Wine rating

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Retailers will often use signage advertising wines that have received a favorable rating from critics. Wine bottle rating sign.JPG
Retailers will often use signage advertising wines that have received a favorable rating from critics.

A wine rating is a score assigned by one or more wine critics to a wine tasted as a summary of that critic's evaluation of that wine. A wine rating is therefore a subjective quality score, typically of a numerical nature, given to a specific bottle of wine. In most cases, wine ratings are set by a single wine critic, but in some cases a rating is derived by input from several critics tasting the same wine at the same time. A number of different scales for wine ratings are in use. Also, the practices used to arrive at the rating can vary. Over the last couple of decades, the 50–100 scale introduced by Robert M. Parker, Jr. has become commonly used. This or numerically similar scales are used by publications such as Wine Enthusiast , Wine Spectator , and Wine Advocate . [1] [2] [3] Other publications or critics, such as Jancis Robinson and Michael Broadbent, may use a 0–20 scale, or a 0–5 scale (often in terms of numbers of stars) either with or without half-star steps. [4]

Contents

In recent years, with the advent of aggregated user-generated ratings, there has also proliferated group rating systems, such as the one employed by CellarTracker, using input from non-professional wine tasters who taste under differing conditions. [5] In addition to a simple numerical score, most wine ratings are meant to supplement the wine tasting notes, which are brief descriptions of the wine critic's overall impression of the wine, including its flavor qualities. However, often the emphasis (in particular in marketing) is on the score applied by a critic rather than on the total wine tasting note. [6]

History

American wine critic Robert Parker is credited with popularizing the use of numerical wine ratings. Robert M. Parker cropped.jpg
American wine critic Robert Parker is credited with popularizing the use of numerical wine ratings.

While the composition of tasting notes and other forms of wine literature has existed throughout the history of wine, the widespread use of numerical rating systems is a relatively recent phenomenon. During the mid 20th century, as American interest in wine was developing, consumers found themselves being introduced to a wide assortment of wines from across the globe. This surplus of available options created a niche market for critics who could provide a service in reviewing wines and making recommendations that could make the buying process easier for consumers. Following a pattern similar to the product reviews of such consumer magazines like Consumer Reports and Which? , American critics began writing more condensed wine reviews that consumers could scan through briefly to identify wines of interest. The popularization of numerical scoring is widely credited to the American wine critic Robert Parker who patterned his system of numerical ratings on the American standardized grading system in the 1970s. [6] [7]

Under Parker's system, wines were evaluated on a 50–100 scale that roughly correlated to an A–F "grade" on the wine. A wine was considered "above average" or "good" if it got a score of at least 85 points. Readers of wine rating magazines such as Parker's The Wine Advocate, or its later imitators such as Wine Spectator and The Wine Enthusiast, could quickly at glance see a review of several dozen or even hundreds of available wines broken down into numerical evaluations. These consumers could isolate a range of scores to concentrate their buying purchase on without ever having to try a wine beforehand. Similarly, wine retailers and merchants found themselves with a ready made marketing tool that didn't even require them to research or sample the wine before they put it on sale. [6]

The popularity of numerical wine ratings became a boon for the wine retailing industry. Wines that received scores classified as "outstanding" (usually 90 points or above) were essentially guaranteed favorable sales in the market. Wines that received "extraordinary" or "classic" ratings of 95–100 began to develop cult followings that, coupled with the limited production, helped to skyrocket their prices. A segment of investment wine emerged that aimed to capitalize on the speculation and eventual price increase surrounding highly scoring wines. The influence of wine ratings was particularly keen in the developing wine markets of Asia, Russia and South America at the turn of the 21st century. [6]

Criticism

Critics of numerical wine ratings have contended that the popularity and marketing power of these ratings have contributed to a homogenization of wine styles being offered on the market. Wine retail area - Enoteca Vino Bar.jpg
Critics of numerical wine ratings have contended that the popularity and marketing power of these ratings have contributed to a homogenization of wine styles being offered on the market.

