Where's Dick? is an opera in two acts composed by Stewart Wallace. The work uses an English language libretto by Michael Korie. The opera is satire on 1980s American life and tabloid journalism and follows the experiences of Junior ("an all-American boy") who in reaction to the crime and corruption he sees around him searches for the detective hero Dick Tracy.
It was first performed in a workshop format by Opera Omaha on 26 September 1987. The production was led by conductor Jeff Halpern and starred Consuela Hill as Chief Blowhard, Lauren Flanigan as Mrs. Heimilich, and Henry Stram as Junior. [1]
The opera's first full-scale production and official premiere, with largely the same cast, was given at the Miller Outdoor Theater in Houston and was produced for Houston Grand Opera on 24 May 1989 by its touring arm, Texas Opera Theater. HGO music director John DeMain conducted [2] a run of eight performances.
Where's Dick was the first of Wallace's operas to be given a fully staged performance and the first collaboration between Wallace and his librettist, Michael Corrie. [3] They went on to create several more operas, including Kabbalah (1989), Harvey Milk (1995), and Hopper's Wife (1997).
Nixon in China is an opera in three acts by John Adams, with a libretto by Alice Goodman. Adams' first opera, it was inspired by U.S. President Richard Nixon's 1972 visit to China. The work premiered at the Houston Grand Opera on October 22, 1987, in a production by Peter Sellars with choreography by Mark Morris. When Sellars approached Adams with the idea for the opera in 1983, Adams was initially reluctant, but eventually decided that the work could be a study in how myths come to be, and accepted the project. Goodman's libretto was the result of considerable research into Nixon's visit, though she disregarded most sources published after the 1972 trip.
Balbina Steffenone was a 19th-century soprano.
Michael Korie is an American librettist and lyricist whose writing for musical theater and opera includes the musicals Grey Gardens and Far From Heaven, and the operas Harvey Milk and The Grapes of Wrath. His works have been produced on Broadway, Off-Broadway, and internationally. His lyrics have been nominated for the Tony Award and the Drama Desk Award, and won the Outer Critics Circle Award. In 2016, Korie was awarded the Marc Blitzstein Award from the American Academy of Arts and Letters.
Margarita la tornera is an opera in three acts composed by Ruperto Chapí to a libretto by Carlos Fernández Shaw, based on a dramatic poem by José Zorrilla. It premiered on 24 February 1909 at the Teatro Real in Madrid in a performance conducted by the composer. An acclaimed recording of the opera came out in 1999 with Plácido Domingo and Elisabete Matos.
Das Märchen von der schönen Lilie, Op. 55, is an opera in two acts by Giselher Klebe, with a libretto by Lore Klebe, based on Goethe's fairy tale Das Märchen. On a commission by the SWR for the Schwetzingen Festival, it was premiered on 15 May 1969 at the Schlosstheater Schwetzingen, staged by Oscar Fritz Schuh and conducted by Hans Zender. The opera was published by Bärenreiter.
Ricciardo e Zoraide is an opera in two acts by Gioachino Rossini to an Italian libretto by Francesco Berio di Salsa. The text is based on cantos XIV and XV of Il Ricciardetto, an epic poem by Niccolò Forteguerri.
L'equivoco stravagante is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Gaetano Gasbarri. It was Rossini's first attempt at writing a full two-act opera.
Eduardo e Cristina is an operatic 'dramma' in two acts by Gioachino Rossini to an Italian libretto originally written by Giovanni Schmidt for Odoardo e Cristina (1810), an opera by Stefano Pavesi, and adapted for Rossini by Andrea Leone Tottola and Gherardo Bevilacqua-Aldobrandini.
Fennimore und Gerda is a German-language opera with four interludes, by the English composer Frederick Delius. It is usually performed and recorded in English, as Fennimore and Gerda in a translation by Philip Heseltine. The German libretto, by the composer himself, is based on the novel Niels Lyhne by the Danish writer Jens Peter Jacobsen. In neither German nor English is the libretto highly regarded; rather, the work is considered an "orchestral opera", limited in its dramatic appeal but voluptuous and engaging in its instrumental texture.
Stewart Wallace is an American composer and cantor.
Lurline is a grand romantic opera in three acts composed by William Vincent Wallace to an English libretto by Edward Fitzball. It was first performed on 23 February 1860 at the Theatre Royal, Covent Garden by the Pyne and Harrison English Opera Company with Louisa Pyne in the title role. The libretto is based on the legend of the Lorelei.
Joseph Michel Sylvain Dupuis was a Belgian conductor, composer, oboist, and music educator.
Flammen (Flames) is an opera in two acts and ten scenes composed by Erwin Schulhoff, his only opera. The original libretto in Czech was written by Karel Josef Beneš. The opera had its world premiere at the old National Theatre in Brno on 27 January 1932 in Czech under the title Plameny. It was not heard again until the mid-1990s, when it was performed in its German translation by Max Brod as Flammen. Its story is a surrealist retelling of the Don Juan legend with elements from the legend of the Wandering Jew, and heavily influenced by Freudian psychology. Unlike the title character in Mozart's Don Giovanni based on the same legend, Don Juan is not punished by being dragged down to Hell, but instead is condemned to live forever.
James Maddalena is an American baritone who is chiefly associated with contemporary American opera. He gained international recognition in 1987 when he originated the role of Richard Nixon at the premiere of John Adams's opera Nixon in China at Houston. He has since reprised the role on many occasions, and recorded it for the Nonesuch Records release of the opera in 1987. In addition to Maddelena's role as Nixon, he has originated two other Adams characters: the Captain in The Death of Klinghoffer and Jack Hubbard in Doctor Atomic. He has also performed roles in the premieres of operas by Paul Moravec and Stewart Wallace among other American composers.
Teresa Brambilla was a celebrated Italian soprano most remembered today for having created the role of Gilda in Verdi's opera, Rigoletto. During a career that spanned 20 years, she sang throughout Italy and in other European cities, including Paris, Barcelona and Odessa.
Harvey Milk is an American opera in three acts, with music by Stewart Wallace to a libretto by Michael Korie. The opera was a joint commission by Houston Grand Opera, New York City Opera, and San Francisco Opera, and received its premiere on 21 January 1995 by Houston Grand Opera. The opera is based on the life and death of the American gay activist and politician Harvey Milk, who was assassinated along with San Francisco mayor George Moscone on 27 November 1978.
Ulf Arne Söderblom was a Finnish conductor and music professor. He was the principal conductor of the Finnish National Opera from 1973 to 1993 and was a key figure in the revival of the Savonlinna Opera Festival. A champion of Finnish music, he has conducted the world premieres of several works by Finnish composers including Kokkonen's The Last Temptations and Sallinen's Kullervo and The Horseman.
Mattia Verazi was an Italian librettist primarily active at the court of Charles Theodore in Mannheim. He became known as the leader of a group of librettists who challenged the conventions of opera seria in the mid-18th century and was a long-time collaborator of composer Niccolò Jommelli. He also produced the libretti for Salieri's Europa riconosciuta, Sacchini's Calliroe, and J. C. Bach's Temistocle
Stephen Climax is an opera in three acts by Hans Zender, who wrote his own libretto based on James Joyce and Hugo Ball. It was premiered on 15 June 1986 at the Oper Frankfurt, staged by Alfred Kirchner and conducted by Peter Hirsch. The opera was published by Breitkopf & Härtel. A 1990 production at La Monnaie in Brussels was recorded.
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