The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, with "a like vision". It originally consisted of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932.
Paul-Émile Borduas was a Québecois artist known for his abstract paintings. He was the leader of the avant-garde Automatiste movement and the chief author of the Refus Global manifesto of 1948. Borduas had a profound impact on the development of the arts and of thought, both in the province of Quebec and in Canada.
The following lists events that happened during 1909 in the Canada.
Black Canadians, also known as African Canadians or Afro-Canadians, are Canadians of African or Afro-Caribbean descent. The majority of Black Canadians are of Afro-Caribbean and African origin, though the Black Canadian population also consists of African Americans in Canada and their descendants.
Lance Gerard Woolaver is a Canadian author, poet, playwright, lyricist, and director. His best-known works include books, film and biographical plays about Canadian folk artist Maud Lewis, including Maud Lewis The Heart on the Door, and Maud Lewis - World Without Shadows. His plays include one about international singer Portia White, who was born in Nova Scotia: Portia White - First You Dream.
David Alexander Colville, LL. D. was a Canadian painter and printmaker.
Maud Kathleen Lewis was a Canadian folk artist from Nova Scotia. She lived most of her life in poverty in a small house in Marshalltown, Nova Scotia. She achieved national recognition in 1964 and 1965 for her cheerful paintings of landscapes, animals and flowers, which offer a nostalgic and optimistic vision of her native province. Several books, plays and films have been produced about her. She remains one of Canada's most celebrated folk artists. Her works are displayed at the Art Gallery of Nova Scotia, as well as her restored house, whose walls she adorned with her art.
John Alexander Douglas McCurdy, was a Canadian aviation pioneer and the 20th Lieutenant Governor of Nova Scotia from 1947 to 1952.
Geof Isherwood is an American painter, sculptor and comic book illustrator.
The history of Nova Scotia covers a period from thousands of years ago to the present day. Prior to European colonization, the lands encompassing present-day Nova Scotia were inhabited by the Mi'kmaq people. During the first 150 years of European settlement, the region was claimed by France and a colony formed, primarily made up of Catholic Acadians and Mi'kmaq. This time period involved six wars in which the Mi'kmaq along with the French and some Acadians resisted the British invasion of the region: the French and Indian Wars, Father Rale's War and Father Le Loutre's War. During Father Le Loutre's War, the capital was moved from Annapolis Royal, Nova Scotia, to the newly established Halifax, Nova Scotia (1749). The warfare ended with the Burying the Hatchet ceremony (1761). After the colonial wars, New England Planters and Foreign Protestants immigrated to Nova Scotia. After the American Revolution, Loyalists immigrated to the colony. During the nineteenth century, Nova Scotia became self-governing in 1848 and joined the Canadian Confederation in 1867.
Black Nova Scotians are an ethnic group consisting of Black Canadians whose ancestors primarily date back to the Colonial United States as slaves or freemen, later arriving in Nova Scotia, Canada, during the 18th and early 19th centuries. As of the 2021 Census of Canada, 28,220 Black people live in Nova Scotia, most in Halifax. Since the 1950s, numerous Black Nova Scotians have migrated to Toronto for its larger range of opportunities. The first recorded free African person in Nova Scotia, Mathieu da Costa, a Mikmaq interpreter, was recorded among the founders of Port Royal in 1604. West Africans escaped slavery by coming to Nova Scotia in early British and French Colonies in the 17th and 18th centuries. Many came as enslaved people, primarily from the French West Indies to Nova Scotia during the founding of Louisbourg. The second major migration of people to Nova Scotia happened following the American Revolution, when the British evacuated thousands of slaves who had fled to their lines during the war. They were given freedom by the Crown if they joined British lines, and some 3,000 African Americans were resettled in Nova Scotia after the war, where they were known as Black Loyalists. There was also the forced migration of the Jamaican Maroons in 1796, although the British supported the desire of a third of the Loyalists and nearly all of the Maroons to establish Freetown in Sierra Leone four years later, where they formed the Sierra Leone Creole ethnic identity.
William McDonald was a Canadian politician.
The Antigonish Movement blended adult education, co-operatives, microfinance and rural community development to help small, resource-based communities around Canada's Maritimes to improve their economic and social circumstances. A group of priests and educators, including Father Jimmy Tompkins, Father Moses Coady, Rev. Hugh MacPherson and A.B. MacDonald led this movement from a base at the Extension Department at St. Francis Xavier University in Antigonish, Nova Scotia.
Canadian art refers to the visual as well as plastic arts originating from the geographical area of contemporary Canada. Art in Canada is marked by thousands of years of habitation by Indigenous peoples followed by waves of immigration which included artists of European origins and subsequently by artists with heritage from countries all around the world. The nature of Canadian art reflects these diverse origins, as artists have taken their traditions and adapted these influences to reflect the reality of their lives in Canada.
Fernand Toupin was a Québécois abstract painter best known as a first-generation member of the avant-garde movement known as Les Plasticiens. Like other members of the group, his shaped paintings drew upon the tradition of geometric abstraction, and he cited Mondrian as a forerunner. In 1959, Toupin began working with a more lyrical, though abstract, way of painting. The last decade of his career saw his return to geometric abstraction. Like Jean-Paul Mousseau, Toupin created works which lay outside the standard boundaries of art such as his stage sets for ballets.
William Valentine (1798-1849) was a portrait painter and daguerreotypist in Halifax, Nova Scotia.
Jacques Hurtubise (1939–2014) was a Canadian abstract painter, "known for his abstract, brightly coloured acrylic paintings".
Mary Marguerite Porter Zwicker was a Canadian artist and art promoter from Halifax, Nova Scotia. Known for her watercolor paintings of landscapes and villages in Nova Scotia, Zwicker exhibited her work at the Royal Canadian Academy of Arts, the Montreal Art Association, and the Art Gallery of Nova Scotia. Together with her husband, Leroy Zwicker, she owned and operated Zwicker's Gallery; for most of the 20th century, Zwicker's Gallery was the only Halifax gallery that routinely held art exhibits open to the public. It still operates.
Edith Hester McDonald-Brown was an African-Canadian artist. She is thought to be the first documented Black female painter in Canadian art history.
Henry M. Rosenberg was a painter whose style varied from realism to tonalism, symbolism and impressionism, as well as a printmaker and educator. He was Principal of the Victoria School of Art and Design from 1898 to 1910. Writers on the history of art in Nova Scotia call him the "grand old man of Nova Scotian art".