The numerical wine rating system has been heavily criticized. [8] [9] [10] [11] It has been considered a driving force in the globalization of wine and the downplaying of the influence of terroir and individuality in wine making. Critics of the wine rating system contend that the economic and marketing power of receiving favorable scores by influential critics has steered global winemaking towards producing a homogeneous style that is perceived as appealing to the critics. These critics point to what they contend is an inherent flaw in sampling a wide assortment of wines at once. When compared together, wines (particular red) that have deep colors, full bodied, stronger, concentrated flavors and smooth mouthfeel tend to stand out from the assortment more than wines with more subtle characteristics. These wines tend to receive more favorable wine ratings which have led to an increase in the proliferation of these styles of wines on the market. [6]

Related Research Articles

<span class="mw-page-title-main">Robert Parker (wine critic)</span> American wine critic

Robert McDowell Parker Jr. is a retired American wine critic. His wine ratings on a 100-point scale and his newsletter The Wine Advocate are influential in American wine buying and are therefore a major factor in setting the prices for newly released Bordeaux wines. This made him the most widely known and influential wine critic in the world.

<i>Wine Spectator</i> American wine magazine

Wine Spectator is an American lifestyle magazine that focuses on wine, wine culture and wine ratings. It is the flagship publication of M. Shanken Communications, which also publishes Cigar Aficionado, Whisky Advocate, Market Watch, Shanken News Daily and Shanken’s Impact Newsletter.

<span class="mw-page-title-main">Decanter</span> Vessel to hold a liquid

A decanter is a vessel that is used to hold the decantation of a liquid which may contain sediment. Decanters, which have a varied shape and design, have been traditionally made from glass or crystal. Their volume is usually equivalent to one standard bottle of wine.

<span class="mw-page-title-main">Jancis Robinson</span> British journalist

Jancis Mary RobinsonOBE, ComMA, MW is a British wine critic, journalist and wine writer. She currently writes a weekly column for the Financial Times, and writes for her website JancisRobinson.com, updated daily. She provided advice for the wine cellar of Queen Elizabeth II.

The Paris Wine Tasting of 1976, also known as the Judgment of Paris, was a wine competition, to commemorate the United States Bicentennial, organized in Paris on 24 May 1976 by Steven Spurrier, a British wine merchant, and his American colleague, Patricia Gallagher, in which French oenophiles participated in two blind tasting comparisons: one of top-quality Chardonnays and another of red wines. A Napa County wine rated best in each category, which caused surprise as France was generally regarded as being the foremost producer of the world's best wines. By the early 1970s, the quality of some California wines was outstanding but few took notice as the market favored French brands. Spurrier sold predominately French wines and believed the California wines would not be favored by the judges.

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The Beverage Testing Institute (BTI) is a marketing service company that provides reviews for spirits, wines, and beers. It uses numerical scores and publishes books of its test results.

<span class="mw-page-title-main">Wine tasting descriptors</span>

The use of wine tasting descriptors allows the taster to qualitatively relate the aromas and flavors that the taster experiences and can be used in assessing the overall quality of wine. Wine writers differentiate wine tasters from casual enthusiasts; tasters attempt to give an objective description of the wine's taste, casual enthusiasts appreciate wine but pause their examination sooner than tasters. The primary source of a person's ability to taste wine is derived from their olfactory senses. A taster's own personal experiences play a significant role in conceptualizing what they are tasting and attaching a description to that perception. The individual nature of tasting means that descriptors may be perceived differently among various tasters.

<i>The Wine Advocate</i> US periodical

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Quilceda Creek Winery

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<span class="mw-page-title-main">Wine tasting</span> Method of judging wine

Wine tasting is the sensory examination and evaluation of wine. While the practice of wine tasting is as ancient as its production, a more formalized methodology has slowly become established from the 14th century onward. Modern, professional wine tasters use a constantly evolving specialized terminology which is used to describe the range of perceived flavors, aromas and general characteristics of a wine. More informal, recreational tasting may use similar terminology, usually involving a much less analytical process for a more general, personal appreciation.

