Willem van Veldhuizen | |
|---|---|
 Willem van Veldhuizen, New York City, 1992 | |
| Born | January 13, 1954 |
| Nationality | Dutch |
| Known for | Painting |
| Movement | Hyperrealism |
| Awards | 1978 Bronze medal European prize for the Art of painting - Karel Klinkenbergprize for Art of drawing - Royal Subsidy for painting |
Willem van Veldhuizen (born January 13, 1954, in Rotterdam, Netherlands) is a Dutch painter, known for his photorealism and hyperrealism paintings of his museum interiors. [1]
Willem van Veldhuizen was born in Rotterdam, the Netherlands, [2] and took his studies at the Willem de Kooning Academy from 1972 to 1977 together with artists like Frank Dam, Jos Looise, and Anton Vrede . His work is influenced by classical masters like the 17th century Dutch painter of church interiors Pieter Jansz Saenredam, with whom he shares a preference for sacred rooms, tranquility and colors in harmonizing tones, and by classic-modern masters like Mark Rothko.
The composition of his paintings are composed according to an established pattern: "The upper, narrow part of the canvas shows the back wall or a glass wall through which a garden is visible. A large floor area holds a prominent place. The reality of the building or the world outside is reflected in the floors" The floor area is builds up the according to a special technique: "After the undercoat has been applied and the shadows have been put in, he 'splats' the paint against the canvas: color over color, layer on top of layer - making subtle distinctions in light and dark against the back wall". [3]
In the paintings of his museum interiors, Van Veldhuizen quotes his favorites in art, among others Michelangelo, Picasso, Man Ray, Barnett Newman, Gerrit Rietveld and Le Corbusier. [3]
Jan Josephszoon van Goyen was a Dutch landscape painter. The scope of his landscape subjects was very broad as he painted forest landscapes, marine paintings, river landscapes, beach scenes, winter landscapes, cityscapes, architectural views and landscapes with peasants. The list of painters he influenced is much longer. He was an extremely prolific artist who left approximately twelve hundred paintings and more than one thousand drawings.
Willem van de Velde the Younger was a Dutch marine painter, the son of Willem van de Velde the Elder, who also specialised in maritime art. His brother, Adriaen van de Velde, was a landscape painter.
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
The Milkmaid, sometimes called The Kitchen Maid, is an oil-on-canvas painting of a "milkmaid", in fact, a domestic kitchen maid, by the Dutch artist Johannes Vermeer. It is in the Rijksmuseum in Amsterdam, the Netherlands, which regards it as "unquestionably one of the museum's finest attractions".
Municipal Museum Boijmans Van Beuningen is an art museum in Rotterdam in the Netherlands. The name of the museum is derived from the two most important collectors of Frans Jacob Otto Boijmans and Daniël George van Beuningen. It is located at the Museumpark in the district Rotterdam Centrum, close to the Kunsthal and the Natural History Museum.
Isaac Lazarus Israëls was a Dutch painter associated with the Amsterdam Impressionism movement.
Dutch art describes the history of visual arts in the Netherlands, after the United Provinces separated from Flanders. Earlier painting in the area is covered in Early Netherlandish painting and Dutch and Flemish Renaissance painting.
Abraham Hendriksz van Beijeren or Abraham van Beyeren was a Dutch Baroque painter of still lifes. Little recognized in his day and initially active as a marine painter, he is now considered one of the most important painters of still lifes, and still lifes of fish and so-called 'pronkstillevens', i.e. sumptuous still lifes of luxurious objects.
Willem Kalf was one of the most prominent Dutch still-life painters of the 17th century, the Dutch Golden Age. We first get acquainted with Willem Kalf through Arnold Houbraken, in his Groot Schilderboek, who speaks very highly of him. In fact, Kalf was a highly regarded and celebrated artist during his own lifetime. This was due to his extensive art knowledge and what we gain from Houbraken, his affable personality. His claim to fame now rests mostly on his mature still lifes, pronkstilleven in Dutch, which feature the most exotic and luxurious objects. This can be seen in for example, Still life with nautilus beaker and porcelain lidded bowl from 1662, which became an iconic piece of western art.
The Willem de Kooning Academy is a Dutch academy of media, art, design, leisure and education based in Rotterdam. It was named after one of its most famous alumni, Dutch fine artist Willem de Kooning.
Hendrik van Minderhout was a Dutch-born artist who was primarily active in the Flemish cities Bruges and Antwerp. He painted marine paintings, harbor scenes, cityscapes, landscapes and architectural paintings. He also collaborated as a staffage painter with Flemish landscape and perspective painters.
Andreas Schelfhout (1787–1870) was a Dutch painter, etcher and lithographer, known for his landscape paintings.
Ludolf de Jongh or Ludolf Leendertsz. de Jongh was a Dutch painter, known for his genre scenes, hunting scenes, history paintings, landscapes, cityscapes and portraits. He was further a merchant, an officer in the civil guard of Rotterdam and a schout (sheriff) of Hillegersberg. He was in the 1650s the leading genre painter in Rotterdam whose work influenced artists such as Pieter de Hooch. He was active as a staffage painter and added the figures in the works of artists such as the church interior painter Anthonie de Lorme and the landscape painter Joris van der Haagen.
Pulchri Studio is a Dutch art society, art institution and art studio based in The Hague ('s-Gravenhage), Netherlands.
Hermanus (Herman) Berserik was a Dutch painter and print maker. He was a member of the Pulchri Studio in The Hague. He studied art at that city's Royal Academy of Art, where his teachers included Willem Schrofer, Willem Jacob Rozendaal, and Rein Draijer.
Asnières, now named Asnières-sur-Seine, is the subject and location of paintings that Vincent van Gogh made in 1887. The works, which include parks, restaurants, riverside settings and factories, mark a breakthrough in van Gogh's artistic development. In the Netherlands his work was shaped by great Dutch masters as well as Anton Mauve a Dutch realist painter who was a leading member of the Hague School and a significant early influence on his cousin-in-law van Gogh. In Paris van Gogh was exposed to and influenced by Impressionism, Symbolism, Pointillism, and Japanese woodblock print genres.
The French town of Saintes-Maries-de-la-Mer is the subject of a series of paintings that Vincent van Gogh made in June 1888. When Van Gogh lived in Arles, he took a week-long trip to Saintes-Maries-de-la-Mer on the Mediterranean Sea, where he made several paintings of the seascape and town.
Paul Joseph Constantin Gabriël or Paul Gabriël was a painter, draftsman, watercolorist, and etcher who belonged to the Hague School.
Cardplayers in a Sunlit Room (1658) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch; it is an example of Dutch Golden Age painting and is now in the Royal Collection, and on display at the King's Gallery in London.
The Laren School is the name of an art colony located in the Dutch village, Laren, in the Gooi near Hilversum. The artists of this offshoot of the Hague School chose the inhabitants of Laren and the surrounding landscape as the subject of their art.
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