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"Desolation Row" is a 1965 song by the American singer-songwriter Bob Dylan. It was recorded on August 4, 1965, and released as the closing track of Dylan's sixth studio album, Highway 61 Revisited. The song has been noted for its length (11:21) and surreal lyrics in which Dylan weaves characters into a series of vignettes that suggest entropy and urban chaos.
"Whiskey in the Jar" is an Irish traditional song set in the southern mountains of Ireland, often with specific mention of counties Cork and Kerry. The song, about a rapparee (highwayman) who is betrayed by his wife or lover, is one of the most widely performed traditional Irish songs and has been recorded by numerous artists since the 1950s.
The Clancy Brothers were an influential Irish folk music group that developed initially as a part of the American folk music revival. Most popular during the 1960s, they were famed for their Aran jumper sweaters and are widely credited with popularising Irish traditional music in the United States and revitalising it in Ireland, contributing to an Irish folk boom with groups like the Dubliners and the Wolfe Tones.
Patrick Michael Clancy, usually called Paddy Clancy or Pat Clancy, was an Irish folk singer best known as a member of the Clancy Brothers and Tommy Makem. In addition to singing and storytelling, Clancy played the harmonica with the group, which is widely credited with popularizing Irish traditional music in the United States and revitalizing it in Ireland. He also started and ran the folk music label Tradition Records, which recorded many of the key figures of the American folk music revival.
Liam Clancy was an Irish folk singer from Carrick-on-Suir, County Tipperary. He was the youngest member of the influential folk group the Clancy Brothers, regarded as Ireland's first pop stars. They achieved global sales of millions and appeared in sold-out concerts at such prominent venues as Carnegie Hall and the Royal Albert Hall.
Thomas Makem was an Irish folk musician, artist, poet and storyteller. He was best known as a member of the Clancy Brothers and Tommy Makem. He played the long-necked 5-string banjo, tin whistle, low whistle, guitar, bodhrán and bagpipes, and sang in a distinctive baritone. He was sometimes known as "The Bard of Armagh" and "The Godfather of Irish Music".
"The Patriot Game" is an Irish ballad with lyrics by Dominic Behan and a melody from the traditional tune "One Morning in May", first released in 1958. check out the 2 Matt Minglewood recordings of The Patriot Game. They are by far the best versions of this song.
"Silver Dagger", with variants such as "Katy Dear", "Molly Dear", "The Green Fields and Meadows", "Awake, Awake, Ye Drowsy Sleepers" and others, is an American folk ballad, whose origins lie possibly in Britain. These songs of different titles are closely related, and two strands in particular became popular in commercial Country music and Folk music recordings of the twentieth century: the "Silver Dagger" version popularised by Joan Baez, and the "Katy Dear" versions popularised by close harmony brother duets such as The Callahan Brothers, The Blue Sky Boys and The Louvin Brothers.
Live at The Gaslight 1962 is a live album including ten songs from early Bob Dylan performances recorded in October 1962 at The Gaslight Cafe in New York City's Greenwich Village. Released in 2005 by Columbia Records, it was originally distributed through an exclusive 18-month deal with Starbucks, after which it was released to the general retail market. The album release coincided with the release of the documentary No Direction Home: Bob Dylan.
No Direction Home: Bob Dylan is a 2005 documentary film by Martin Scorsese that traces the life of Bob Dylan, and his impact on 20th-century American popular music and culture. The film focuses on the period between Dylan's arrival in New York in January 1961 and his "retirement" from touring following his motorcycle accident in July 1966. This period encapsulates Dylan's rise to fame as a folk singer and songwriter where he became the center of a cultural and musical upheaval, and continues through the electric controversy surrounding his move to a rock style of music.
Paul Clayton was an American folksinger and folklorist who was prominent in the folk music revival of the 1950s and 1960s.
The Bonnie Lass o' Fyvie is a Scottish folk song about a thwarted romance between a soldier and a girl. Like many folk songs, the authorship is unattributed, there is no strict version of the lyrics, and it is often referred to by its opening line "There once was a troop o' Irish dragoons". The song is also known by a variety of other names, the most common of them being "Peggy-O", "Fennario", and "The Maid of Fife".
"(The) Leaving of Liverpool", also known as "Fare Thee Well, My Own True Love", is a folk song. Folklorists classify it as a lyrical lament and it was also used as a sea shanty, especially at the capstan. It is very well known in Britain, Ireland, and America, despite the fact that it was collected only twice, from the Americans Richard Maitland and Captain Patrick Tayluer. It was collected from both singers by William Main Doerflinger, an American folk song collector particularly associated with sea songs in New York. The song's narrator laments his long sailing trip to California and the thought of leaving his loved ones, pledging to return to her one day.
