The Athenaeum or Melbourne Athenaeum at 188 Collins Street is an art and cultural hub in the central business district of Melbourne, Victoria, Australia. Founded in 1839, it is the city's oldest cultural institution.
Clarice Marjoribanks Beckett was an Australian artist and a key member of the Australian tonalist movement. Known for her subtle, misty landscapes of Melbourne and its suburbs, Beckett developed a personal style that contributed to the development of modernism in Australia. Disregarded by the art establishment during her lifetime, and largely forgotten in the decades after her death, she is now considered one of Australia's greatest artists.
The California Art Club (CAC) is one of the oldest and most active arts organizations in California. Founded in December 1909, it celebrated its centennial in 2009 and into the spring of 2010. The California Art Club originally evolved out of The Painters Club of Los Angeles, a short-lived group that lasted from 1906–09. The new organization was more inclusive, as it accepted women, sculptors and out-of-state artists.
Ethel Carrick, later Ethel Carrick Fox was an English Impressionist and Post-Impressionist painter. Much of her career was spent in France and in Australia, where she was associated with the movement known as the Heidelberg School.
Miriam McKinnie also known as Miriam McKinnie Hofmeier, was an American artist.
Lily Furedi was a Hungarian-American artist, whose original Hungarian name was Füredi Lili. A native of Budapest, she achieved national recognition for her 1934 painting, The Subway, which is a sympathetic portrayal of passengers in a New York City Subway car. Light-hearted in tone, the painting depicts a cross-section of city dwellers from the viewpoint of a fellow commuter.
Lillian Irene Hoffar Reid was a Canadian painter. She was in the first graduating class, June 1929, at the Vancouver School of Decorative and Applied Art. She taught at the Vancouver School of Art from 1933 to 1937.
The Cascadia Art Museum is an art museum in Edmonds, Washington, primarily featuring art from the Pacific Northwest region of the United States. The museum opened in 2015 and has a collection of over 200 works.
Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist." In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."
Grace Thorp Gemberling was an American artist known for the broad range of her subjects in paintings having a pronounced psychological as well as aesthetic impact. One critic said they conveyed a mood that was "ethereal, bold and engaged". Another said her work showed "a disciplined hand and a romantic eye" together with "a magical color sense". Known for her control of detail and successful handling of line and blocks of color, she was said to paint in a modernist style that stayed clear of abstraction and was remembered by a teacher and fellow artist as "the finest woman painter in Philadelphia during the 1920s and 1930s".
Mildred Lucile Crooks was an American abstract expressionist painter. She studied in Paris, France and exhibited at many group and solo shows including at the Pennsylvania Academy of Fine Arts, Salon des Tuileries, Salon d'Automne, the Brooklyn Museum, Arts Club Washington, D.C., and at many galleries in New York City.
Eleanor B. Campbell (1894–1986) was an early-twentieth-century illustrator of children's books and portrait artist.
Ethel Blanchard Collver was an American Impressionist artist and teacher who was best known for her portraits of children, scenes of daily life, and landscapes.
Betty Waldo Parish (1910–1986) was an American printmaker and painter who exhibited with nonprofit organizations, including the Fine Arts Guild, the Pen and Brush Club, and the National Association of Women Artists, as well as commercial galleries. Best known for her etchings and woodcuts in a modernist representational style, she was also a watercolorist and oil painter and it was an oil painting of hers, "The Lower Lot," that won her the first of quite a few prizes during her career.
Yvonne Twining Humber was an American artist. She was born in New York City in 1907, and was influenced by Impressionist and Regionalist painters through her education at the National Academy of Design and the Art Students League, then went on to paint cityscapes of Boston and New York through the Works Progress Administration in the 1930s. After marrying a businessman from Washington, Humber relocated to Seattle, where she became known for her hard-edge depictions of the Northwest natural landscape, and as a member of the Women Painters of Washington. During her lifetime, her work was exhibited in major national museums and galleries, and is included in the collections of the Seattle Art Museum, the National Gallery of Art, the Smithsonian American Art Museum, the Bellevue Arts Museum, and the RISD Museum.
Edmund Archer (1904–1986) was an American artist best known for his portraits of African Americans. He was born in Richmond, Virginia, to parents who were both culturally and socially prominent in that city. Having taken an early interest in painting, he took art classes continually from childhood into his adult years. His long career included periods spent in Richmond, Paris, New York, and Washington, D.C. In addition to painting, he served as an assistant curator at the Whitney Museum of American Art and an instructor at the Corcoran School of Art. His portrait style tended toward a poster-like flatness early in his career and later toward a more traditional modeled style. He painted with a high degree of realism throughout his career and rarely experimented with any degree of abstraction. Galleries and museums gave him frequent exhibitions and both individual and institutional collectors provided him with income from sales. In 1938, a critic said he was then considered to be "one of the best of the young artists in the United States". A few months later, another critic credited his success to hard work: "Edmund Minor Archer has had advantages. His success story is no Horatio Alger tale. It is a story of an earnest and deeply talented artist who has worked and studied in humility and devotion, and has early reached the top, hard step by hard step".
Shelby Shackelford (1899–1987) was an American artist who worked mainly within the art communities of Baltimore, Maryland, and Provincetown, Massachusetts. Her paintings, drawings, and prints were abstract, but not nonobjective. Each of them had, as she said, "a beginning in a visual experience". Early in her career, during a period when many in Baltimore were hostile to what locals called "advanced" trends in art, her paintings were stigmatized as "meaningless stuff". After helping to counteract these local prejudices, she embarked on a long period of experimentation in media and technique, maintaining, as she wrote in 1957, that painting was, "an adventure, a process of discovery for which there should be no end". Critics praised Shackelford for "refinement and sureness of approach and execution", "unusual and amusing arrangements of color and line", "taste and imagination", and "paintings [that] are abstract, well-constructed, with variety of forms, and outstanding color". In addition to making art, Shackelford taught art classes to children and adults, was an active participant in arts organizations, and both wrote and illustrated books that received extensive attention from book reviewers.
Norah Gurdon was an Australian artist. Her first name is often misspelled Nora in many articles reviewing her work.
Hulda Marshall was an artist, arts patron and philanthropist.
Mabel Billah Greenberg (1889-1933) was a British artist.
