created the character in 1932 for a series of fantasy stories published in Weird Tales magazine.
Robert Ervin Howard was an American writer who wrote pulp fiction in a diverse range of genres. He created the character Conan the Barbarian and is regarded as the father of the sword and sorcery subgenre.
Sword and sorcery (S&S) or heroic fantasy is a subgenre of fantasy characterized by sword-wielding heroes engaged in exciting and violent adventures. Elements of romance, magic, and the supernatural are also often present. Unlike works of high fantasy, the tales, though dramatic, focus on personal battles rather than world-endangering matters. The genre originated from the early-1930s works of Robert E. Howard. The term "sword and sorcery" was coined by Fritz Leiber in the 6 April 1961 issue of the fantasy fanzine Ancalagon, to describe Howard and the stories that were influenced by his works. In parallel with "sword and sorcery", the term "heroic fantasy" is used, although it is a more loosely defined genre.
Linwood Vrooman Carter was an American author of science fiction and fantasy, as well as an editor, poet and critic. He usually wrote as Lin Carter; known pseudonyms include H. P. Lowcraft and Grail Undwin. He is best known for his work in the 1970s as editor of the Ballantine Adult Fantasy series, which introduced readers to many overlooked classics of the fantasy genre.
Kull of Atlantis or Kull the Conqueror is a fictional character created by writer Robert E. Howard. The character was more introspective than Howard's subsequent creation, Conan the Barbarian, whose first appearance was in a re-write of a rejected Kull story.
Bran Mak Morn is a hero of five pulp fiction short stories by Robert E. Howard. In the stories, most of which were first published in Weird Tales, Bran is the last king of Howard's romanticized version of the tribal race of Picts.
The Hour of the Dragon, also known as Conan the Conqueror, is a fantasy novel by American writer Robert E. Howard featuring his sword and sorcery hero Conan the Cimmerian. It was one of the last Conan stories published before Howard's suicide, although not the last to be written. The novel was first published in serial form in the December 1935 through April 1936 issues of the pulp magazine Weird Tales. The first book edition was published by Gnome Press in hardcover in 1950. The Gnome Press edition retitled the story Conan the Conqueror, a title retained by all subsequent editions until 1977, when the original title was restored in an edition published by Berkley/Putnam. The Berkley edition also reverted the text to that of its original Weird Tales publication, discarding later edits. Later editions have generally followed Berkley and published under the original title.
"The God in the Bowl" is one of the original short stories featuring the sword and sorcery hero Conan the Cimmerian, written by American author Robert E. Howard but not published during his lifetime. Set during the fictional Hyborian Age, the plot sees Conan robbing a temple museum only to become the prime suspect in a murder mystery. The story first saw publication in September 1952 in Space Science Fiction and has been reprinted many times since.
Thulsa Doom is a fictional character created by American author Robert E. Howard, as an antagonist for the character Kull of Atlantis. Thulsa Doom debuted in the story "Delcardes' Cat". He has since appeared in comic books and film as the nemesis of Kull and, later, one of Howard's other creations, Conan the Barbarian.
Savage Tales is the title of three American comics series. Two were black-and-white comics-magazine anthologies published by Marvel Comics, and the other a color comic book anthology published by Dynamite Entertainment.
The Coming of Conan is a collection of eight fantasy short stories by American writer Robert E. Howard, featuring his sword and sorcery heroes Kull and Conan the Barbarian, together with the first part of his pseudo-history of the "Hyborian Age" in which the Conan tales were set. It was first published in hardcover in the United States by Gnome Press in 1953 and by Boardman Books in the United Kingdom in 1954. The stories originally appeared in the 1930s in the fantasy magazine Weird Tales. The collection never saw publication in paperback; instead, its component stories were split and distributed among other "Kull" and "Conan" collections.
Conan the Barbarian is a collection of five fantasy short stories by American writer Robert E. Howard, featuring his sword and sorcery hero Conan the Barbarian, first published in hardcover by Gnome Press in 1955. The stories originally appeared in the 1930s in the fantasy magazine Weird Tales. This collection never saw publication in paperback; instead, its component stories were divided and distributed among other "Conan" collections. A later collection with the same title but different contents was issued in paperback by Del Rey/Ballantine Books in 2011.
A list of prose works by Robert E. Howard. The works are sorted by genre, by series and then alphabetically. Untitled works and fragments are listed separately by their opening line.
Turlogh Dubh O'Brien or Black Turlogh, is a fictional 11th Century Irishman created by Robert E. Howard. Turlough is a warrior and an outlaw who has adventures in Ireland and elsewhere. The Turlough Dubh stories are historical adventure stories with fantasy elements; writer Jeffrey Shanks has described the Turlogh Dubh stories as "sword and sorcery".
"The Mirrors of Tuzun Thune" is a fantasy short story by American author Robert E. Howard, one of his original short stories about Kull of Atlantis, first published in Weird Tales magazine c. 1929. It is one of only three Kull stories to be published in Howard's lifetime.
David Claude Smith Jr. is an American author of fantasy, horror, and suspense fiction, medical editor, and essayist. He writes as David C. Smith. He is best known for his heroic fantasy novels, including his collaborations with Richard L. Tierney featuring characters created by Robert E. Howard, notably six novels featuring Red Sonja. He is definitely very much still alive.
Serpent Men are a fictional race created by Robert E. Howard for his King Kull tales. They first appeared in "The Shadow Kingdom", published in Weird Tales in August 1929.
The Robert E. Howard Reader is a collection of essays on fantasy writer Robert E. Howard and his works, edited by Darrell Schweitzer. Originally scheduled for publication in 2007, it was ultimately published in September 2010 by Wildside Press.
The distinctive literary styles and themes of Robert E. Howard rely on a combination of many factors. In his fiction, he used devices borrowed from classical and traditional works, as well as formal rhetoric. In his poetry, he used rhythm, stress, and intonation to achieve a sense of motion. Some of his fiction has been described as prose poetry. His works can be distinguished by his use of violence and hate as positive forces in his universe, which can be seen as a part of the American Myth. In keeping with the era in which he worked, a grim and hardboiled theme pervades. The continuing cycle of civilisation and barbarism is highlighted in several works. Although he died before it was formally defined, an existentialism subtext runs through his writing. He was an aesthete and had affinity for romanticism and neo-romanticism, although in this he was out of step with his era.
Pulp Hero Press is a small publisher active since 2017. The press was founded by Bob McLain. It is primarily a paperback and ebook publisher, initially specializing in non-fiction relating to Robert E. Howard and sword and sorcery before branching into fantasy and pulp adventure fiction. It publishes works by both contemporary authors and classic genre writers of the past.
The full text of The Shadow Kingdom at Wikisource