Matt Kramer is an American wine critic since 1976. He is a columnist for The Oregonian, was a columnist for The New York Sun before its demise in 2008, and previously for Los Angeles Times, and since 1985 is a regular contributor to Wine Spectator. He has been described as "perhaps the most un-American of all America's wine writers", by Mike Steinberger as "one of the more insightful and entertaining wine writers around", and by Hugh Johnson as "an intellectual guerrilla among wine writers".

A wine critic is a person who evaluates wine and describes it either with a numerical rating, a tasting note, or a combination of both. Their critiques, found in books, newspapers, magazines, newsletters, online, or in sales materials for wine, are often used by consumers in the process of deciding whether or not to buy a wine.

The Judgment of Princeton was a wine tasting event held on 8 June 2012 during a conference of the American Association of Wine Economists held at Princeton University in Princeton, New Jersey. The purpose of this event was to compare, by a blind tasting, of several French wines against wines produced in New Jersey in order to gauge the quality and development of the New Jersey wine industry. Because New Jersey's wine industry is relatively young and small, it has received little attention in the world wine market. The state's wine production has experienced growth in recent years largely as a result of state legislators offering new opportunities for winery licensing and repealing Prohibition-era laws that have constrained the industry's development in past years. This event was modeled after a 1976 blind tasting event dubbed the "Judgment of Paris" in which French wines were compared to several wines produced in California when that state's wine industry was similarly young and developing. The New Jersey wine industry heralded the results and asserted that the rating of New Jersey wines by the blind tasting's judges was a victory for the state's wine industry.

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Lisa Perrotti-Brown is a wine critic, author and Master of Wine based in Napa, California. She reviews the wines of Bordeaux, Napa Valley and Sonoma County for The Wine Advocate and RobertParker.com, the independent wine publication and website founded by wine critic, Robert Parker. She is also the editor-in-chief for The Wine Advocate and RobertParker.com. As one of the world's authorities on wine, Perrotti-Brown has been interviewed on wine related topics by mainstream media such as the BBC and CNBC

<span class="mw-page-title-main">Beer tasting</span>

Beer tasting is the experience of sampling beer. Depending on how the tasting is designed, it can be a way to learn more about the history, ingredients and production of beer as well as different beer styles, hops, yeast and beer presentation. A common way is to analyze the appearance, smell and taste of the beer. Most tastings, include a final judgement of the beer's quality.

References

  1. Wine Enthusiast Magazine "About Wine Enthusiast's Rating System" Accessed: Nov 18, 2013
  2. The Wine Advocate "The Wine Advocate's Rating System Archived 2010-01-07 at the Wayback Machine " Accessed: Jan 16, 2010
  3. Wine Spectator "Wine Spectator Tasting Procedures and Taster Profiles" Accessed: Jan 16, 2010
  4. J. Robinson Jancis Robinson's Wine Course Third Edition pp. 19, 283–286 Abbeville Press 2003 ISBN   0-7892-0883-0
  5. Bob Tedeschi (2005-02-03). "How Fine Is This Wine? Virtual Cellar Could Answer That Question With Ease". The New York Times .
  6. 1 2 3 4 5 J. Robinson (ed) "The Oxford Companion to Wine" Third Edition pp. 616–617 Oxford University Press 2006 ISBN   0-19-860990-6
  7. R. Nalley "Wine ratings: Are they help or hindrance to shoppers?" Schenectady Gazette, April 1, 1988
  8. Staff Reports "Wine-Rating Publications: Their Benefits and Pitfalls, Part I" The Record Searchlight, December 24, 2008
  9. D. DeSimone "Wine rating system doesn't point to perfection" Pittsburgh Tribune, April 13, 2005
  10. G. Rivlin "Wine-rating system is not improving with age" The New York Times, August 14, 2006
  11. W. Blake-Gray "Are ratings pointless?" San Francisco Chronicle, June 14, 2007