The Women's Guild of Arts was founded in 1907 by Arts and Crafts artists May Morris and Mary Elizabeth Turner. The organisation offered woman-identified artists an alternative professional body to the Art Workers Guild, an artists' association founded in 1884 that excluded women and was based on the ideas of William Morris and the Arts and Crafts Movement. [1] [2] [3]
The Women's Guild was established with May Morris as its First President and watercolourist and engraver Mary Annie Sloane as its Honorary Secretary. Other key initiators included Mabel Esplin, Agnes Garrett, Mary Lowndes, Marianne Stokes, Evelyn De Morgan, Georgie Gaskin, Mary J. Newill, Ethel Everett, and Letty Graham. [4] The Guild grew to include about 60 artists.
The first gathering of the guild was held in the Chelsea studio of muralist painter Mary Sargant Florence on 18 January 1907. [5] Those present were some of the leading women artists, designers and craftworkers of the time: tempera painter and art patron Christiana Herringham; gilder Mary Batten; embroiderer, teacher, and writer Grace Christie; muralist Mary Sargant Florence; sculptor Feodora Gleichen; calligrapher Florence Kate Kingsford; and stained-glass artist Mary Lowndes. [6] The group compiled a list of women art workers in Britain and invited them each by letter to join the guild. [6]
The founding members of the guild were predominantly around middle-age and had already established an informal professional network through friendships and studying alongside one another. [3] Among the group, May Morris was the driving force of the Women's Guild of Arts in its early years. Thirty-six women joined the guild in its first year, including bookbinders Katherine Adams and S.T. Prideaux; interior designer Agnes Garrett; painters Marianne Stokes, Annie Swynnerton, and Evelyn de Morgan; and muralist Mary Seton Watts. [6]
The Women's Guild of Arts closely replicated the role and activities of the Art Workers' Guild. It held meetings at the same venues and cultivated a close professional network among its members. [3] There were also occasionally joint events held in collaboration by the two groups.
There were significant crossovers with the first-wave feminist movement, with many members active in the suffrage campaign. Mary Lowndes established the Artists' Suffrage League in the same year that the guild was formed and many members joined both groups. Most of the founding members of the Women's Guild of Arts had begun their careers against the backdrop of debates around the 'New Woman' in the late-1800s. [3]
During World War One the Guild's general meetings continued, but the group shifted towards more public and philanthropic events and activities. [7] The Guild furnished a Lady's bedroom for the Arts and Crafts Exhibition Society's 11th exhibition at the Royal Academy in 1916 in London. [8]
The WGA continued until at least 1961, when Mary Annie Sloane died. [9]
The application process to join the guild was rigorous. Applicants had to identify a proposer and seconder within the guild's existing membership and present a portfolio of their work. Members paid an annual subscription fee, which was reduced for members based outside of London who were unable to attend regular meetings. [6]
There were six or seven formal meetings of the guild per year. These took place at Clifford's Inn Hall on Fleet Street and later at 6 Queen Square in Bloomsbury after 1914. [3] These meetings generally included lectures by members or visiting speakers, providing a rare opportunity for women art workers to showcase and debate their work. Members additionally held regular social gatherings, exhibitions, visits to museums and houses, and 'at-homes' in their studios. [3]
The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles and subsequently spread across the British Empire and to the rest of Europe and America.
Selwyn Image was a British artist, designer, writer and poet associated with the Arts and Crafts Movement. He designed stained-glass windows, furniture, embroidery, and was an illustrator of books. Image was the seventh Slade Professor of Fine Art at Oxford from 1910 to 1916.
Mary "May" Morris was an English artisan, embroidery designer, jeweller, socialist, and editor. She was the younger daughter of the Pre-Raphaelite artist and designer William Morris and his wife and artists' model, Jane Morris.
The Art Workers' Guild is an organisation established in 1884 by a group of British painters, sculptors, architects, and designers associated with the ideas of William Morris and the Arts and Crafts movement. The guild promoted the 'unity of all the arts', denying the distinction between fine and applied art. It opposed the professionalisation of architecture – which was promoted by the Royal Institute of British Architects at this time – in the belief that this would inhibit design. In his 1998 book, Introduction to Victorian Style, University of Brighton's David Crowley stated the guild was "the conscientious core of the Arts and Crafts Movement".
