James "Winky" Hicks (born c. 1953) [1] is a bluegrass musician and instrument maker from Grove Hill, Alabama. [1]
Hicks started playing guitar at the age of 7. [2] He learned to play bluegrass by watching his father play and picked up techniques by listening to Earl Scruggs and others on the Grand Ole Opry. [2] An uncle gave him the "Winky" nickname. [1]
Hicks is a regular at fiddlers festivals, where he plays the banjo [3] with his band, the Frontier Bluegrass. [4]
He started making bluegrass string instruments in 2000. [5] By 2019 he had constructed more than 200 mandolins, banjos, fiddles, and guitars. [6] In 2011, he was named a "Black Belt Treasured Artist" by the Black Belt Treasures Cultural Arts Center, a non-profit from Camden, Alabama. [7] In 2019, he built a guitar, painted by a local artist, to commemorate Alabama's 2018 national championship; the guitar, signed by Nick Saban, fetched $3,500 in an auction with proceeds going to Saban's charity, Nick's Kids. [8]
He also makes turkey yelpers. [9] [10]
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, in modern forms usually made of plastic, originally of animal skin. Early forms of the instrument were fashioned by African Americans and had African antecedents. In the 19th century, interest in the instrument was spread across the United States and United Kingdom by traveling shows of the 19th-century minstrel show fad, followed by mass-production and mail-order sales, including instruction method books. The inexpensive or home-made banjo remained part of rural folk culture, but 5-string and 4-string banjos also became popular for home parlor music entertainment, college music clubs, and early 20th century jazz bands. By the early 21st century, the banjo was most frequently associated with folk, bluegrass and country music, but was also used in some rock, pop and even hip-hop music. Among rock bands, the Eagles, Led Zeppelin, and the Grateful Dead have used the five-string banjo in some of their songs. Some famous pickers of the banjo are Ralph Stanley and Earl Scruggs.
William Smith Monroe was an American mandolinist, singer, and songwriter, and created the bluegrass music genre. Because of this, he is often called the "Father of Bluegrass".
Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time music, though in contrast to country, it is traditionally played exclusively on acoustic instruments and also kept its roots in traditional English, Scottish and Irish ballads and dance tunes, as well as incorporating blues and jazz. It was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genre as "Scottish bagpipes and ole-time fiddlin'. It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."
Ralph Edmund Stanley was an American bluegrass artist, known for his distinctive singing and banjo playing. He began playing music in 1946, originally with his older brother Carter Stanley as part of The Stanley Brothers, and most often as the leader of his band, The Clinch Mountain Boys. Ralph was also known as Dr. Ralph Stanley.
Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, contra dance, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle and plucked string instruments, most often the banjo, guitar, and mandolin. Together, they form an ensemble called the string band, which along with the simple banjo-fiddle duet have historically been the most common configurations to play old-time music. The genre is considered a precursor to modern country music.
The Seldom Scene is an American bluegrass band that formed in 1971 in Bethesda, Maryland. The band's original line-up comprised John Starling on lead vocals and guitar, Mike Auldridge on Dobro and baritone vocals, Ben Eldridge on banjo, Tom Gray on double bass, and John Duffey on mandolin; the latter three also provided backing vocals. Together they released their debut studio album, Act I, in 1972, followed by both Act II and Act III in 1973.
Norman L. Blake is a traditional American stringed instrument artist and songwriter. He is half of the eponymous Norman & Nancy Blake band with his wife, Nancy Blake.
James Dee Crowe was an American banjo player and bluegrass band leader. He first became known during his four-year stint with Jimmy Martin in the 1950s. Crowe led the bluegrass group New South from 1971 until his death in 2021.
The Dillards are an American bluegrass and country rock band from Salem, Missouri. The band is best known for introducing bluegrass music into the popular mainstream with their appearance as "The Darlings" on The Andy Griffith Show.
Flatt and Scruggs were an American bluegrass duo. Singer and guitarist Lester Flatt and banjo player Earl Scruggs, both of whom had been members of Bill Monroe's band, the Bluegrass Boys, from 1945 to 1948, formed the duo in 1948. Flatt and Scruggs are viewed by music historians as one of the premier bluegrass groups in the history of the genre.
Bobby Van Osborne was an American bluegrass musician. He was the co-founder of the Osborne Brothers, a member of the Grand Ole Opry, and the International Bluegrass Music Hall of Fame. Osborne was a member of the United States Marine Corps, received a Purple Heart for his service, and was honorably discharged in 1953.
The Grascals are a six-piece American bluegrass band from Nashville, Tennessee. Founded in February 2004, the band has gained a level of fame by playing on the Grand Ole Opry and bluegrass festivals around the country, as well as with Dolly Parton.
Elderly Instruments is a musical instrument retailer in Lansing, Michigan, United States, with a reputation as a "megastore", a repair shop and a locus for folk music including bluegrass and "twang". Specializing in fretted instruments, including acoustic and electric guitars, banjos, mandolins, and ukuleles, Elderly maintains a selection of odd or rare instruments. Elderly is known as a premier repair shop for fretted instruments, as one of the larger vintage instrument dealers in the United States, and as a major dealer of Martin guitars in particular.
Hop High is the debut album of progressive bluegrass group Crooked Still. Most of the songs on this album are traditional, but played in a different way than by other artists – with lineup without traditional bluegrass instruments like guitar and mandolin, consisting of cello, bass and banjo only.
James "Barry" Waldrep is an American Bluegrass, Jam Band, Americana instrumentalist, songwriter, composer and record producer. Main instrument is acoustic guitar, but also plays electric guitar, mandolin and banjo. Waldrep co-founded the bluegrass/jam band Rollin' In The Hay in July 1993. The band was based in Birmingham, Alabama, and formed as a side project. Waldrep was also a full time member of the Birmingham band Telluride. Rollin' In The Hay soon became a full-time band touring the Jam Band circuit of festivals and college campuses across the country until May 2009. The band produced 7 CDs and performed over 300 dates per year for 16 years.
William G. Evans is an American musician, author, and instructor noted for his banjo proficiency and knowledge of the history of the instrument.
Herschel Lee Sizemore was an American mandolinist in the bluegrass tradition.
Billy Strings is an American guitarist and bluegrass musician. His album Home won the Grammy Award for Best Bluegrass Album in 2021.
Tony Williamson is an American mandolin player from Chatham County, North Carolina, whose compositions integrate everything from traditional Piedmont string band tunes to classical music and jazz.
The mandolin has had a place in North American culture since the 1880s, when a "mandolin craze" began. The continent was a land of immigrants, including Italian immigrants, some of whom brought their mandolins with them. In spite of the mandolin having arrived in America, it was not in the cultural consciousness until after 1880 when the Spanish Students arrived on their international performing tour. Afterwards, a "mandolin craze" swept the United States, with large numbers of young people taking up the instrument and teachers such as Samuel Siegel touring the United States. The fad died out after World War I, but enough had learned the instrument that it remained. The mandolin found a new surge with the music of Bill Monroe; the Gibson F-5 mandolin he played, as well as other archtop instruments, became the American standard for mandolins. Bowlback mandolins were displaced. The instrument has been taken up in blues, bluegrass, jug-band music, country, rock, punk and other genres of music. While not as popular as the guitar, it is widespread across the country.