When You See Me You Know Me is an early Jacobean history play about Henry VIII, written by Samuel Rowley and first published in 1605.
The play was acted by Prince Henry's Men, the company to which Rowley belonged through most of his acting career, and premiered most likely in 1604 at the Fortune Theatre. It was entered into the Stationers' Register on 12 February 1605, and printed in the same year in quarto for the bookseller Nathaniel Butter. [1] A second quarto was issued in 1613, the year in which Shakespeare's and Fletcher's Henry VIII was performed, [2] and further editions appeared in 1621 and 1632. [3]
Inevitably, Rowley had to take a selective approach to the vast subject of Henry VIII's biography; he chose to emphasize the King's conflict with Cardinal Wolsey and the birth and early education of Edward VI. Rowley's approach is loose and broadly synthetic: the events depicted in the play actually spread over three decades (1514–44); Wolsey is still alive at the end of the play, though he should have been long dead. The young Edward is depicted as an incipient hero of Protestantism, defending his sister Elizabeth and Thomas Cranmer when they are accused of treason.
Rowley also shows the King going out in disguise to mingle with his subjects, as in the legends surrounding Harun al-Rashid and similar figures. Henry is even shown getting into brawls and being arrested. Comic relief is provided by scenes of the King with his jester Will Summers.
Rowley's play has been cited as a "probable source" for Shakespeare's and Fletcher's Henry VIII. [4] Scholars have also noted links between When You See Me and the "B text" or 1616 version of Marlowe's Doctor Faustus. The Diary of Philip Henslowe records a payment to Rowley for additions to Marlowe's play in Nov. 1602. The common features between When You See Me and Faustus have been employed in an effort to trace Rowley's contribution to the B text. [5]
Christopher Marlowe, also known as Kit Marlowe, was an English playwright, poet and translator of the Elizabethan era. Marlowe is among the most famous of the Elizabethan playwrights. Based upon the "many imitations" of his play Tamburlaine, modern scholars consider him to have been the foremost dramatist in London in the years just before his mysterious early death. Some scholars also believe that he greatly influenced William Shakespeare, who was baptised in the same year as Marlowe and later succeeded him as the pre-eminent Elizabethan playwright. Marlowe was the first to achieve critical reputation for his use of blank verse, which became the standard for the era. His plays are distinguished by their overreaching protagonists. Themes found within Marlowe's literary works have been noted as humanistic with realistic emotions, which some scholars find difficult to reconcile with Marlowe's "anti-intellectualism" and his catering to the prurient tastes of his Elizabethan audiences for generous displays of extreme physical violence, cruelty, and bloodshed.
William Shakespeare was an English playwright, poet and actor. He is regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published.
Thomas Middleton was an English Jacobean playwright and poet. He, with John Fletcher and Ben Jonson, was among the most successful and prolific of playwrights at work in the Jacobean period, and among the few to gain equal success in comedy and tragedy. He was also a prolific writer of masques and pageants.
Samuel Rowley was a 17th-century English dramatist and actor.
King Leir is an anonymous Elizabethan play about the life of the ancient Brythonic king Leir of Britain. It was published in 1605 but was entered into the Stationers' Register on 15 May 1594. The play has attracted critical attention principally for its relationship with King Lear, Shakespeare's version of the same story.
This article presents a possible chronological listing of the composition of the plays of William Shakespeare.
The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust. It was probably written in 1592 or 1593, shortly before Marlowe's death. Two different versions of the play were published in the Jacobean era several years later.
The Shakespeare apocrypha is a group of plays and poems that have sometimes been attributed to William Shakespeare, but whose attribution is questionable for various reasons. The issue is separate from the debate on Shakespearean authorship, which addresses the authorship of the works traditionally attributed to Shakespeare.
The King's Men is the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron.
Henry VIII is a collaborative history play, written by William Shakespeare and John Fletcher, based on the life of Henry VIII. An alternative title, All Is True, is recorded in contemporary documents, with the title Henry VIII not appearing until the play's publication in the First Folio of 1623. Stylistic evidence indicates that individual scenes were written by either Shakespeare or his collaborator and successor, John Fletcher. It is also somewhat characteristic of the late romances in its structure. It is noted for having more stage directions than any of Shakespeare's other plays.
Francis Beaumont was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher.
Sejanus His Fall, a 1603 play by Ben Jonson, is a tragedy about Lucius Aelius Sejanus, the favourite of the Roman emperor Tiberius.
David Martin Bevington was an American literary scholar. He was the Phyllis Fay Horton Distinguished Service Professor Emeritus in the Humanities and in English Language & Literature, Comparative Literature, and the college at the University of Chicago, where he taught since 1967, as well as chair of Theatre and Performance Studies. "One of the most learned and devoted of Shakespeareans," so called by Harold Bloom, he specialized in British drama of the Renaissance, and edited and introduced the complete works of William Shakespeare in both the 29-volume, Bantam Classics paperback editions and the single-volume Longman edition. After accomplishing this feat, Bevington was often cited as the only living scholar to have personally edited Shakespeare's complete corpus.
The Admiral's Men was a playing company or troupe of actors in the Elizabethan and Stuart eras. It is generally considered the second most important acting troupe of English Renaissance theatre.
Valentine Simmes was an Elizabethan era and Jacobean era printer; he did business in London, "on Adling Hill near Bainard's Castle at the sign of the White Swan." Simmes has a reputation as one of the better printers of his generation, and was responsible for several quartos of Shakespeare's plays. [See: Early texts of Shakespeare's works.]
Richard Hawkins was a London publisher of the Jacobean and Caroline eras. He was a member of the syndicate that published the Second Folio collection of Shakespeare's plays in 1632. His bookshop was in Chancery Lane, near Sergeant's Inn.
George Eld was a London printer of the Jacobean era, who produced important works of English Renaissance drama and literature, including key texts by William Shakespeare, Ben Jonson, Christopher Marlowe, and Thomas Middleton.
Nicholas Okes was an English printer in London of the Jacobean and Caroline eras, remembered for printing works of English Renaissance drama. He was responsible for early editions of works by many of the playwrights of the period, including William Shakespeare, Ben Jonson, John Webster, Thomas Middleton, Thomas Dekker, Thomas Heywood, James Shirley, and John Ford.