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Barbara Palmer, 1st Duchess of Cleveland, Countess of Castlemaine, was an English royal mistress of the Villiers family and perhaps the most notorious of the many mistresses of King Charles II of England, by whom she had five children, all of them acknowledged and subsequently ennobled. Barbara was the subject of many portraits, in particular by court painter Sir Peter Lely.
Eleanor Gwyn was an English stage actress and celebrity figure of the Restoration period. Praised by Samuel Pepys for her comic performances as one of the first actresses on the English stage, she became best known for being a long-time mistress of King Charles II of England.
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Thomas Killigrew was an English dramatist and theatre manager. He was a witty, dissolute figure at the court of King Charles II of England.
Philibert, Count de Gramont (1621–1707), was a French courtier and soldier, known as the protagonist of the Mémoires written by Anthony Hamilton. He was a younger half-brother of Antoine III of Gramont and uncle of Catherine Charlotte de Gramont, princess of Monaco.
Frances Teresa Stewart, Duchess of Richmond and Lennox was a prominent member of the Court of the Restoration and famous for refusing to become a mistress of Charles II of England. For her great beauty she was known as La Belle Stuart and served as the model for an idealised, female Britannia. She is one of the Windsor Beauties painted by Sir Peter Lely.
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Jacob Huysmans was a Flemish portrait painter who, after training in his native Antwerp, immigrated to England before the Restoration. He became a feted court painter and attracted the patronage of the Portuguese born queen Catherine of Braganza, a Catholic like himself, of whom he painted several portraits. With his exuberant style, he was during his lifetime regarded as an important rival of the court painter Peter Lely who favored a more sober treatment of his sitters.
Elizabeth Stanhope, Countess of Chesterfield was an Irish-born beauty. She was a courtier after the Restoration at the court of Charles II of England at Whitehall. She was the second wife of Philip Stanhope, 2nd Earl of Chesterfield.
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was rebuilt in 1714, and used again as a theatre for a third period, 1714–1732. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres.
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George Lane, 1st Viscount Lanesborough was an Irish politician.
Elizabeth, comtesse de Gramont, was an Irish-born courtier, first after the Restoration at the court of Charles II of England in Whitehall and later, after her marriage to Philibert de Gramont, at the court of Louis XIV where she was a lady-in-waiting to the French queen, Maria Theresa of Spain.
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Hester Davenport was a leading actress with the Duke's Company under the management of Sir William Davenant. Among the earliest English actresses, she was best known as "that faire & famous Comoedian call'd Roxalana," as diarist John Evelyn put it after seeing her on 9 January 1661/2. Her career ended when she married Aubrey de Vere, 20th Earl of Oxford (1627-1703) in 1662 or 1663. The couple had a son in 1664. Oxford soon deserted Davenport and his son Aubrey, marrying a fellow nobleman's daughter in January 1672. In a 1686 church court case, Oxford admitted the marriage ceremony with Davenport had been a sham.
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