Location | Washington D.C. Metropolitan Area United States |
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Founded | 2015 |
Founded by | Seven Theatre Production Companies in Washington D.C. Metropolitan Area |
Type of play(s) | Premiers of Plays by Women Playwrights |
Festival date | August – November 2015 |
In the fall of 2015, the Washington, D.C. region's professional theaters combined to produce the Women's Voices Theater Festival. The festival consisted of over 50 companies each presenting a world premiere production of a work by one or more female playwrights. The festival claimed to be "the largest collaboration of theater companies working simultaneously to produce original works by female writers in history". [1] The Coordinating Producers of the Women's Voices Theater Festival were Nan Barnett of the National New Play Network (NNPN) and former NNPN General Manager Jojo Ruf. [2] [3] [4] The honorary committee supporting the festival was chaired by first lady Michelle Obama and included actors Allison Janney and Tea Leoni and playwrights Beth Henley, Quiara Alegría Hudes and Lynn Nottage. [5]
Author | Title | Producing Company | Dates | Description | News & Reviews |
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Kathleen Akerley | Bones In Whispers | Longacre Lea | August 12 – September 6 | 2016 A.D. 99% of the human population is gone, wiped out in a mysterious Death Week. The remaining 1% cling to their theories of survival. Two clans collide in an abandoned hospital that may itself be some mutant survivor of the plague, and use guns and hip-hop dancing to fend off death, ghosts, and the disease of being human. | |
Kathleen Akerley | Night Falls on the Blue Planet | Theater Alliance | September 3 – September 27 | Renee has had a rough couple of years. Screw that: Renee has had a rough life, shaped by alcoholism and estrangement. All that changes when she gets a massage and discovers that her body is a world unto itself. With help from her younger sister she starts to map and explore a lifetime of trauma: but is she healing, or is she vanishing into her own world? Will her exploration heal her relationship with her older sister, or widen their divide? | [9] [10] |
Claudia Barnett | Witches Vanish | Venus Theatre Company | August 20 – September 20 | In a series of stylized, highly visual vignettes employing puppetry, poetry, and surrealism, the weird sisters from Macbeth explore the stories of women who disappear, whether by choice or force. Inspired by history, astronomy, and Shakespeare, Witches Vanish examines the nature of change and the value of human life. | [11] |
Bekah Brunstetter | The Oregon Trail | Flying V Theatre | September 3 – September 20 | A tale of two young women, both named Jane. One is an awkward middle scholer with burgeoning body odor, a crush on a jerk who likes her sister, and an epic aptitude at The Oregon Trail. The other is actually in the game, living through the hardships of trail life with her family, totally unaware of her capricious fate as a character in a classic video game. But this game has an agenda of its own, maneuvering both Janes on a painful path towards self recognition. | [12] |
Sheila Callaghan | Women Laughing Alone With Salad | Woolly Mammoth Theatre Company | September 7 – October 4 | What's on the menu for Meredith, Tori, and Sandy: the three women in Guy's life? Healthy lifestyles, upward mobility, meaningful sex? Or self-loathing and distorted priorities? This world premiere is served up on a bed of bawdy language in a gender-bending comedy vinaigrette, inviting everyone—men and women, mothers and sons—to savor this complex recipe of desire and shame. | [13] [14] [15] |
Marcia E. Cole | A Matter of Worth | September 16 – September 24 | Live Garra Theatre | A vo-collage play seen from the eyes of Hannah, a 73-year-old slave; her sharp mother-wit proves she's worth much more than what's being sold on auction day. The action takes place in Baltimore County in the summer of 1855. It is the day of the estate inventory for a deceased plantation owner held in the courtyard. It is midday on the estate of Caleb D. Goodwin. | [16] |
Karin Coonrod | texts&beheadings/ElizabethR | Folger Theatre, in association with Compagnia de' Colombari | September 19 – October 4 | Exploring the life and language of England's greatest queen. Drawing in part from the Folger collection of Elizabeth's letters, the play uses her own words to reveal Elizabeth's wit, courage, and extraordinary love of her people. Four actresses portray the resilient queen, through poems, prayers and private letters. | |
Jennie Berman Eng | Whenever You're Near Me I Feel Sick | Thelma Theatre | September 17 – October 4 | Twenty-somethings Wendy and Andre are in love with each other, but to admit that would mean taking chances, making a commitment and being adults. And so when Andre tells Wendy he does love her, has always loved her, she makes jokes, and he moves away and moves on. Except that neither ever really moves on, and neither really grows up. Apart from each other, Wendy and Andre stagnate professionally, and stumble through marriages to other people. When they run into each other eight years later, with children in tow, they are forced to confront what they have always felt. Can they finally be grown-ups? | [17] |
Gabrielle Fulton | Uprising | MetroStage | September 17 – October 25 | The play is set in the aftermath of John Brown's Raid on Harper's Ferry. When Sal discovers Ossie, a hypnotic revolutionary hiding in the field, her life is turned upside down by her strong attraction to him and his revolutionary mission and its impact on her commitment to the well-being of her young son, Freddie. Inspired by the true story of Osborne Perry Anderson, the only African American participant in John Brown's Raid to survive, and the tales of the playwright's cotton-picking great-grandmother. | [19] |
