Author | Edward Copeland |
---|---|
Language | English |
Subject | Women's fiction |
Publisher | Cambridge University Press |
Publication date | 1995 |
Publication place | United States |
Pages | 291 pp. |
ISBN | 0521454611 |
OCLC | 30109106 |
Women Writing About Money: Women's Fiction in England is a 1995 non-fiction book by Edward Copeland.
The book is about the lives of women in Jane Austen's time who had no legal access to money, but were held responsible for domestic expenditure. The book talks about the professional lives of women authors, their publishers, and their profits.
Amanda Gilroy, of Romanticism, reviewed the book saying, "These cavils aside, Copeland provides a wealth of contextual material. He has undertaken the type of assiduous research that makes Women Writing About Money a fascinating history of the relations between economic details and gender in the period. It will be up to other Romantic scholars to investigate further the insight that 'systems of consumption and systems of discourse are not by any means independent of one another." [1] It won a prize for One of Choice's Outstanding Academic Books for 1995. [2]
Jane Austen was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage for the pursuit of favourable social standing and economic security. Her works are implicit critiques of the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of social commentary, realism, and irony have earned her acclaim amongst critics and scholars.
Japanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or lit. 'Chinese writing', a Chinese-Japanese creole language. Indian literature also had an influence through the spread of Buddhism in Japan.
Dame Antonia Susan Duffy, known professionally by her former married name, A. S. Byatt, was an English critic, novelist, poet and short-story writer. Her books have been translated into more than thirty languages.
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Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid-nineteenth-century French literature (Stendhal) and Russian literature. Literary realism attempts to represent familiar things as they are. Realist authors chose to depict every day and banal activities and experiences.
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Kerry Isabelle Greenwood is an Australian author and lawyer. She has written many plays and books, most notably a string of historical detective novels centred on the character of Phryne Fisher, which was adapted as the popular television series Miss Fisher's Murder Mysteries. She writes mysteries, science-fiction, historical fiction, children's stories, and plays. Greenwood earned the Australian women's crime fiction Davitt Award in 2002 for her young adult novel The Three-Pronged Dagger.
Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism. She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels. Austen extends her critique by highlighting social hypocrisy through irony; she often creates an ironic tone through free indirect speech in which the thoughts and words of the characters mix with the voice of the narrator. The degree to which critics believe Austen's characters have psychological depth informs their views regarding her realism. While some scholars argue that Austen falls into a tradition of realism because of her finely executed portrayal of individual characters and her emphasis on "the everyday", others contend that her characters lack a depth of feeling compared with earlier works, and that this, combined with Austen's polemical tone, places her outside the realist tradition.
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Daisy Hay is Associate Professor in English Literature and Life Writing at the University of Exeter and an author of non-fiction. Hay was elected a fellow of the Royal Society of Literature in 2018.
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