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Aesthetics is the branch of philosophy concerned with the nature of beauty and the nature of taste; and functions as the philosophy of art. Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgements of artistic taste; thus, the function of aesthetics is the "critical reflection on art, culture and nature".
Fractal art is a form of algorithmic art created by calculating fractal objects and representing the calculation results as still digital images, animations, and media. Fractal art developed from the mid-1980s onwards. It is a genre of computer art and digital art which are part of new media art. The mathematical beauty of fractals lies at the intersection of generative art and computer art. They combine to produce a type of abstract art.
Interactive art is a form of art that involves the spectator in a way that allows the art to achieve its purpose. Some interactive art installations achieve this by letting the observer walk through, over or around them; others ask the artist or the spectators to become part of the artwork in some way.
Goldsmiths, University of London, legally the Goldsmiths' College, is a constituent research university of the University of London in England. It was originally founded in 1891 as The Goldsmiths' Technical and Recreative Institute by the Worshipful Company of Goldsmiths in New Cross, London. It was renamed Goldsmiths' College after being acquired by the University of London in 1904, and specialises in the arts, design, computing, humanities and social sciences. The main building on campus, known as the Richard Hoggart Building, was originally opened in 1792 and is the site of the former Royal Naval School.
Mark Wallinger is a British artist. Having previously been nominated for the Turner Prize in 1995, he won in 2007 for his installation State Britain. His work Ecce Homo (1999–2000) was the first piece to occupy the empty fourth plinth in Trafalgar Square. He represented Britain at the Venice Biennale in 2001. Labyrinth (2013), a permanent commission for Art on the Underground, was created to celebrate 150 years of the London Underground. In 2018, the permanent work Writ in Water was realized for the National Trust to celebrate Magna Carta at Runnymede.
Evolutionary art is a branch of generative art, in which the artist does not do the work of constructing the artwork, but rather lets a system do the construction. In evolutionary art, initially generated art is put through an iterated process of selection and modification to arrive at a final product, where it is the artist who is the selective agent.
Generative art refers to art that in whole or in part has been created with the use of an autonomous system. An autonomous system in this context is generally one that is non-human and can independently determine features of an artwork that would otherwise require decisions made directly by the artist. In some cases the human creator may claim that the generative system represents their own artistic idea, and in others that the system takes on the role of the creator.
The UCL Slade School of Fine Art is the art school of University College London (UCL) and is based in London, England. It has been ranked as the UK's top art and design educational institution. The school is organised as a department of UCL's Faculty of Arts and Humanities.
Organic synthesis is a special branch of chemical synthesis and is concerned with the intentional construction of organic compounds. Organic molecules are often more complex than inorganic compounds, and their synthesis has developed into one of the most important branches of organic chemistry. There are several main areas of research within the general area of organic synthesis: total synthesis, semisynthesis, and methodology.
Auto-destructive art (ADA) is a form of art invented by Gustav Metzger, an artist born in Bavaria who moved to Britain in 1939. Taking place after World War II, Metzger wanted to showcase the destruction created from the war through his artwork. This movement took place in England and was launched by Metzger in 1959. This term was invented in the early 1960s and put into circulation by his article "Machine, Auto-Creative and Auto-Destructive Art" in the summer 1962 issue of the journal Ark.
Algorithmic art or algorithm art is art, mostly visual art, in which the design is generated by an algorithm. Algorithmic artists are sometimes called algorists.
Bill Burns is a Canadian artist.
Cecil Balmond OBE is a Sri Lankan–British designer, artist, and writer. In 1968 Balmond joined Ove Arup & Partners, leading him to become deputy chairman. In 2000 he founded design and research group, the AGU.
Adam Chodzko is a contemporary British artist, exhibiting internationally. His practice uses a wide range of media, including video, installation, photography, drawing, and performance.
Generative design is an iterative design process that generates outputs that meet specified constraints to varying degrees. In a second phase, designers can then provide feedback to the generator that explores the feasible region by selecting preferred outputs or changing input parameters for future iterations. Either or both phases can be done by humans or software. One method is to use a generative adversarial network, which is a pair of neural networks. The first generates a trial output. The second provides feedback for the next iteration.
New media art includes artworks designed and produced by means of electronic media technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts. New Media art has origins in the worlds of science, art, and performance. Some common themes found in new media art include databases, political and social activism, Afrofuturism, feminism, and identity, a ubiquitous theme found throughout is the incorporation of new technology into the work. The emphasis on medium is a defining feature of much contemporary art and many art schools and major universities now offer majors in "New Genres" or "New Media" and a growing number of graduate programs have emerged internationally. New media art may involve degrees of interaction between artwork and observer or between the artist and the public, as is the case in performance art. Yet, as several theorists and curators have noted, such forms of interaction, social exchange, participation, and transformation do not distinguish new media art but rather serve as a common ground that has parallels in other strands of contemporary art practice. Such insights emphasize the forms of cultural practice that arise concurrently with emerging technological platforms, and question the focus on technological media per se. New Media art involves complex curation and preservation practices that make collecting, installing, and exhibiting the works harder than most other mediums. Many cultural centers and museums have been established to cater to the advanced needs of new media art.
Mark Wilson (Artist) (born May 13, 1943 in Cottage Grove, Oregon) is an American digital artist, a painter, and printmaker.
Bose Krishnamachari is an Indian painter and artist-curator based in Mumbai, India. He was born in 1963 at Mangattukara village near Angamaly, Kerala. He had done his early schooling at Government Higher Secondary School, Puliyanam. He took his BFA from Sir J. J. School of Art, Mumbai in 1991, and then completed his MFA from Goldsmiths' College, University of London in 2000.
Hybrid Artworks is an interdisciplinary research and performance art cooperative originally based in Hull, UK. It was established in 1995 and produced pieces of performance art, video installation theatre, texts and essays.
Marion Kalmus is a British Artist who produced work between 1993 and 2002. After a first profession as a fresco restorer, Kalmus studied Fine Art at Goldsmiths, University of London. Whilst still a student she was commissioned to make a work at the Royal Festival Hall, London She won the Nicholas and Andre Tooth Scholarship and used the prize to film her work Deserter which was shown at the Tate Liverpool 1995.
References
- ↑ "NG Alphas: Computer Artworks". Next Generation . No. 33. Imagine Media. September 1997. pp. 64–66.
- ↑ "Goldsmiths: University of London: Prof William Latham".