Miranda Rose Hall | How We Died of Disease-Related Illness | Longacre Lea | August 12 – September 6 | An absurdist comedy about the epidemic of American paranoia amidst the threat of epidemic disease. The play takes place in an American isolation ward after a U.S. citizen returns with an unnamed illness from an unnamed foreign country. An all-too-real present day crisis gets imaginatively upended on a seriocomic playground. | |
Patricia Henley | If I Hold My Tongue | Compass Rose Theater | September 17 – September 27 | Set in Fells Point, Baltimore, it explores the lives of four women in prostitution living in a halfway house. An empathetic portrait of their struggles to leave street life, If I Hold My Tongue is a realistic look at emotionally and physically scarred women who wish to return to a normal life, a job, a family, and safety. | [20] [21] |
Caleen Sinnette Jennings | Queens Girl in the World | Theater J | September 16 – October 11 | It's summer 1962 on Erickson Street, Queens, New York. The sounds of doo-wop music fill the night, the scent of cream soda lingers in the air and 12-year-old Jacqueline Marie Butler is on the verge of adulthood. At the end of that summer, Jacqueline's parents abruptly transfer her to a progressive, predominantly Jewish school in Greenwich Village. As one of only four black students, Jacqueline discovers a new city and a whole new world. | [22] |
Martyna Majok | Ironbound | Round House Theatre | September 9 – October 4 | In a world where even the ugly jobs are gone, hard-working Polish immigrant Darja is done dating cheaters and dreamers. It's time to look out for herself and the only thing that matters more – her son. Over the course of three relationships spanning 22 years, Darja must decide how hard she's willing to fight for what she loves most. | [23] |
Jaci Pulice | The October Issue | Washington Improv Theater | September 17 – October 10 | An improvised show inspired by the traditional format of a women's magazine. In each one-of-a-kind performance, the cast delivers an unvarnished look at life from a woman's perspective by way of articles, interviews, quizzes, photoshoots, horoscopes, advice columns, and a lot of unnecessary tips. | |
Esphyr Slobodkina (based on her book) Ann Marie Mulhearn Sayer (Co-Playwright) | Caps For Sale, The Musical | Adventure Theatre MTC | September 11 – September 27 | "Caps! Caps for sale! Fifty cents a cap!" The cap peddler, Pezzo, wears a huge stack of caps, balanced carefully on top of his head. Brown caps, blue caps, gray caps, and red caps. When no one buys a cap, he takes a nap under a shady tree. But, when he wakes up, the caps are gone! Where could his caps have disappeared to? Was it bears, pirates, one thousand thieves or a band of merry mischievous monkeys? How will he ever get them back? | [27] |
Karen Zacarias | Destiny of Desire | Arena Stage | September 11 – October 18 | On a stormy night in Bellarica, Mexico, two baby girls are born — one into a life of privilege and one into a life of poverty. But when the newborns are swapped by a former beauty queen with an insatiable lust for power, the stage is set for two outrageous misfortunes to grow into one remarkable destiny. | |
Caps For Sale The Musical, in conjunction with the 75th anniversary of the publication of the book, had a national tour ending with an Off-Broadway run at the New Victory Theater from February 27 to March 6, 2016. [27]
Nicky Silver is an American playwright. Formerly of Philadelphia, he resides in London. Many of his plays have been produced off-Broadway, and also at the Woolly Mammoth Theatre Company in Washington, D.C.
The Shakespeare Theatre Company is a regional theatre company located in Washington, D.C. The theatre company focuses primarily on plays from the Shakespeare canon, but its seasons include works by other classic playwrights such as Euripides, Ibsen, Wilde, Shaw, Schiller, Coward and Tennessee Williams. The company manages and performs in the Harman Center for the Arts, consisting of the Lansburgh Theatre and Sidney Harman Hall. In cooperation with George Washington University, they run the Academy for Classical Acting.
Holly Twyford is a Washington, D.C.-based American stage actress and director. She is a ten-time nominee and a four-time winner of the Helen Hayes Award.
Theater J is a professional theater company located in Washington, DC, founded to present works that "celebrate the distinctive urban voice and social vision that are part of the Jewish cultural legacy".
Ari Roth is an American theatrical producer, playwright, director and educator. From 2014 to 2020 Roth served as the Artistic Director of Mosaic Theater Company of DC and was formerly the Artistic Director of Theater J at the Washington, D.C. Jewish Community Center from 1997 to 2014. Over 18 seasons at Theater J, he produced more than 129 productions and created festivals including "Locally Grown: Community Supported Art," "Voices from a Changing Middle East", and Theater J's acclaimed "Beyond The Stage" and "Artistic Director's Roundtable" series. In 2010, Roth was named as one of the Forward 50, honoring nationally prominent "men and women who are leading the American Jewish community into the 21st century, and in 2017 he was given the DC Mayor's Arts Award for Visionary Leadership. In 2021, Roth launched a new partnership with A. Lorraine Robinson, founding Voices Festival Productions, to be the new home for his long-running "Voices From a Changing Middle East Festival." Their first public event was a virtual benefit in support of "Ukrainian Playwrights Under Siege" in partnership with the Arts Club of Washington.
