In music, galant refers to the style which was fashionable from the 1720s to the 1770s. This movement featured a return to simplicity and immediacy of appeal after the complexity of the late Baroque era. This meant simpler, more song-like melodies, decreased use of polyphony, short, periodic phrases, a reduced harmonic vocabulary emphasizing tonic and dominant, and a clear distinction between soloist and accompaniment. C. P. E. Bach and Daniel Gottlob Türk, who were among the most significant theorists of the late 18th century, contrasted the galant with the "learned" or "strict" styles. The German empfindsamer Stil, which seeks to express personal emotions and sensitivity, can be seen either as a closely related North-German dialect of the international galant style, or as contrasted with it, as between the music of Carl Philipp Emanuel Bach, a founder of both styles, and that of Johann Christian Bach, who carried the galant style further and was closer to classical.
The doctrine of the affections, also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750). Literary theorists of that age, by contrast, rarely discussed the details of what was called "pathetic composition", taking it for granted that a poet should be required to "wake the soul by tender strokes of art". The doctrine was derived from ancient theories of rhetoric and oratory. Some pieces or movements of music express one Affekt throughout; however, a skillful composer like Johann Sebastian Bach could express different affects within a movement.
Lorenz Christoph Mizler von Kolof was a German physician, historian, printer, mathematician, Baroque music composer, and precursor of the Enlightenment in Poland.
The Handel Prize is an annual award, instituted in 1956, which is presented by the city of Halle, in Germany, in honour of the celebrated Baroque composer George Frideric Handel. It is awarded, "for exceptional artistic, academic or politico-cultural services as far as these are connected with the city of Halle's Handel commemoration". The prize consists of a diploma, a gold and enamel badge, and is presented during the annual Handel Festival, Halle.
Friedrich Nicolaus Bruhns or Brauns was a German composer and music director in Hamburg.
The Oper am Gänsemarkt was a theatre in Hamburg, Germany, built in 1678 after plans of Girolamo Sartorio at the Gänsemarkt square. It was the first public opera house to be established in Germany: not a court opera, as in many other towns. Everybody could buy a ticket, like in Venice. Most works were in the German language or translated librettos.
Gensericus oder Sieg der Schönheit TVWV 21:10 is a comic German-language opera in three acts by Georg Philipp Telemann. It was performed at the Oper am Gänsemarkt, while Keiser was director. Unlike Orpheus and Flavius Bertaridus, the opera contains no Italian-language set piece arias. The librettist was Christian Heinrich Postel.
Wolfgang Ruf is a German musicologist and emeritus professor.
Christoph-Hellmut Mahling was a German musicologist and lecturer at various universities.
Klaus Hortschansky was a German musicologist.
Werner Hermann Georg Braun was a German musicologist.
Hans Joachim Marx is a German music historian. He has been professor of European music history at the University of Hamburg.
Walter Karl August Serauky was a German musicologist and Handel scholar.
Ute Jung-Kaiser, néeJung is a German musicologist.
Ludwig Holtmeier is a German music theorist and piano player.
Daniela Philippi is a German musicologist with a research focus on Christoph Willibald Gluck, Antonín Dvořák and Czech music history and music of the 20th century.
Heinz Rückert was a German opera director. He was one of the co-founders of the Halle Georg Friedrich Handel Renaissance.
Rudolf Steglich was a German musicologist, music editor and academic teacher, who was professor at the University of Erlangen from 1930 to 1956. His focus was life and music of George Frideric Handel. He was instrumental in the composer's revival from the 1920s, and was from 1955 co-editor of the Hallische Händel-Ausgabe, the critical edition of the composer's complete works.
Annegret Rosenmüller is a German musicologist.
Günter Fleischhauer was a German musicologist.
