Women Artists Action Group

Last updated

Women Artists Action Group (W.A.A.G.)
Formation1987
Region served
Ireland
Official language
English

Women Artists Action Group (W.A.A.G.) was an Irish feminist artists group founded with the goal of promoting the profile of women artists from Ireland, which was active from 1987 to 1991.

Contents

History

Women Artists Action Group was founded in 1987 by Pauline Cummins, [1] Breeda Mooney, [2] and Louise Walsh. [3] Cummins served as the group's first chair. [4] It had an equivalent organisation in Northern Ireland, N.I.W.A.A.G. [5] They were founded as a reaction to the perceived lack of representation of women artists in exhibitions in Ireland and to the 1987 "Irish Women Artists from the Eighteenth Century to the Present Day" exhibition and publication from the National Gallery of Ireland. [6]

W.A.A.G. had one exhibition at the Project Arts Centre in 1987, which featured over 90 women artists such as Anne Madden. [7] [8] The show featured over 100 slides of artwork, which later developed into a catalogued slide bank maintained by W.A.A.G. [1] Their second exhibition was held at the Royal Hospital Kilmainham (later the Irish Museum of Modern Art) in 1988 which featured a number of student artists from the National College of Art and Design. The group set out to be well integrated into international women artists' networks, with the chair of W.A.A.G., Mooney elected to the executive of the International Association of Women in the Arts. Her election coincided with Dublin's year as the European City of Culture in 1991. As part of the celebrations, 11 women artists from across Europe created artworks across the River Liffey on the theme "Women Artists and the Environment", as well as Dublin hosting a visit from the Guerrilla Girls. [9] While the group was active, from 1987 to 1991, they also organised a number of conferences across Ireland. [10]

Committee Members

Notable members

Related Research Articles

Samuel Walsh is an Irish abstract artist. He is a member of Aosdána, founder of the National Collection of Contemporary Drawing and is closely associated with the beginnings of EVA International. Born in London in 1951 to Irish parents, he moved to Limerick, Ireland in 1968, where he resided until 1990. He now lives and works in Co. Clare.

<span class="mw-page-title-main">Mira Schor</span> American artist, writer, editor and educator

Mira Schor is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism.

Deborah Brown was a Northern Irish sculptor. She is well known in Ireland for her pioneering exploration of the medium of fibre glass in the 1960s and established herself as one of the country's leading sculptors, achieving extensive international acclaim.

Australian feminist art timeline lists exhibitions, artists, artworks and milestones that have contributed to discussion and development of feminist art in Australia. The timeline focuses on the impact of feminism on Australian contemporary art. It was initiated by Daine Singer for The View From Here: 19 Perspectives on Feminism, an exhibition and publishing project held at West Space as part of the 2010 Next Wave Festival.

Daphne Wright is an Irish visual artist, who makes sculptural installations using a variety of techniques and media to explore how a range of languages and materials can be used to probe unspoken human preoccupations. Recent international exhibition highlights include Hotspot, Galleria Nazionale d’Arte Moderna e Contemporanea, Rome, curated by Gerardo Mosquera; Daphne Wright: Prayer Project, Davis Museum, USA, Portals; the Hellenic Parliament with ΝΕΟΝ, Athens; Infinite Sculpture, Gulbenkian Museum, Lisbon. Wright curated the 2018 exhibition The Ethics of Scrutiny at the Irish Museum of Modern Art as part of the Freud Project. Wright has received the Paul Hamlyn Award, The Henry Moore Foundation Fellowship, and The British School of Rome fellowship. She is a member of Aosdana and is represented by Frith Street Gallery, London.

The Dublin Live Art Festival is an annual event, created in order to support and promote live Performance Art in Ireland.

Women's Art Resources of Minnesota (WARM) is a women's art organization based in the U.S. state of Minnesota. It was founded in 1976 as Women's Art Registry of Minnesota, a feminist artist collective. The organization ran the influential WARM Gallery in downtown Minneapolis from 1976 to 1991.

Alice Lang is an Australian contemporary artist. She works and lives in Los Angeles, CA. Lang has mounted many solo exhibitions of her work, and participated extensively in group exhibitions. She has held residencies in Canada, New York, and Los Angeles.

The Irish Exhibition of Living Art was a yearly exhibition of Irish abstract expressionism and avant-garde Irish art that was started in 1943 by Mainie Jellett.