Birmingham Guild of Handicraft was an Arts and Crafts organisation operating in Birmingham, England, established at the end of the 19th century.
Louis Davis was an English watercolourist, book illustrator and stained-glass artist. He was active in the Arts and Crafts Movement, and Nikolaus Pevsner referred to him as the last of the Pre-Raphaelites.
The Birmingham Group, sometimes called the Birmingham School, was an informal collective of painters and craftsmen associated with the Arts and Crafts Movement, that worked in Birmingham, England in the late 19th and early 20th centuries. All of its members studied or taught at the Birmingham School of Art after the reorganisation of its teaching methods by Edward R. Taylor in the 1880s, and it was the School that formed the group's primary focus. Members of the group also overlapped with other more formal organisations, including the Birmingham Guild of Handicraft, the Ruskin Pottery and the Bromsgrove Guild of Applied Arts.
Christopher Whitworth Whall was a British stained-glass artist who worked from the 1880s and on into the 20th century. He is widely recognised as a leader in the Arts and Crafts movement and a key figure in the modern history of stained glass.
Mary Elizabeth Turner was an English embroiderer who exhibited her work at the 1890 exposition of the Arts and Crafts Exhibition Society, for which she wrote an essay on modern embroidery. Identified with the Arts and Crafts Movement, she was a founder with May Morris of the Women’s Guild of Arts. Her father was Thomas Wilde Powell, a solicitor and stockbroker who was also a patron of architects and artists. One of her siblings was the artist, copyist and art patron Christiana Herringham. Her husband was the architect Hugh Thackeray Turner. One of her children, her daughter Christiana Ruth Turner, was the wife of climber George Mallory.
Christiana Jane Herringham, Lady Herringham was a British artist, copyist, and art patron. She is noted for her part in establishing the National Art Collections Fund in 1903 to help preserve Britain's artistic heritage. In 1910 Walter Sickert wrote of her as "the most useful and authoritative critic living".
Karl Bergemann Parsons was a British stained glass artist associated with the Arts and Crafts movement.
Mary Lowndes (1857–1929) was a British stained-glass artist who co-founded the stained glass studio and workshop Lowndes and Drury in 1897. She was an influential leader in the Arts and Crafts movement, not only for her stained glass work and successful studio-workshop, but also for opening doors for other women stained glass artists. She was an active participant in the suffragette movement, acting as Chair of the Artists' Suffrage League, and creating poster art to assist the movement.
The Artists' Suffrage League (ASL) was a suffrage society formed to change parliamentary opinion and engage in public demonstrations and other propaganda activities.
Mabel Esplin (1874–1921) was an English stained glass artist.
Alfred J. Drury (1868–1940) was an English stained glass artist, most notable for his partnership with Mary Lowndes of Lowndes and Drury.
Mary Annie Sloane was an English artist associated with the Arts and Crafts movement.
Mary Jane Newill (1860–1947) was an English painter, embroiderer, teacher, book illustrator and stained glass designer associated with the Arts and Crafts Movement. As a stained glass artist, she was a disciple of stained glass designer, Selwyn Image. Newill was a member of the Birmingham Group, an informal group of artists and craftsment that worked in Birmingham, England.
The Arts and Crafts Society of Ireland was formed in Ireland in 1894 to promote Irish decorative and fine arts. The society held exhibitions to showcase these Irish arts.
The WSPU Holloway Banner is a suffragette banner designed by Scottish artist Ann Macbeth.
The Red Rose Guild was a guild based in Manchester, with the aim to promote British arts and crafts. It was “regarded as the most influential national outlet for makers” in Britain during the first half of the twentieth century. The Guild was founded in 1921 by printmaker Margaret Pilkington, OBE, and remained active until 1985. The Guild held annual exhibitions at Houldsworth Hall, part of what is now Hulme Hall, Manchester until World War II. Prominent members of the Guild included potter Bernard Leach, silversmith Joyce Himsworth and weaver Ethel Mairet. After the war, the Guild moved its headquarters to Whitworth Hall. In 1950 the Guild joined the Craft Centre of Great Britain.