"Lady Franklin's Lament" is a traditional folk ballad indexed by George Malcolm Laws and Steve Roud. The song recounts the story of a sailor who dreams about Lady Franklin speaking of the loss of her husband, Sir John Franklin, who disappeared in Baffin Bay during his 1845 expedition through the Arctic Ocean in search of the Northwest Passage sea route to the Pacific Ocean. The song first appeared as a Broadside ballad around 1850 and has since been recorded with the melody of the Irish traditional air "Cailín Óg a Stór" by numerous artists. It has been found in Ireland, in Scotland, and in some regions of Canada.
Postcards of the Hanging is a compilation album by the Grateful Dead. It consists entirely of Bob Dylan covers, performed live in concert, along with a rehearsal performance of "Man of Peace" featuring the Grateful Dead backing Dylan himself. Bob Weir sings lead on five tracks, Jerry Garcia on three, and Phil Lesh on one ; Weir and Garcia also alternate on one. Another Dylan covers collection, Garcia Plays Dylan, includes several performances by the Grateful Dead, but mostly by the Jerry Garcia Band and other Garcia side projects. An album of live performances containing Dylan and the Grateful Dead performing together was released in 1989 as "Dylan & the Dead."
"Jim Jones at Botany Bay" is a traditional Australian folk ballad dating from the early 19th-century. The narrator, Jim Jones, is found guilty of poaching and sentenced to transportation to the penal colony of New South Wales. En route, his ship is attacked by pirates, but the crew holds them off. When the narrator remarks that he would rather have joined the pirates or indeed drowned at sea than gone to Botany Bay, Jones is reminded by his captors that any mischief will be met with the whip. In the final verse, Jones describes the daily drudgery and degradation of life as a convict in Australia, and dreams of joining the bushrangers and taking revenge on his floggers.
"Carrickfergus" is an Irish folk song, named after the town of Carrickfergus in County Antrim, Northern Ireland. The Clancy Brothers' 1964 album titled "The First Hurrah!" includes this title. A somewhat differing version was released under the name "The Kerry Boatman", by Dominic Behan on an LP called The Irish Rover, in 1965.
Tradition Records was an American record label from 1955 to 1966 that specialized in folk music. The label was founded and financed by Guggenheim heiress Diane Hamilton in 1956. Its president and director was Patrick "Paddy" Clancy, who was soon to join his brothers Liam and Tom Clancy and Tommy Makem, as part of the new Irish folk group, The Clancy Brothers and Tommy Makem. Liam Clancy designed the company's maple leaf logo. Columbia University Professor of Folklore Kenneth Goldstein was also involved in the early creation of the company, which operated out of Greenwich Village, New York, United States.
The Clancy Brothers & Tommy Makem is a collection of traditional Irish songs performed by The Clancy Brothers with frequent collaborator Tommy Makem. It was their third album and their final one for Tradition Records, the small label that the eldest Clancy brother Paddy Clancy ran. After this, the group recorded exclusively for Columbia Records until 1970. This was the first album for which they used the group name, The Clancy Brothers and Tommy Makem. Their prior recordings had simply listed their individual names on the cover.
Older But No Wiser is a 1995 album by the Irish folk group, The Clancy Brothers and Robbie O'Connell. This was the Clancy Brothers' final album, released almost four decades after the group's first album, The Rising of the Moon. It was also their third album for Vanguard Records. The songs on Older But No Wiser are notable for their thicker musical accompaniment than was typical of Clancy recordings, as well their first use of female back-up singers.
References
- 1 2 Norman Cazden, Norman Studer, Folk songs of the Catskills, State Univ of New York Press, 1983, pg 414
- ↑ The Limerick Chronicle, April 22nd 1809 Archived by [LimerickCity.ie]
- 1 2 Steve Roud & Julia Bishop, eds. The New Penguin Book of English Folk Songs Penguin Classics, 2002 ISBN 978-0-141-19461-5 p.496
- ↑ "Brennan on the Moor (trad.)". Bobdylanroots.com. 16 October 1992. Retrieved 8 February 2012.
- ↑ Dictionary of Irish Biography 9 Volume Set
- ↑ Reminiscences of a Light Dragoon. Free eBook (Google): The United Services Magazine, Volume 33. August 1840. pp. 455–462.