The Stickpin is a 1933 British crime film directed by Leslie S. Hiscott and starring Henry Kendall, Betty Astell and Francis L. Sullivan.
Death on the Set is a 1935 British mystery film directed by Leslie S. Hiscott and starring Henry Kendall, Eve Gray, Jeanne Stuart and Wally Patch. Its plot concerns a film director who murders a leading gangster and takes his place, later pinning the killing on a prominent actress. It is also known by the alternative title Murder on the Set.
The Rosary is a 1931 British drama film directed by Guy Newall and starring Margot Grahame, Elizabeth Allan and Leslie Perrins. It was shot at Twickenham Studios in London. The film's sets were designed by the art director James A. Carter. It was released as an independent first feature, despite being produced by a company that generally concentrated on quota quickies.
Passenger to London is a 1937 British espionage thriller film directed by Lawrence Huntington and starring John Warwick, Jenny Laird and Nigel Barrie. It was shot at Wembley Studios in London as a quota quickie by the British subsidiary of Twentieth Century Fox.
The Five Pound Man is a 1937 British comedy crime film directed by Albert Parker and starring Judy Gunn, Edwin Styles and Charles Bannister. It was made at Wembley Studios as a quota quickie by the British subsidiary of 20th Century Fox.
The Man Outside is a 1933 British crime film directed by George A. Cooper and starring Henry Kendall, Gillian Lind and Joan Gardner. It was shot at Twickenham Studios in London and features sets designed by the art director James A. Carter. Made as a quota quickie, it was distributed by RKO Pictures. It is unrelated to the play The Man Outside, which was not written until 1946.
The Man I Want is a 1934 British comedy film directed by Leslie S. Hiscott and starring Henry Kendall, Wendy Barrie and Betty Astell. The screenplay concerns a man who accidentally comes across some stolen jewels. The film was made at Beaconsfield Studios.
Forging Ahead is a 1933 British comedy mystery film directed by Norman Walker and starring Margot Grahame, Garry Marsh and Anthony Holles. Its plot involves a gang of criminals who pretend a house is haunted in order to keep people away.
The Ghost Camera is a 1933 British mystery film directed by Bernard Vorhaus, starring Henry Kendall, Ida Lupino and John Mills, and based on "A Mystery Narrative", a short story by Joseph Jefferson Farjeon.
Timbuctoo is a 1933 British comedy film, co-directed by Walter Summers and Arthur B. Woods for British International Pictures, and starring Henry Kendall and Margot Grahame. Although BIP had a reputation for churning out films quickly and cheaply, in this case they allocated enough of a budget to finance location filming in Africa.
The Barton Mystery is a 1932 British crime film directed by Henry Edwards and starring Ursula Jeans, Ellis Jeffreys and Lyn Harding. It was based on the play The Barton Mystery by Walter C. Hackett.
Great Stuff is a 1933 British comedy film directed by Leslie S. Hiscott and starring Henry Kendall, Betty Astell and Alfred Wellesley. In the film, a woman's parents became robbers in a desperate effort to prevent her marrying an unsuitable man.
Old Soldiers Never Die is a 1931 British comedy film directed by Monty Banks and starring Leslie Fuller, Molly Lamont and Alf Goddard. It was made at Elstree Studios by British International Pictures. It was produced as a quota quickie for release as a second feature.
Twelve Good Men was a 1936 British crime film directed by Ralph Ince and starring Henry Kendall, Nancy O'Neil and Joyce Kennedy. It was made at Teddington Studios by Warner Brothers as a quota quickie. It is based on the 1928 detective thriller The Murders in Praed Street by John Rhode, with the principal series character of the book Doctor Priestley eliminated for the film.
Lend Me Your Wife is a 1935 British comedy film directed by W. P. Kellino and starring Henry Kendall, Kathleen Kelly and Cyril Smith. It was made at Elstree Studios as a quota quickie.
Dial 999 is a 1938 British crime film directed by Lawrence Huntington and starring John Longden, Elizabeth Kent and Neville Brook. It was made as a quota quickie by 20th Century Fox at Wembley Studios. The film's title aimed to capitalize on the recent introduction of the emergency telephone number 999.
The Flaw is a 1933 British thriller film directed by Norman Walker and starring Henry Kendall, Eric Maturin and Phyllis Clare. It was made as a quota quickie at Wembley Studios, and was remade in 1955 with the same title.
The Callbox Mystery is a 1932 British crime film directed by G.B. Samuelson and starring Warwick Ward, Harold French and Wendy Barrie. It was made at Cricklewood Studios as a quota quickie.
Illegal is a 1932 British UK-Protonoir, crime, drama film directed by William C. McGann and starring Isobel Elsom, Ivor Barnard and D. A. Clarke-Smith.
This Acting Business is a 1933 British comedy film directed by John Daumery and starring Hugh Williams, Wendy Barrie and Donald Calthrop.
