Wilhelm Troszel (26 August 1823 - 2 March 1887) was a Polish composer and operatic bass. Born in Warsaw, he was the son of composer and piano maker Wilhelm Troschel. [1] Toszel studied vocal techniques with August Freyer. [2] He made his stage debut at the Grand Theatre, Warsaw on 17 April 1843. At that theatre he notably created the role of Zbigniew in the world premiere of Stanisław Moniuszko's The Haunted Manor at the Grand Theatre, Warsaw in 1865. [3]
Mignon is an 1866 opéra comique in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's 1795-96 novel Wilhelm Meisters Lehrjahre. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's "The Dead" and Willa Cather's The Professor's House. Thomas's goddaughter Mignon Nevada was named after the main character.
Hagith, Op. 25, is an opera in one act by the Polish composer and pianist Karol Szymanowski. The opera premiered at the Grand Theatre, Warsaw in 1922, nine years after its creation. The libretto in German was written by the Viennese secessionist poet and Szymanowski's friend Felix Dörmann.
Viola is an unfinished romantic opera by Bedřich Smetana. The libretto was written by Eliška Krásnohorská, and is based on Shakespeare's play Twelfth Night. The composer did some work on it in 1874 and then came back to it in 1883, when he only managed to orchestrate a few scenes; the opera was left incomplete upon Smetana's death in 1884.
Ercole amante is an opera in a prologue and five acts by Francesco Cavalli. Its Italian libretto is by Francesco Buti, based on Sophocles' The Trachiniae and on the ninth book of Ovid's Metamorphoses. The first performance took place on 7 February 1662 in the Salle des Machines of the Tuileries in Paris.
La mère coupable is an opera in three acts, Op. 412, by Darius Milhaud to a libretto by Madeleine Milhaud after the 1792 play, the third in Beaumarchais’ Figaro trilogy. It premiered at the Grand Théâtre de Genève on 13 June 1966.
Pygmalion is a monodrama in one act by composer Georg Benda with a German libretto by Friedrich Wilhelm Gotter. The opera's first performance was at the Ekhof Theatre, the court theatre in Gotha, on 20 September 1779. Pygmalion was the fourth of the five theatrical collaborations of Benda and Gotter. Gotter based his text on Jean-Jacques Rousseau's 1762 play Pygmalion. Benda's melodrama is unusual as it has no singing roles. Two of the three characters, Pygmalion and Galatea, are spoken roles; the other, Venus, is silently acted on stage.
Giulietta e Romeo is a dramma per musica by composer Niccolò Antonio Zingarelli with an Italian libretto by Giuseppe Maria Foppa after the 1530 novella of the same name by Luigi da Porto. The opera premiered at the Teatro alla Scala in Milan on 30 January 1796.
The Story of a Real Man is an opera in four acts by the Russian composer Sergei Prokofiev, his opus 117. It was written from 1947 to 1948, and was his last opera.
Antigone is an opera in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy Antigone by Sophocles. Honegger composed the opera between 1924 and 1927. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel.
The Tempest or The Enchanted Isle is an opera in three acts by composer John Christopher Smith. The work's English language libretto by David Garrick is based on the 1611 play of the same name by William Shakespeare. The opera premiered on 11 February 1756 in London at the Theatre Royal, Drury Lane.
Issé is an operatic pastorale héroïque by the French composer André Cardinal Destouches. Initially it was in three acts. The definitive revised version consists of a prologue and five acts. The libretto was by Antoine Houdar de la Motte. Although Destouches was only 25 at the time of its premiere, it is considered his best score.
Dezső Ernster was a Hungarian opera singer who sang leading bass roles with the New York Metropolitan Opera from 1946 to 1963. In 1929, he created the role of Baron d'Houdoux in Hindemith's Neues vom Tage.
Alessandro Stradella is a romantic opera in three acts composed by Friedrich von Flotow to a German libretto by "Wilhelm Friedrich". Set in Venice and the countryside near Rome, it is loosely based on the colourful life of the 17th-century Italian composer and singer Alessandro Stradella. It was first performed in its full version on 30 December 1844 at the Stadttheater in Hamburg.
Giulio Litta, Viscount Arese, was an Italian composer. He was trained at the Milan Conservatory where his first opera, Bianca di Santafiora, premiered in 1843. He composed several more operas, most of which premiered at theatres in Milan. His last opera, Il violino di Cremona, was heard at La Scala in 1882.
Adolf Kozieradski was a Polish operatic bass-baritone. He notably created the role of Miecznik in the world premiere of Stanisław Moniuszko's The Haunted Manor at the Great Theatre, Warsaw in 1865.
Conchita is an opera in four acts and six scenes by composer Riccardo Zandonai. The work uses an Italian language libretto by Maurizio Vaucaire and Carlo Zangarini which is based on Pierre Louÿs's 1898 novel La Femme et le pantin. The work premièred in Milan at the Teatro dal Verme on 14 October 1911 with soprano Tarquinia Tarquini, who later married Zandonai in 1917, in the title role. Her portrayal was lauded by critics and she went on to perform Conchita at the Royal Opera, London (1912), the Cort Theatre in San Francisco (1912), the Philharmonic Auditorium in Hollywood (1912), the Heilig Theatre in Portland (1912), the Metropolitan Opera House in Philadelphia (1912), the Chicago Grand Opera Company (1913), and the Teatro di San Carlo in Naples (1913). The opera was published by G. Ricordi & Co in 1912.
Giuseppe Capponi was an Italian operatic tenor who sang leading roles both in Italy and Europe. He is most remembered today as the tenor soloist in the world premiere of the Verdi Requiem.
Didon is a tragédie en musique or opera in a prologue and five acts by librettist, Louise-Geneviève Gillot de Saintonge, and composer Henri Desmarets. The opera was heavily influenced by Jean-Baptiste Lully's Armide and the music of both Marc-Antoine Charpentier and Henri Dumont.
Zum Groß-Admiral is a comic opera in three acts by Albert Lortzing; it premiered on 13 December 1847 at the Altes Theater in Leipzig.
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