Woolly Mammoth Theatre Company is a non-profit theatre company located at 641 D Street NW in the Penn Quarter neighborhood of Washington, D.C. Founded in 1980, it produces new plays which it believes to be edgy, challenging, and thought-provoking. Performances are in a 265-seat courtyard-style theater.
Jared Mezzocchi is an American theatre projection designer and director.
Mr. Burns, a Post-Electric Play is an American black comedy play written by Anne Washburn and featuring music by Michael Friedman. Mr. Burns tells the story of a group of survivors recalling and retelling "Cape Feare", an episode of the TV show The Simpsons, shortly after a global catastrophe. It then examines the way the story has changed seven years after that, and finally, 75 years later.
Avant Bard Theatre is a small, primarily non-Equity theater based in Arlington, VA. The company was founded in 1990 under the name Washington Shakespeare Company; its name was changed to WSC Avant Bard in August 2011; its name was subsequently changed to Avant Bard Theatre in October 2017. Avant Bard focuses on producing "bold and experimental productions of classic and contemporary works".
Luis Salgado is a Puerto Rican performer, director, choreographer, and producer. His career has led him to Broadway, film, television, and stages around the world. He served as associate director and choreographer of Cirque du Soleil's Paramour that opened April 16, 2019 at the Neue Flora theatre in Hamburg, Germany. He has worked with directors, choreographers and performers such as Andy Blankenbuehler, Jerry Mitchell, Sergio Trujillo, Lin-Manuel Miranda, Patti LuPone, Laura Benanti, Patrick Dempsey and Diego Luna.
Madeline Sayet is an American director and writer. She grew up in Norwich and Uncasville, Connecticut.
Mosaic Theater Company of DC is a non-profit theater company located in Washington DC. Founded by former Theater J artistic director Ari Roth in 2015, it performs at the Atlas Performing Arts Center on H Street NE in Washington D.C. Their proclaimed mission is to "make powerful, transformational, socially-relevant art, producing plays by authors on the frontlines of conflict zones and providing audiences with a dynamic new venue for the dramatizing and debating of ideas."
Eclipsed is a play written by Danai Gurira. It takes place in 2003 and tells the story of five Liberian women and their tale of survival near the end of the Second Liberian Civil War. It became the first play with an all-black and female creative cast and team to premiere on Broadway.
Jonathan Judge-Russo is an American actor and producer. He has acted on television, film, and the stage. He is perhaps best known for his roles as Jeremy on the Netflix original comedy series Unbreakable Kimmy Schmidt, Randy Platt and Gary Ryan on the NBC drama Law & Order: Special Victims Unit, as well as being the Founding Artistic Director of Animus Theatre Company in New York City. He is also a member of the cast of the controversial film A Rainy Day in New York, directed by Woody Allen.
Rebecca Taichman is an American theatre director. In 2017, she received the Tony Award for Best Direction of a Play for Indecent.
Maria Manuela Goyanes is a first-generation Latina theatre maker, chiefly known for her work at The Public Theatre in New York City, as well as her September 2018 appointment as the artistic director of Woolly Mammoth Theatre in Washington D.C.
Martyna Majok is a Polish-born American playwright who received the 2018 Pulitzer Prize for Drama for her play Cost of Living. She emigrated to the United States as a child and grew up in New Jersey. Majok studied playwriting at the Yale School of Drama and Juilliard School. Her plays are often politically engaged, feature dark humor, and experiment with structure and time.
Rebecca Leah"Bekah"Brunstetter is an American writer. Her published plays include F*cking Art, which won top honors at the Samuel French Off-Off-Broadway Short Play Festival, I Used to Write on Walls, Oohrah!, Be a Good Little Widow, Going to a Place Where You Already Are, and The Cake, a play inspired by events leading to the US Supreme Court case Masterpiece Cakeshop v. Colorado Civil Rights Commission. She is a founding member of The Kilroys, which annually produces The Kilroys' List. Her television work includes writing for I Just Want My Pants Back, Underemployed, Switched at Birth, and American Gods, and both writing and producing on This Is Us.
Caleen Sinnette Jennings is an American actor, director, and playwright. She is a professor of performing arts at American University College of Arts and Sciences. Jennings is the author of the plays "Queens Girl in the World" and "Queens Girl in Africa."
Adriana Gaviria is an actor, producer, director, writer, and advocate in the United States. She is a founding member and artistic producer of The Sol Project, a national initiative to support Latinx theater, and the founder and producing artistic director for North Star Projects, an arts initiative that supports independent artists and theaters. Her advocacy also includes leadership roles with the Parent Artist Advocacy League (PAAL).