William Corkine (fl. 1610 - 1617) [1] was an English composer, lutenist, gambist and lyra viol player of the Renaissance.
In private service in the second decade of the 17th century before traveling to Poland in 1617. He published a first book of Ayres to Sing and Play to the Lute and Basse-Viollin in 1610 and a Second Booke of Ayres, some to sing and play to the Basse-Violl alone: others to be sung to the Lute and Bass Viollin in 1612. The first book has the more charming songs. The second is notable in that thirteen of the songs are without tablature accompaniment or alternative partsong versions, but are instead marked to be sung 'to the Base-Violl alone.' [2]
John Dowland was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe", "Now o now I needs must part" and "In darkness let me dwell". His instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.
Thomas Campion was an English composer, poet, and physician. He was born in London, educated at Cambridge, studied law in Gray's inn. He wrote over a hundred lute songs, masques for dancing, and an authoritative technical treatise on music.
Henry Lawes was the leading English songwriter of the mid-17th century. He was elder brother of fellow composer William Lawes.
Thomas Morley was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, The New Grove Dictionary of Music and Musicians states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music."
Thomas Ford was an English composer, lutenist, viol player and poet.
Robert Johnson was an English composer and lutenist of the late Tudor and early Jacobean eras. He is sometimes called "Robert Johnson II" to distinguish him from an earlier Scottish composer. Johnson worked with William Shakespeare providing music for some of his later plays.
Robert Jones was an English lutenist and composer, the most prolific of the English lute song composers.
John Bartlet, also John Bartlett, was an English Renaissance composer. He was employed as a musician by Sir Edward Seymour, Earl Hertford (1539–1621) and accompanied him on a diplomatic visit to Brussels in 1605.
During the reign of Queen Elizabeth I (1558–1603), English art and high culture reached a pinnacle known as the height of the English Renaissance. Elizabethan music experienced a shift in popularity from sacred to secular music and the rise of instrumental music. Professional musicians were employed by the Church of England, the nobility, and the rising middle-class.
The year 1610 in music involved some significant events.
The year 1612 in music involved some significant events.
Pierre Guédron, was a French singer and composer.
Philip Rosseter was an English composer and musician, as well as a theatrical manager. His family seems to have been from Somerset or Lincolnshire, he may have been employed with the Countess of Sussex by 1596, and he was living in London by 1598. In 1604 Rosseter was appointed a court lutenist for James I of England, a position he held until his death in 1623. Rosseter is best known for A Book of Ayres which was written with Thomas Campion and published in 1601. Some literary critics have held that Campion wrote the poems for Rosseter's songs; however, this seems not to be the case. It is likely that Campion was the author of the book's preface, which criticizes complex counterpoint and "intricate" harmonies that leave the words inaudible. The two men had a close professional and personal relationship; when Campion died in 1620, he had named Rosseter his sole heir.
Richard Dering — also Deering, Dearing, Diringus, etc. — was an English Renaissance composer during the era of late Tudor music. He is noted for his pioneering use of compositional techniques which anticipated the advent of Baroque music in England. Some of his surviving choral works are part of the repertoire of Anglican church music today.
The Second Book of Songs is a book of songs composed by Renaissance composer John Dowland and published in London in 1600. He dedicated it to Lucy Russell, Countess of Bedford.
Nationality words link to articles with information on the nation's poetry or literature.
Thomas Greaves was an English composer and lutenist.
John Attey was an English composer of lute songs or ayres.
Walter Porter (c.1587–1659) was an English composer and church musician. He travelled to Italy to study under Monteverdi, and shows Italian influence in madrigals and his one surviving anthem.
There Is A Garden In Her Face is a lyric poem by Thomas Campion that was published in 1617.