<span class="mw-page-title-main">Marie Hanlon</span> Irish artist working in various media

Marie Hanlon is a Dublin-based Irish artist working in a variety of media including painting, drawing, sculpture, video and installation. She has collaborated with Irish composers, most notably Rhona Clarke, in creating works which can be realised in both concert performance and gallery situations.

This is a timeline of the feminist art movement in New Zealand. It lists important figures, collectives, publications, exhibitions and moments that have contributed to discussion and development of the movement. For the indigenous Māori population, the emergence of the feminist art movement broadly coincided with the emergence of Māori Renaissance.

NIVAL (National Irish Visual Arts Library) is a public research resource which is dedicated to the documentation of twentieth- and twenty-first-century Irish visual art and design. It collects, stores and makes available for research documentation of Irish art and design in all media. NIVAL's collection policy encompasses Irish art and design from the entire island, Irish art and design abroad, and non-Irish artists and designers working in Ireland. NIVAL is sustained by material contributions from artists, arts organisations and arts workers. Information is also acquired from galleries, cultural institutions, critics, the art and design industries, and national and local authorities responsible for the visual arts. NIVAL is housed on the campus of the National College of Art and Design (NCAD) in Dublin.

Louise Walsh is an Irish artist from County Cork. She was a lecturer at the National College of Art and Design. She is known for her many public artworks which are located in Belfast, Limerick, Dublin and at London's Heathrow Airport.

Philip and Barry Castle were British and Irish artists. They are considered a pair, as they are in the National Irish Visual Arts Library catalogue, as they worked and exhibited together and shared a painting technique that Philip taught Barry, which concentrated on making the colour look luminous. The Irish Times said of their partnership that "As husband and wife they have lived together a long time, but their artistic partnership spans almost as many years." They use the quattrocento style, building up the painting layer by layer.

Hilary Heron was an Irish sculptor who exhibited with the Irish Exhibition of Living Art and represented Ireland at the 1956 Venice Biennale.

<span class="mw-page-title-main">Pauline Cummins</span> Irish sculptor, painter, performance and video artist

Pauline Cummins is an Irish sculptor, painter, performance and video artist. She was a lecturer at the National College of Art and Design from 1992 - 2014.

Aileen MacKeogh, was an Irish sculptor and academic. She was a Fulbright scholar, the first director of Arthouse in Dublin's Temple Bar and later Head of the School of Art, Design and Media at the Institute of Art, Design and Technology in Dun Laoghaire.

The Women's Art Movement (WAM) was an Australian feminist art movement, founded in Sydney in 1974, Melbourne in 1974, and Adelaide in 1976.

<span class="mw-page-title-main">Olivier Cornet Gallery</span> Contemporary art gallery in Dublin, Ireland

The Olivier Cornet Gallery is a contemporary commercial art gallery in Dublin, Ireland, owned and run by French-born Olivier Cornet.

References

  1. 1 2 Connolly, Maeve (2014). "Time-based Art". In Murphy, Paula (ed.). Art and Architecture of Ireland, Volume Three: Sculptors and Sculpture 1600-2000. Dublin and New Haven: Royal Irish Academy and Yale University Press. p. 531. ISBN   9780300179217.
  2. "Mooney, Breeda". National Irish Visual Arts Library. Retrieved 25 May 2020.
  3. Connolly, Linda; O'Toole, Tina (2005). Documenting Irish feminisms : the second wave. Dublin: Woodfield. p. 116. ISBN   0953429350.
  4. "Cummins, Pauline". National Irish Visual Arts Library. Retrieved 25 May 2020.
  5. Dalton, Clare (2014). "Irish Women Artists 1870 -1970 Summer Loan Exhibition". adams.auctioneersvault.com. Retrieved 25 May 2020.
  6. Fowler, Joan. "Speaking of Gender … Expressionism, feminism and sexuality". Art and Context. Retrieved 25 May 2020.
  7. Erskine, Caroline (4 September 1987). "Louis Le Brocquy's Heads". RTÉ Archives. Retrieved 25 May 2020.
  8. Walker, Dorothy (1988). "Looking Back". The GPA Irish Arts Review Yearbook: 26–30. ISSN   0791-038X. JSTOR   20492045.
  9. Robinson, Kate (1992). "Women's Contribution to the Visual Arts". Studies: An Irish Quarterly Review. 81 (321): 49–56. ISSN   0039-3495. JSTOR   30091650.
  10. "06. Artists as Parents". Visual Artists Ireland. 1 April 2014. Retrieved 25 May 2020.