Yoruba literature is the spoken and written literature of the Yoruba people, one of the largest ethno-linguistic groups in Nigeria and the rest of Africa. The Yoruba language is spoken in Nigeria, Benin, and Togo, as well as in dispersed Yoruba communities throughout the world.
Tayo Adenaike is a Nigerian painter.
Christopher Uchefuna Okeke, also known as Uche Okeke, was an illustrator, painter, sculptor, and teacher. He was an art and aesthetic theorist, seminal to Nigerian modernism.
Chief Nike Davies-Okundaye, also known as Nike Okundaye, Nike Twins Seven Seven and Nike Olaniyi, is a Nigerian Yoruba and adire textile designer. She is best known as an artist for her cloth work and embroidery pieces.
Demas Nwoko is a Nigerian artist, protean designer, architect and master builder. As an artist, he strives to incorporate modern techniques in architecture and stage design to enunciate African subject matter in most of his works. In the 1960s, he was a member of the Mbari club of Ibadan, a committee of burgeoning Nigerian and foreign artists. He was also a lecturer at the University of Ibadan. In the 1970s, he was the publisher of the now defunct New Culture magazine.
The Yoruba of West Africa are responsible for a distinct artistic tradition in Africa, a tradition that remains vital and influential today.
Oluwarotimi Adebiyi Wahab Fani-Kayode was a Nigerian-born photographer, who moved to England at the age of 12 to escape the Nigerian Civil War. The main body of his work was created between 1982 and 1989. He explored the tensions created by sexuality, race and culture through stylised portraits and compositions.
Fatimah Tuggar is an interdisciplinary artist born in Nigeria and based in the United States. Tuggar uses collage and digital technology to create works that investigates dominant and linear narratives of gender, race, and technology. She is currently an associate professor of AI in the Arts: Art & Global Equity at the University of Florida in the United States.
Contemporary African art is commonly understood to be art made by artists in Africa and the African diaspora in the post-independence era. However, there are about as many understandings of contemporary African art as there are curators, scholars and artists working in that field. All three terms of this "wide-reaching non-category [sic]" are problematic in themselves: What exactly is "contemporary", what makes art "African", and when are we talking about art and not any other kind of creative expression?
The National Gallery of Modern Art, Lagos (NGMA) is a major art gallery in Lagos, the largest city of Nigeria. It is a permanent exhibition of the National Gallery of Art, a parastatal of the Federal Ministry of Tourism, Culture and National Orientation. The gallery is located within the National Arts Theatre, at Entrance B.
Toyin Ojih Odutola is a Nigerian-American contemporary visual artist known for her vivid multimedia drawings and works on paper. Her unique style of complex mark-making and lavish compositions rethink the category and traditions of portraiture and storytelling. Ojih Odutola's artwork often investigates a variety of themes from socio-economic inequality, the legacy of colonialism, queer and gender theory, notions of blackness as a visual and social symbol, as well as experiences of migration and dislocation.
Some African objects had been collected by Europeans for centuries, and there had been industries producing some types, especially carvings in ivory, for European markets in some coastal regions. Between 1890 and 1918 the volume of objects greatly increased as Western colonial expansion in Africa led to the removal of many pieces of sub-Saharan African art that were subsequently brought to Europe and displayed. These objects entered the collections of natural history museums, art museums and private collections in Europe and the United States. About 90% of Africa's cultural heritage is believed to be located in Europe, according to French art historians.
Gani Odutokun was a contemporary Nigerian painter who is known for his contributions and nurturing of artists in the Zaria Art Society. His works include wall murals, paintings and book cover designs.
Victor Ehikhamenor is a Nigerian visual artist, writer, and photographer known for his expansive works that engage with multinational cultural heritage and postcolonial socioeconomics of contemporary black lives. In 2017, he was selected to represent Nigeria at the Venice Biennale, the first time Nigeria would be represented in the event. His work has been described as representing "a symbol of resistance" to colonialism.
The Mbari Club was a centre for cultural activity by African writers, artists and musicians that was founded in Ibadan, Nigeria, in 1961 by Ulli Beier, with the involvement of a group of young writers including Wole Soyinka and Chinua Achebe. Mbari, an Igbo concept related to "creation", was suggested as the name by Achebe. Among other Mbari members were Christopher Okigbo, J. P. Clark and South African writer Ezekiel Mphahlele, Frances Ademola, Demas Nwoko, Mabel Segun, Uche Okeke, Arthur Nortje and Bruce Onobrakpeya.
Peju Alatise is a Nigerian artist, poet, writer, and a fellow at the National Museum of African Art, part of the Smithsonian Institution. Alatise received formal training as an architect at Ladoke Akintola University in Oyo State, Nigeria. She then went on to work for 20 years as a studio artist.
Peju Layiwola, is an art Historian and visual artist from Nigeria who works in a variety of media and genre. She is listed as a "21st Century Avant-Garde" in the book Art Cities of the Future published by Phaidon Press. She is currently a Professor of Art and Art history at the University of Lagos and has been described as a "multi-talented artist." Her works can be found in the collection of Microsoft Lagos, Yemisi Shyllon Museum, Pan Atlantic, Lagos and homes of private collectors such as JP and Ebun Clark and the Obi of Onitsha.
African design encompasses many forms of expression and refers to the forms of design from the continent of Africa and the African diaspora including urban design, architectural design, interior design, product design, art, and fashion design. Africa's many diverse countries are sources of vibrant design with African design influences visible in historical and contemporary art and culture around the world. The study of African design is still limited, particularly from the viewpoint of Africans, and the opportunity to expand its current definition by exploring African visual representations and introducing contemporary design applications remains immense.
Tunde Odunlade, born 26 November 1954, is a Nigerian artist, actor, and musician known for his Batik art tapestry and designs. He specialises in textile arts, and floatography. He is a member of the Visual Artists Network of the United States of America (VAN) and a frequent participant at the National Conference of Artists, New York. He was a performing actor with the Nigeria Cultural Troupe during Festac. He lives in Ibadan, the southern western part of Nigeria.
Chief Muraina Oyelami is a Nigerian painter and drummer of Yoruba descent. He was among the first generation of artists to come out of the Osogbo School of Art in the 1960s. He was a drummer and actor with the theatre company of Duro Ladipo. He taught traditional music and dance at Obafemi Awolowo University from 1976 to 1987. As a musician, he trained in the dùndún and the Batá drum. He was the chief of his hometown Iragbiji.
